Art in Theory. Группа авторов

Richard Payne Knight (1751–1824) from An Inquiry into the Symbolical Language of Ancient Art and Mythology IIIA7 John Flaxman (1755–1826) ‘Style’ IIIA8 Georg Wilhelm Friedrich Hegel (1770–1831) from Aesthetics: Lectures on Fine Art IIIA9 Georg Wilhelm Friedrich Hegel (1770–1831) from Lectures on the Philosophy of World History IIIA10 John L. Stephens (1805–52) from Incidents of Travel in Yucatan IIIA11 Arthur Schopenhauer (1788–1860) ‘On Human Nature’ IIIA12 Gottfried Semper (1803–79) from The Four Elements of Architecture IIIB Visions of the Exotic IIIB1 Samuel Taylor Coleridge (1772–1834) ‘Kubla Khan’ IIIB2 Maria Edgeworth (1768–1849) from The Absentee IIIB3 George Gordon, Lord Byron (1788–1824) from The Giaour IIIB4 Thomas De Quincey (1785–1859) from Confessions of an English Opium‐Eater IIIB5 Johann Wolfgang Goethe (1749–1832) from the West–Eastern Divan IIIB6 Giacomo Leopardi (1797–1837) from Zibaldone IIIB7 Alfred, Lord Tennyson (1809–92) from ‘Timbuctoo’ IIIB8 Eugène Delacroix (1798–1863) Letters and notes on his journey to North Africa IIIB9 George Catlin (1796–1872) ‘Letter from the Mouth of the Yellowstone River’ IIIB10 John Constable (1776–1837) from ‘Discourses’ IIIB11 David Roberts (1796–1864) from his travels to Egypt and the Middle East IIIB12 Jean Auguste Dominique Ingres (1780–1867) Notes on the Turkish baths IIIC Missionaries, Managers and Resistance IIIC1 Thomas Paine (1737–1809) from Rights of Man IIIC2 William Blake (1757–1827) from America, a Prophecy IIIC3 Mirza Abu Talib (or Taleb) Khan (1752–1805) from his Travels IIIC4 Lady Maria Nugent (1771–1834) from her journal IIIC5 William Wordsworth (1770–1850) To Toussaint L’Ouverture IIIC6 James Mill (1773–1836) from The History of British India IIIC7 Percy Bysshe Shelley (1792–1822) ‘Ozymandias’ IIIC8 Henry Salt (1780–1827) and Joseph Banks (1743–1820) Two letters IIIC9 John Davy (1790–1868) from An Account of the Interior of Ceylon IIIC10 William Ellis (1794–1872) from Polynesian Researches IIIC11 Ram Raz (1790–1833) from Essay on the Architecture of the Hindús IIIC12 Thomas Babington Macaulay, Lord Macaulay (1800–59) Minute on Indian Education IIIC13 James Mallord William Turner (1775–1851), William Makepeace Thackeray (1811–63) and John Ruskin (1819–1900) Three texts relating to J. M. W. Turner’s Slave Ship

      11  Part IV: Modernity and Empire IVA Enduring Fictions and Transformed Spaces IVA1 Théophile Gautier (1811–72) from ‘Art in 1848’ IVA2 Théophile Gautier (1811–72) On Gérôme and artistic Orientalism IVA3 Théophile Thoré, writing as William Bürger (1807–69), from ‘New Tendencies in Art’ IVA4 Edmond and Jules de Goncourt (1822–96 and 1830–70 respectively) on Japanese art IVA5 Various authors on Japanese art and the ‘painting of modern life’ IVA5(i) Charles Baudelaire (1821–67) from a letter to Arsène Houssaye, 1861 IVA5(ii) Émile Zola (1840–1902) On Manet IVA5(iii) Edmond Duranty (1833–80) On ‘the new painting’ IVA5(iv) Stéphane Mallarmé (1842–98) from ‘The Impressionists and Edouard Manet’ IVA5(v) Théodore Duret (1838–1927) On Japan IVA5(vi) Félix Fénéon (1861–1944) from ‘The Impressionists in 1886’ IVA5(vii) Vincent Van Gogh On Japan IVA6 Philippe Burty (1830–90) ‘Ancient Japan and Modern Japan’ IVA7 Joris‐Karl Huysmans (1848–1907) from A Rebours IVA8 Pierre Loti (1850–1923) from The Marriage of Loti IVA9 A cluster of texts on Gauguin and Oceania IVA9(i) Paul Gauguin (1848–1903) from three letters written before leaving for Polynesia IVA9(ii) Paul Gauguin from Noa Noa IVA9(iii) Auguste Strindberg (1849–1912) and Paul Gauguin from an exchange of letters 1895 IVA9(iv) Paul Gauguin from Avant et après, Atuona, Hiva‐Oa IVA10 Hermann Bahr (1863–1934) Review of the Japanese exhibition at the sixth exhibition of the Vienna Secession IVB Society, Evolution and the Idea of ‘Race’ IVB1 Robert Knox (1793–1862) from The Races of Men IVB2 Joseph‐Arthur,