Art in Theory. Группа авторов

from Twelve Years a Slave IVB4 John Ruskin (1819–1900) from The Two Paths IVB5 Ernest Renan (1823–92) from ‘The Position of the Shemitic Nations in the History of Civilization’ IVB6 Karl Marx (1818–83) and Friedrich Engels (1820–95) On the emergence of the world system IVB7 Karl Marx (1818–83) On the ‘Asiatic mode of production’ and modern capitalism IVB8 The First International address to the people of the United States of America IVB9 Edmond de Goncourt (1822–96) from the Goncourt Journal IVB10 Charles Darwin (1809–82) from The Descent of Man IVB11 Friedrich Nietzsche (1844–1900) ‘Signs of Higher and Lower Culture’ IVB12 Encyclopaedia Britannica Ninth edition: ‘Negro’ IVB13 W. T. Stead (1849–1912) ‘To All English‐speaking Folk’ IVB14 R. H. Bacon (1867–1947) from Benin: The City of Blood IVB15 Rudyard Kipling (1865–1936) ‘The White Man’s Burden’ IVC Anthropology, Museums and the Origins of Art IVC1 Owen Jones (1809–74) from The Grammar of Ornament IVC2 Edward Tylor (1832–1917) from Primitive Culture IVC3 Augustus Lane‐Fox Pitt‐Rivers (1827–1900) ‘Principles of Classification’ IVC4 J. G. Frazer (1854–1941) from The Golden Bough IVC5 Ernst Grosse (1862–1927) ‘Ethnology and Aesthetics’ IVC6 Henry Balfour (1863–1939) from The Evolution of Decorative Art IVC7 Alfred Haddon (1855–1940), from Evolution in Art IVC8 Alois Riegl (1858–1905) from Problems of Style IVC9 Alois Riegl (1858–1905) ‘The Place of the Vapheio Cups in the History of Art’ IVC10 George Birdwood (1832–1917) ‘Conventionalism in Primitive Art’ IVD The World in View IVD1 Gérard de Nerval (1808–55) from Scenes of Life in the Orient IVD2 Gustave Flaubert (1821–80) On the pyramids IVD3 Hiram Bingham (1789–1869) from A Residence of Twenty‐One Years in the Sandwich Islands IVD4 Sir Colin Campbell (1776–1847) Letter to Lord Stanley IVD5 Andrew Nicoll (1804–86) ‘A Sketching Tour of Five Weeks in the Forests of Ceylon’ IVD6 Robert Fortune (1812–80) from A Residence Among the Chinese IVD7 James Fergusson (1808–86) from History of Indian Architecture IVD8 Rajendralal Mitra (1824–91) from Indo‐Aryans IVD9 Robert Louis Stevenson (1850–94) On the South Seas IVD10 C. H. Read (1857–1929) and O. M. Dalton (1866–1945) ‘Works of Art from Benin City’ IVD11 Henry Ling Roth (1855–1925) ‘Primitive Art from Benin’ IVD12 Mary Kingsley (1862–1900) from West African Studies

      12  Part V: The Significance of the ‘Primitive’ VA Authenticity, Form and Feeling VA1 A cluster of short texts on the initial encounter of the European avant‐garde with African art in 1906–7 VA1(i) André Derain (1880–1954) Letter to Maurice de Vlaminck, March 1906 VA1(ii) Maurice de Vlaminck (1876–1958) On his ‘discovery’ of African art in 1906 VA1(iii) Henri Matisse (1869–1954) On his encounter with African art in 1906 VA1(iv) Pablo Picasso (1881–1973) On his visit to the Trocadero museum in 1907 VA2 Wilhelm Worringer (1881–1965) from Abstraction and Empathy VA3 Roger Fry (1866–1934) ‘The Art of the Bushmen’ VA4 Guillaume Apollinaire (1880–1918) ‘Exoticism and Ethnography’ VA5 Franz Marc (1880–1916) Letter to August Macke VA6 Franz Marc (1880–1916) ‘The Savages of Germany’ VA7 August Macke (1887–1914) ‘Masks’ VA8 Emil Nolde (1867–1956) ‘On Primitive Art’ VA9 Alexander Shevchenko (1888–1948) ‘Neo‐Primitivism’ VA10 Henri Matisse (1869–1954) On his visits to North Africa VA11 Paul Klee (1879–1940) On his visit to Tunisia VA12 Hermann Bahr (1863–1934) from Expressionism VB The Reach of Empire VB1 James A. Hobson (1858–1940) from Imperialism VB2 Charles Augustus Stoddard (1833–1920) from Cruising Among the Caribbees VB3 Edward Wilmot Blyden (1832–1912) ‘West Africa Before Europe’ VB4 Kakuso Okakura (1862–1913) from The Ideals of the East VB5 Sister Nivedita (1867–1911) ‘Introduction’ to Okakura’sThe