The Essential Willa Cather Collection. Уилла Кэсер

staring at the fire. Canute stood beside her, listening with his head bent reverently and his hands folded on his breast. When the little man had prayed and said amen, Canute began bundling him up again.

      "I will take you home, now," he said as he carried him out and placed him in his buggy, and started off with him through the fury of the storm, floundering among the snow drifts that brought even the giant himself to his knees.

      After she was left alone, Lena soon ceased weeping. She was not of a particularly sensitive temperament, and had little pride beyond that of vanity. After the first bitter anger wore itself out, she felt nothing more than a healthy sense of humiliation and defeat. She had no inclination to run away, for she was married now, and in her eyes that was final and all rebellion was useless. She knew nothing about a license, but she knew that a preacher married folks. She consoled herself by thinking that she had always intended to marry Canute some day, any way.

      She grew tired of crying and looking into the fire, so she got up and began to look about her. She had heard queer tales about the inside of Canute's shanty, and her curiosity soon got the better of her rage. One of the first things she noticed was the new black suit of clothes hanging on the wall. She was dull, but it did not take a vain woman long to interpret anything so decidedly flattering, and she was pleased in spite of herself. As she looked through the cupboard, the general air of neglect and discomfort made her pity the man who lived there.

      "Poor fellow, no wonder he wants to get married to get somebody to wash up his dishes. Batchin's pretty hard on a man."

      It is easy to pity when once one's vanity has been tickled. She looked at the window sill and gave a little shudder and wondered if the man were crazy. Then she sat down again and sat a long time wondering what her Dick and Ole would do.

      "It is queer Dick didn't come right over after me. He surely came, for he would have left town before the storm began and he might just as well come right on as go back. If he'd hurried he would have gotten here before the preacher came. I suppose he was afraid to come, for he knew Canuteson could pound him to jelly, the coward!" Her eyes flashed angrily.

      The weary hours wore on and Lena began to grow horribly lonesome. It was an uncanny night and this was an uncanny place to be in. She could hear the coyotes howling hungrily a little way from the cabin, and more terrible still were all the unknown noises of the storm. She remembered the tales they told of the big log overhead and she was afraid of those snaky things on the window sills. She remembered the man who had been killed in the draw, and she wondered what she would do if she saw crazy Lou's white face glaring into the window. The rattling of the door became unbearable, she thought the latch must be loose and took the lamp to look at it. Then for the first time she saw the ugly brown snake skins whose death rattle sounded every time the wind jarred the door.

      "Canute, Canute!" she screamed in terror.

      Outside the door she heard a heavy sound as of a big dog getting up and shaking himself. The door opened and Canute stood before her, white as a snow drift.

      "What is it?" he asked kindly.

      "I am cold," she faltered.

      He went out and got an armful of wood and a basket of cobs and filled the stove. Then he went out and lay in the snow before the door. Presently he heard her calling again.

      "What is it?" he said, sitting up.

      "I'm so lonesome, I'm afraid to stay in here all alone."

      "I will go over and get your mother." And he got up.

      "She won't come."

      "I'll bring her," said Canute grimly.

      "No, no. I don't want her, she will scold all the time."

      "Well, I will bring your father."

      She spoke again and it seemed as though her mouth was close up to the key-hole. She spoke lower than he had ever heard her speak before, so low that he had to put his ear up to the lock to hear her.

      "I don't want him either, Canute,--I'd rather have you."

      For a moment she heard no noise at all, then something like a groan. With a cry of fear she opened the door, and saw Canute stretched in the snow at her feet, his face in his hands, sobbing on the door step.

      _Overland Monthly_, January 1896

      _Eric Hermannson's Soul_

      I.

      It was a great night at the Lone Star schoolhouse--a night when the Spirit was present with power and when God was very near to man. So it seemed to Asa Skinner, servant of God and Free Gospeller. The schoolhouse was crowded with the saved and sanctified, robust men and women, trembling and quailing before the power of some mysterious psychic force. Here and there among this cowering, sweating multitude crouched some poor wretch who had felt the pangs of an awakened conscience, but had not yet experienced that complete divestment of reason, that frenzy born of a convulsion of the mind, which, in the parlance of the Free Gospellers, is termed "the Light." On the floor, before the mourners' bench, lay the unconscious figure of a man in whom outraged nature had sought her last resort. This "trance" state is the highest evidence of grace among the Free Gospellers, and indicates a close walking with God.

      Before the desk stood Asa Skinner, shouting of the mercy and vengeance of God, and in his eyes shone a terrible earnestness, an almost prophetic flame. Asa was a converted train gambler who used to run between Omaha and Denver. He was a man made for the extremes of life; from the most debauched of men he had become the most ascetic. His was a bestial face, a face that bore the stamp of Nature's eternal injustice. The forehead was low, projecting over the eyes, and the sandy hair was plastered down over it and then brushed back at an abrupt right angle. The chin was heavy, the nostrils were low and wide, and the lower lip hung loosely except in his moments of spasmodic earnestness, when it shut like a steel trap. Yet about those coarse features there were deep, rugged furrows, the scars of many a hand-to-hand struggle with the weakness of the flesh, and about that drooping lip were sharp, strenuous lines that had conquered it and taught it to pray. Over those seamed cheeks there was a certain pallor, a grayness caught from many a vigil. It was as though, after Nature had done her worst with that face, some fine chisel had gone over it, chastening and almost transfiguring it. To-night, as his muscles twitched with emotion, and the perspiration dropped from his hair and chin, there was a certain convincing power in the man. For Asa Skinner was a man possessed of a belief, of that sentiment of the sublime before which all inequalities are leveled, that transport of conviction which seems superior to all laws of condition, under which debauchees have become martyrs; which made a tinker an artist and a camel-driver the founder of an empire. This was with Asa Skinner to-night, as he stood proclaiming the vengeance of God.

      It might have occurred to an impartial observer that Asa Skinner's God was indeed a vengeful God if he could reserve vengeance for those of his creatures who were packed into the Lone Star schoolhouse that night. Poor exiles of all nations; men from the south and the north, peasants from almost every country of Europe, most of them from the mountainous, night-bound coast of Norway. Honest men for the most part, but men with whom the world had dealt hardly; the failures of all countries, men sobered by toil and saddened by exile, who had been driven to fight for the dominion of an untoward soil, to sow where others should gather, the advance-guard of a mighty civilization to be.

      Never had Asa Skinner spoken more earnestly than now. He felt that the Lord had this night a special work for him to do. To-night Eric Hermannson, the wildest lad on all the Divide, sat in his audience with a fiddle on his knee, just as he had dropped in on his way to play for some dance. The violin is an object of particular abhorrence to the Free Gospellers. Their antagonism to the church organ is bitter enough, but the fiddle they regard as a very incarnation of evil desires, singing forever of worldly pleasures and inseparably associated with all forbidden things.

      Eric Hermannson had long been the object of the prayers of the revivalists. His mother had felt the power