Hilary Mantel Collection. Hilary Mantel

badly in Italy and their commander has died of plague.

      Autumn comes. Gregory goes back to his tutor; his reluctance is clear enough, though little about Gregory is clear to him. ‘What is it,’ he asks him, ‘what's wrong?’ The boy won't say. With other people, he is sunny and lively, but with his father guarded and polite, as if to keep a formal distance between them. He says to Johane, ‘Is Gregory frightened of me?’

      Quick as a needle into canvas, she darts at him. ‘He's not a monk; has he cause?’ Then she softens. ‘Thomas, why should he be? You're a kind father; in fact, I think too much so.’

      ‘If he doesn't want to go back to his tutor, I could send him to Antwerp to my friend Stephen Vaughan.’

      ‘Gregory will never make a man of business.’

      ‘No.’ You can't see him beating out a deal on interest rates with one of the Fuggers' agents or some sniggering de Medici clerk. ‘So what will I do with him?’

      ‘I'll tell you what to do – when he is ready, marry him well. Gregory is a gentleman. Anyone can see that.’

      Anne is eager to make a start with Greek. He is thinking who best to teach her, asking around. He wants someone congenial, whom he can talk to over supper, a young scholar who will live in the house. He regrets the choice of tutor he's made for his son and nephews, but he won't take them away at this point. The man is quarrelsome, and to be sure there was a sad episode when one of the boys set fire to his room, because he'd been reading in bed with a candle. ‘It wouldn't be Gregory, would it?’ he'd said, always hopeful; the master seemed to think he was treating it as a joke. And he's always sending him bills that he believes he's paid; I need a household accountant, he thinks.

      He sits at his desk, piled high with drawings and plans from Ipswich and Cardinal College, with craftsmen's estimates and bills for Wolsey's planting schemes. He examines a scar in the palm of his hand; it is an old burn-mark, and it looks like a twist of rope. He thinks about Putney. He thinks about Walter. He thinks about the jittery sidestep of a skittish horse, the smell of the brewery. He thinks about the kitchen at Lambeth, and about the tow-headed boy who used to bring the eels. He remembers taking the eel-boy by the hair and dipping his head in a tub of water, and holding it under. He thinks, did I really do that? I wonder why. The cardinal's probably right, I am beyond redemption. The scar sometimes itches; it is as hard as a spur of bone. He thinks, I need an accountant. I need a Greek tutor. I need Johane, but who says I can have what I need?

      He opens a letter. It is from a priest called Thomas Byrd. He is in want of money, and it seems the cardinal owes him some. He makes a note, to have it checked out and paid, then picks up the letter again. It mentions two men, two scholars, Clerke and Sumner. He knows the names. They are two of the six college men, the Oxford men who had the Lutheran books. Lock them up and reason with them, the cardinal had said. He holds the letter and glances away from it. He knows something bad is coming; its shadow moves on the wall.

      He reads. Clerke and Sumner are dead. The cardinal should be told, the writer says. Having no other secure place, the Dean saw fit to shut them in the college cellars, the deep cold cellars intended for storing fish. Even in that silent place, secret, icy, the summer plague sought them out. They died in the dark and without a priest.

      All summer we have prayed and not prayed hard enough. Had the cardinal simply forgotten his heretics? I must go and tell him, he thinks.

      It is the first week in September. His suppressed grief becomes anger. But what can he do with anger? It also must be suppressed.

      But when at last the year turns, and the cardinal says, Thomas, what shall I give you for a new-year gift?, he says, ‘Give me Little Bilney.’ And without waiting for the cardinal to answer he says, ‘My lord, he has been in the Tower for a year. The Tower would frighten anyone, but Bilney is a timid man and not strong and I am afraid he is straitly kept, and my lord, you remember Sumner and Clerke and how they died. My lord, use your power, write letters, petition the king if you must. Let him go.’

      The cardinal leans back. He puts his fingertips together. ‘Thomas,’ he says. ‘My dear Thomas Cromwell. Very well. But Father Bilney must go back to Cambridge. He must give up his project of going to Rome and addressing the Pope to bring him to a right way of thinking. There are very deep vaults under the Vatican, and my arm will not be able to reach him there.’

      It is at the tip of his tongue to say, ‘You could not reach into the cellars of your own college.’ But he stops himself. Heresy – his brush with it – is a little indulgence that the cardinal allows him. He is always glad to have the latest bad books filleted, and any gossip from the Steelyard, where the German merchants live. He is happy to turn over a text or two, and enjoy an after-supper debate. But for the cardinal, any contentious point must be wrapped around and around again with a fine filament of words, fine as split hairs. Any dangerous opinion must be so plumped out with laughing apologies that it is as fat and harmless as the cushions you lean on. It is true that when he was told of the deaths underground, my lord was moved to tears. ‘How could I not have known?’ he said. ‘Those fine young men!’

      He cries easily in recent months, though that does not mean his tears are less genuine; and indeed now he wipes away a tear, because he knows the story: Little Bilney at Gray's Inn, the man who spoke Polish, the futile messengers, the dazed children, Elizabeth Cromwell's face set in the fixed severity of death. He leans across his desk and says, ‘Thomas, please don't despair. You still have your children. And in time you may wish to marry again.’

      I am a child, he thinks, who cannot be consoled. The cardinal places his hand over his. The strange stones flicker in the light, showing their depths: a garnet like a blood bubble; a turquoise with a silver sheen; a diamond with a yellow-grey blink, like the eye of a cat.

      He will never tell the cardinal about Mary Boleyn, though the impulse will arise. Wolsey might laugh, he might be scandalised. He has to smuggle him the content, without the context.

      Autumn, 1528: he is at court on the cardinal's business. Mary is running towards him, her skirts lifted, showing a fine pair of green silk stockings. Is her sister Anne chasing her? He waits to see.

      She stops abruptly. ‘Ah, it's you!’

      He wouldn't have thought Mary knew him. She puts one hand against the panelling, catching her breath, and the other against his shoulder, as if he were just part of the wall. Mary is still dazzlingly pretty; fair, soft-featured. ‘My uncle, this morning,’ she says. ‘My uncle Norfolk. He was roaring against you. I said to my sister, who is this terrible man, and she said –’

      ‘He's the one who looks like a wall?’

      Mary takes her hand away. She laughs, blushes, and with a little heave of her bosom tries to get her breath back.

      ‘What was my lord of Norfolk's complaint?’

      ‘Oh …’ she flaps a hand to fan herself, ‘he said, cardinals, legates, it was never merry in England when we had cardinals among us. He says the Cardinal of York is despoiling the noble houses, he says he will have all to rule himself, and the lords to be like schoolboys creeping in for a whipping. Not that you should take any notice of what I say …’

      She looks fragile, breathless still: but his eyes tell her to talk. She gives a little laugh and says, ‘My brother George roared too. He said that the Cardinal of York was born in a hospital for paupers and he employs a man was born in the gutter. My lord father said, come now, my dear boy, you lose nothing if you are exact: not quite a gutter, but a brewer's yard, I believe, for he's certainly no gentleman.’ Mary takes a step back. ‘You look a gentleman. I like your grey velvet, where did you find that?’

      ‘Italy.’

      He has been promoted, from being the wall. Mary's hand creeps back; absorbed, she strokes him. ‘Could you get me some? Though a bit sober for a woman, perhaps?’

      Not for a widow, he thinks. The thought must show on his face because Mary says, ‘That's it, you see. William Carey's dead.’

      He bows his head and is very correct; Mary alarms him. ‘The