The Essential Willa Cather Collection. Уилла Кэсер

of the Spirit weeks ago, and special prayer-meetings had been held at her house for her son. But Eric had only gone his ways laughing, the ways of youth, which are short enough at best, and none too flowery on the Divide. He slipped away from the prayer-meetings to meet the Campbell boys in Genereau's saloon, or hug the plump little French girls at Chevalier's dances, and sometimes, of a summer night, he even went across the dewy cornfields and through the wild-plum thicket to play the fiddle for Lena Hanson, whose name was a reproach through all the Divide country, where the women are usually too plain and too busy and too tired to depart from the ways of virtue. On such occasions Lena, attired in a pink wrapper and silk stockings and tiny pink slippers, would sing to him, accompanying herself on a battered guitar. It gave him a delicious sense of freedom and experience to be with a woman who, no matter how, had lived in big cities and knew the ways of town-folk, who had never worked in the fields and had kept her hands white and soft, her throat fair and tender, who had heard great singers in Denver and Salt Lake, and who knew the strange language of flattery and idleness and mirth.

      Yet, careless as he seemed, the frantic prayers of his mother were not altogether without their effect upon Eric. For days he had been fleeing before them as a criminal from his pursuers, and over his pleasures had fallen the shadow of something dark and terrible that dogged his steps. The harder he danced, the louder he sang, the more was he conscious that this phantom was gaining upon him, that in time it would track him down. One Sunday afternoon, late in the fall, when he had been drinking beer with Lena Hanson and listening to a song which made his cheeks burn, a rattlesnake had crawled out of the side of the sod house and thrust its ugly head in under the screen door. He was not afraid of snakes, but he knew enough of Gospellism to feel the significance of the reptile lying coiled there upon her doorstep. His lips were cold when he kissed Lena good-by, and he went there no more.

      The final barrier between Eric and his mother's faith was his violin, and to that he clung as a man sometimes will cling to his dearest sin, to the weakness more precious to him than all his strength. In the great world beauty comes to men in many guises, and art in a hundred forms, but for Eric there was only his violin. It stood, to him, for all the manifestations of art; it was his only bridge into the kingdom of the soul.

      It was to Eric Hermannson that the evangelist directed his impassioned pleading that night.

      "_Saul, Saul, why persecutest thou me?_ Is there a Saul here to-night who has stopped his ears to that gentle pleading, who has thrust a spear into that bleeding side? Think of it, my brother; you are offered this wonderful love and you prefer the worm that dieth not and the fire which will not be quenched. What right have you to lose one of God's precious souls? _Saul, Saul, why persecutest thou me?_"

      A great joy dawned in Asa Skinner's pale face, for he saw that Eric Hermannson was swaying to and fro in his seat. The minister fell upon his knees and threw his long arms up over his head.

      "O my brothers! I feel it coming, the blessing we have prayed for. I tell you the Spirit is coming! Just a little more prayer, brothers, a little more zeal, and he will be here. I can feel his cooling wing upon my brow. Glory be to God forever and ever, amen!"

      The whole congregation groaned under the pressure of this spiritual panic. Shouts and hallelujahs went up from every lip. Another figure fell prostrate upon the floor. From the mourners' bench rose a chant of terror and rapture:

      "Eating honey and drinking wine, _Glory to the bleeding Lamb!_ I am my Lord's and he is mine, _Glory to the bleeding Lamb!_"

      The hymn was sung in a dozen dialects and voiced all the vague yearning of these hungry lives, of these people who had starved all the passions so long, only to fall victims to the basest of them all, fear.

      A groan of ultimate anguish rose from Eric Hermannson's bowed head, and the sound was like the groan of a great tree when it falls in the forest.

      The minister rose suddenly to his feet and threw back his head, crying in a loud voice:

      "_Lazarus, come forth!_ Eric Hermannson, you are lost, going down at sea. In the name of God, and Jesus Christ his Son, I throw you the life-line. Take hold! Almighty God, my soul for his!" The minister threw his arms out and lifted his quivering face.

      Eric Hermannson rose to his feet; his lips were set and the lightning was in his eyes. He took his violin by the neck and crushed it to splinters across his knee, and to Asa Skinner the sound was like the shackles of sin broken audibly asunder.

      II.

      For more than two years Eric Hermannson kept the austere faith to which he had sworn himself, kept it until a girl from the East came to spend a week on the Nebraska Divide. She was a girl of other manners and conditions, and there were greater distances between her life and Eric's than all the miles which separated Rattlesnake Creek from New York city. Indeed, she had no business to be in the West at all; but ah! across what leagues of land and sea, by what improbable chances, do the unrelenting gods bring to us our fate!

      It was in a year of financial depression that Wyllis Elliot came to Nebraska to buy cheap land and revisit the country where he had spent a year of his youth. When he had graduated from Harvard it was still customary for moneyed gentlemen to send their scapegrace sons to rough it on ranches in the wilds of Nebraska or Dakota, or to consign them to a living death in the sage-brush of the Black Hills. These young men did not always return to the ways of civilized life. But Wyllis Elliot had not married a half-breed, nor been shot in a cow-punchers' brawl, nor wrecked by bad whisky, nor appropriated by a smirched adventuress. He had been saved from these things by a girl, his sister, who had been very near to his life ever since the days when they read fairy tales together and dreamed the dreams that never come true. On this, his first visit to his father's ranch since he left it six years before, he brought her with him. She had been laid up half the winter from a sprain received while skating, and had had too much time for reflection during those months. She was restless and filled with a desire to see something of the wild country of which her brother had told her so much. She was to be married the next winter, and Wyllis understood her when she begged him to take her with him on this long, aimless jaunt across the continent, to taste the last of their freedom together. It comes to all women of her type--that desire to taste the unknown which allures and terrifies, to run one's whole soul's length out to the wind--just once.

      It had been an eventful journey. Wyllis somehow understood that strain of gypsy blood in his sister, and he knew where to take her. They had slept in sod houses on the Platte River, made the acquaintance of the personnel of a third-rate opera company on the train to Deadwood, dined in a camp of railroad constructors at the world's end beyond New Castle, gone through the Black Hills on horseback, fished for trout in Dome Lake, watched a dance at Cripple Creek, where the lost souls who hide in the hills gathered for their besotted revelry. And now, last of all, before the return to thraldom, there was this little shack, anchored on the windy crest of the Divide, a little black dot against the flaming sunsets, a scented sea of cornland bathed in opalescent air and blinding sunlight.

      Margaret Elliot was one of those women of whom there are so many in this day, when old order, passing, giveth place to new; beautiful, talented, critical, unsatisfied, tired of the world at twenty-four. For the moment the life and people of the Divide interested her. She was there but a week; perhaps had she stayed longer, that inexorable ennui which travels faster even than the Vestibule Limited would have overtaken her. The week she tarried there was the week that Eric Hermannson was helping Jerry Lockhart thresh; a week earlier or a week later, and there would have been no story to write.

      It was on Thursday and they were to leave on Saturday. Wyllis and his sister were sitting on the wide piazza of the ranchhouse, staring out into the afternoon sunlight and protesting against the gusts of hot wind that blew up from the sandy river-bottom twenty miles to the southward.

      The young man pulled his cap lower over his eyes and remarked:

      "This wind is the real thing; you don't strike it anywhere else. You remember we had a touch of it in Algiers and I told you it came from Kansas. It's the key-note of this country."

      Wyllis