The Word for Woman Is Wilderness. Abi Andrews

possibility. This is an invisible kind of poverty, this lack of all of the complexity that Urla and her mother are born from.

      Gudrid lived in the days of longboats and raging seas. She travelled to what we now call Newfoundland, which is my own first port of call in Canada. This was before lucky-lost explorer Christopher Columbus, and Thilda proudly points out that although the Spanish like to think that the sagas are make-believe, Icelanders know who really found the New World. Gudrid was the first European mother in the western hemisphere.

      She had a son; they called him Snorri. But with their small clan and without the guns the Spanish had, they were driven away by the natives. Or savages, as Thilda called them.

      She concludes her story by saying, ‘Gudrid travelled further than all of her husbands, who died one after another and proved early in our history that you don’t need a penis between your legs to make you a great adventurer.’ I look up at the bulking hills and think about how Gudrid personifies them, and the geysers and the winds, and the looming, enduring volcanoes, the shifting ground. And how so much of Thilda is in Urla, and Gudrid in them both. And it feels kind of feminine, all this entering. It feels like pregnation.

      It is this harsh softness. Of a landscape that is fertile and hostile. And it takes on this significance for me and for my journey so that I have to squeak into bubbles under the water, because I feel like for the first time ever I know exactly why I am where I am right then in that moment.

       GO WEST, YOUNG MAN

      Our plans for Greenland have undergone sudden and fantastic developments. Urla and Thilda had been plotting the whole time to put us on a boat with Urla’s uncle Larus, who is a whale scientist. Larus has his own research boat and is intending to go out into the Denmark Strait, the channel in between Iceland and Greenland, to survey a pod of long-finned pilot whales. They hadn’t told me in case it didn’t work out, but it has and we leave for Greenland in four days’ time.

      It is against protocol because the boat is only supposed to carry two people, but Urla threatened to stow away if her uncle took me and went without her. She will come with me as far as she can before she has to get back and work her summer job, so we will be in the double cabin and Larus will sleep in the steering room on the floor. Urla will then carry on through Greenland with me until I find a way to follow in the wake of Gudrid on to Canada. It is perfect because she can translate for me in Greenland, and she said she would write up the subtitles for the Danish when I edit the footage for the documentary. Because her uncle Larus still has to do his research it will be a slow journey of five days but we get to go whale watching and learn about the behavioural patterns of the long-finned pilot whale.

      It jarred how easily Thilda let Urla go across a foreign country with a stranger so soon after they reunited after so long. I suppose we will be with her uncle and then her family friends in Nuuk once we find a way to reach the west coast, so the prospect seems safe to her. Maybe also she is used to Urla leaving, what with her being at university and having spent half her childhood away at her dad’s because of the separation. But the contrast to my own parents’ response is stark.

       Why can’t you just be simple like other girls your age, get a job somewhere in town and work your way up, or at least go away to go to university, make something of yourself?

       What did we do to you that made you so determined to leave us?

       We won’t sleep until you return.

       We won’t sleep ever again.

      I could not make them understand that my breaking-away-from is inevitable and keeps the history of the world in motion. The young always leave. At least the male young of the species always does. My leaving would have been a casting out, an initiation ritual, had I been a boy. Women who leave always abandon. Imagine the pinnacle form of this, the mother who leaves her children to her husband. Unnatural! Monstrous! And the man who does it? My bet is he ends up smug with a younger wife, paying minimal child support.

      Urla does not need to lurch away from Thilda because Thilda lets her go. The two of them are twinned in ease, in their mannerisms, in a way that makes them seem more like sisters than mother and daughter. I prefer to be definitive about my being, where it ends and what its characteristics are. I have my dad’s nose, my mother’s green eyes and dark brown hair. I have his stubbornness and her impulse to over-empathise, weeping easily. But I try hard to also not be like them.

      Peregrine; chaffinch; woodpigeon.

      Field; hedgerow; river.

      Mother; father; me.

       THE CHEMICAL WAR ON THE GYPSY MOTH

      Larus has given me Rachel Carson’s Silent Spring because ‘it is one of the most important books you will ever read.’ In 1962 Silent Spring was published to tell of how different chemicals invented for killing people in the world wars were being used for killing pests on food crops and were then having unexpected repercussions, like the death of birds and children. This is in the sixties, so everyone was doubly pissed with the government for also putting them in range of nuclear weapons that might come at any time without warning and telling them they would be safe under desks.

      Widespread use of DDT was stopped because of Rachel Carson’s book and the US got a mainstream environmental conscience. Acceptance of the ‘ambivalence’ of the oppressors could be scrutinised. Women could have rights, black people could have rights, gay people could have rights, animals could have rights, even grass and trees could have rights, and if you took to the street in a crowd with billboards you could make anything happen.

      Larus overuses his own coined collective nouns like ‘the nascent youth of today’ and ‘the ignorant herd.’ He is exactly the kind of man you imagine when you imagine the kind of man who would get upset about bees. He speaks as if he is playing an internal monologue on constant reel, projecting it into the world like his mouth is a loudspeaker. Just by looking at him I can tell he probably actually weeps at the mention of Arctic drilling.

      There are certain stereotypes that fit with giving a shit about the planet, and funnily enough these are generally in some way feminine. To be a socially acceptable environmentalist you have to be female, a child, or an eccentric (which itself entails being kind of effeminate, if you are already a man). I have come to the conclusion that this is because environmental issues are perceived to be melodramatic and melodrama belongs to the feminine because women are of course by default hysterical, ‘in touch with nature,’ and so easily brought to tears by images of seagulls stuck in Coke cans in conjunction with sad piano music. Melodramatic because there are more pressing issues like terrorists and fascism and the looming employment crisis of the robot workforce, never mind the bees. Women just like animals because they are cute and summon their maternal instinct.

      It is a vicious circle because there is no way of talking about the issues without evoking a whole discourse that is by now tainted by this idea of melodrama. Caring about the environment is lame, Greenpeace is run by scaremongers and weirdo conspiracy theorists, and the bees have gone somewhere, but it is a boring mystery.

      Can YOU give just one pound a month? JUST ONE POUND A MONTH?! One pound could feed cats like Maurice for a whole year and provide shelter on wet nights and windy days and buy the love he so cherishes. Maurice loved his owners (cue sad piano music, image of wet Maurice sat in a box at the side of a road) but one day they took him out in the car and just left him at the side of the road because he had fleas and he smelled. We must protect animals like Maurice, the furry little creatures that god gave us to steward.

      But bees do kind of pollinate about everything we eat. So really, though, Larus, where have the bees gone?

       I USE SONAR TO EXPRESS MYSELF

      We have found the pod of long-finned pilot whales. There are over one hundred of them and it is incredible to look at, their bodies rising smooth and bulbous from the grey water like bubble wrap, blowing air from their blowholes, spraying water like saliva from a blown-up balloon let loose. After two days of tailing them I am reassured that they are not going to rise up as one