Of Human Bondage. Уильям Сомерсет Моэм

with her on the balcony, looking at the stars, it occurred to him to make some remark about it. He began:

      “Ich liebe dich.”

      His German was halting, and he looked about for the word he wanted. The pause was infinitesimal, but before he could go on Fraulein Hedwig said:

      “Ach, Herr Carey, Sie mussen mir nicht du sagen–you mustn’t talk to me in the second person singular.”

      Philip felt himself grow hot all over, for he would never have dared to do anything so familiar, and he could think of nothing on earth to say. It would be ungallant to explain that he was not making an observation, but merely mentioning the title of a song.

      “Entschuldigen Sie,” he said. “I beg your pardon.”

      “It does not matter,” she whispered.

      She smiled pleasantly, quietly took his hand and pressed it, then turned back into the drawing-room.

      Next day he was so embarrassed that he could not speak to her, and in his shyness did all that was possible to avoid her. When he was asked to go for the usual walk he refused because, he said, he had work to do. But Fraulein Hedwig seized an opportunity to speak to him alone.

      “Why are you behaving in this way?” she said kindly. “You know, I’m not angry with you for what you said last night. You can’t help it if you love me. I’m flattered. But although I’m not exactly engaged to Hermann I can never love anyone else, and I look upon myself as his bride.”

      Philip blushed again, but he put on quite the expression of a rejected lover.

      “I hope you’ll be very happy,” he said.

      XXIV

      Professor Erlin gave Philip a lesson every day. He made out a list of books which Philip was to read till he was ready for the final achievement of Faust, and meanwhile, ingeniously enough, started him on a German translation of one of the plays by Shakespeare which Philip had studied at school. It was the period in Germany of Goethe’s highest fame. Notwithstanding his rather condescending attitude towards patriotism he had been adopted as the national poet, and seemed since the war of seventy to be one of the most significant glories of national unity. The enthusiastic seemed in the wildness of the Walpurgisnacht to hear the rattle of artillery at Gravelotte. But one mark of a writer’s greatness is that different minds can find in him different inspirations; and Professor Erlin, who hated the Prussians, gave his enthusiastic admiration to Goethe because his works, Olympian and sedate, offered the only refuge for a sane mind against the onslaughts of the present generation. There was a dramatist whose name of late had been much heard at Heidelberg, and the winter before one of his plays had been given at the theatre amid the cheers of adherents and the hisses of decent people. Philip heard discussions about it at the Frau Professor’s long table, and at these Professor Erlin lost his wonted calm: he beat the table with his fist, and drowned all opposition with the roar of his fine deep voice. It was nonsense and obscene nonsense. He forced himself to sit the play out, but he did not know whether he was more bored or nauseated. If that was what the theatre was coming to, then it was high time the police stepped in and closed the playhouses. He was no prude and could laugh as well as anyone at the witty immorality of a farce at the Palais Royal, but here was nothing but filth. With an emphatic gesture he held his nose and whistled through his teeth. It was the ruin of the family, the uprooting of morals, the destruction of Germany.

      “Aber, Adolf,” said the Frau Professor from the other end of the table. “Calm yourself.”

      He shook his fist at her. He was the mildest of creatures and ventured upon no action of his life without consulting her.

      “No, Helene, I tell you this,” he shouted. “I would sooner my daughters were lying dead at my feet than see them listening to the garbage of that shameless fellow.”

      The play was The Doll’s House and the author was Henrik Ibsen.

      Professor Erlin classed him with Richard Wagner, but of him he spoke not with anger but with good-humoured laughter. He was a charlatan but a successful charlatan, and in that was always something for the comic spirit to rejoice in.

      “Verruckter Kerl! A madman!” he said.

      He had seen Lohengrin and that passed muster. It was dull but no worse. But Siegfried! When he mentioned it Professor Erlin leaned his head on his hand and bellowed with laughter. Not a melody in it from beginning to end! He could imagine Richard Wagner sitting in his box and laughing till his sides ached at the sight of all the people who were taking it seriously. It was the greatest hoax of the nineteenth century. He lifted his glass of beer to his lips, threw back his head, and drank till the glass was empty. Then wiping his mouth with the back of his hand, he said:

      “I tell you young people that before the nineteenth century is out Wagner will be as dead as mutton. Wagner! I would give all his works for one opera by Donizetti.”

      XXV

      The oddest of Philip’s masters was his teacher of French. Monsieur Ducroz was a citizen of Geneva. He was a tall old man, with a sallow skin and hollow cheeks; his gray hair was thin and long. He wore shabby black clothes, with holes at the elbows of his coat and frayed trousers. His linen was very dirty. Philip had never seen him in a clean collar. He was a man of few words, who gave his lesson conscientiously but without enthusiasm, arriving as the clock struck and leaving on the minute. His charges were very small. He was taciturn, and what Philip learnt about him he learnt from others: it appeared that he had fought with Garibaldi against the Pope, but had left Italy in disgust when it was clear that all his efforts for freedom, by which he meant the establishment of a republic, tended to no more than an exchange of yokes; he had been expelled from Geneva for it was not known what political offences. Philip looked upon him with puzzled surprise; for he was very unlike his idea of the revolutionary: he spoke in a low voice and was extraordinarily polite; he never sat down till he was asked to; and when on rare occasions he met Philip in the street took off his hat with an elaborate gesture; he never laughed, he never even smiled. A more complete imagination than Philip’s might have pictured a youth of splendid hope, for he must have been entering upon manhood in 1848 when kings, remembering their brother of France, went about with an uneasy crick in their necks; and perhaps that passion for liberty which passed through Europe, sweeping before it what of absolutism and tyranny had reared its head during the reaction from the revolution of 1789, filled no breast with a hotter fire. One might fancy him, passionate with theories of human equality and human rights, discussing, arguing, fighting behind barricades in Paris, flying before the Austrian cavalry in Milan, imprisoned here, exiled from there, hoping on and upborne ever with the word which seemed so magical, the word Liberty; till at last, broken with disease and starvation, old, without means to keep body and soul together but such lessons as he could pick up from poor students, he found himself in that little neat town under the heel of a personal tyranny greater than any in Europe. Perhaps his taciturnity hid a contempt for the human race which had abandoned the great dreams of his youth and now wallowed in sluggish ease; or perhaps these thirty years of revolution had taught him that men are unfit for liberty, and he thought that he had spent his life in the pursuit of that which was not worth the finding. Or maybe he was tired out and waited only with indifference for the release of death.

      One day Philip, with the bluntness of his age, asked him if it was true he had been with Garibaldi. The old man did not seem to attach any importance to the question. He answered quite quietly in as low a voice as usual.

      “Oui, monsieur.”

      “They say you were in the Commune?”

      “Do they? Shall we get on with our work?”

      He held the book open and Philip, intimidated, began to translate the passage he had prepared.

      One day Monsieur Ducroz seemed to be in great pain. He had been scarcely able to drag himself up the many stairs to Philip’s room: and when he arrived sat down heavily, his sallow face drawn, with beads of sweat on his forehead, trying to recover himself.

      “I’m afraid you’re ill,” said Philip.

      “It’s