Название | The Word for Woman Is Wilderness |
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Автор произведения | Abi Andrews |
Жанр | Исторические приключения |
Серия | |
Издательство | Исторические приключения |
Год выпуска | 0 |
isbn | 9781937512804 |
When we left, Urla hugged her uncle aggressively. I was sad to leave him, but it feels like he has a place in my future as some kind of surrogate uncle or something. He gave me a pile of books and a badge that says Save The Bees which I put on my rucksack, and a knife for gutting fish. He also gave me his Skype and his mobile number, saying that I had to keep in touch weekly, and that he would worry about me once I had left his niece behind. This paternalism irritated me a little.
Urla is riding with Amos and I am with Umik and Genen, the lame dog who refuses to be left back at the house without the pack. He is sweet but a bit much. He has taken a shine to me and is keeping my legs warm but cutting off their circulation intermittently. He also smells, all of them smell, from being fed almost entirely on preserved seafood.
I have tried talking a bit with Umik using the Greenlandic phrase book but I am appalling at pronouncing the words. I think he resorted to putting his iPod on to stop me trying. I thought it would be nice of us to try Greenlandic in case they are sore about still being a colony. I got the phrase book from the harbour office in exchange for my Icelandic one and eight Danish krone. It is a thin thing and useless for actual conversation. I can only pick from utilitarian phrases that are laid out in this odd way that falls into accidental narratives at points:
Please
Thank you
How much does it cost?
This gentleman/lady will pay for everything
Would you like to dance?
I love you
Best wishes
Leave me alone!
Help!
Call the police!
I enjoy the narratives of phrase books. They always seem to follow a haphazard protagonist who is forever getting lost and bothering the emergency services. Oh, our hero is at a bakery. Now they are at a flower market. Oh, now they need an ambulance, holiday over! The phrases are like the names scientists come up with for things, almost useless but better than nothing, I suppose.
I am starting to really need a wee. I have asked Urla how to broach the subject and tried to convince her to tell Amos she needs to go so that we both can because I do not want to. I am just going to hold on until we stop, whenever that is, nightfall, which won’t actually fall but just become a state that we suddenly find ourselves in at some point in the unforeseeable future. By midnight the sun will just about disappear for a few hours.
THE GREAT WHITE SILENCE
The command to make the dogs stop is extremely satisfying. They say ‘aaahhh’ really loud just like that, like letting out a massive sigh. The dogs lose momentum and the sleds come to a prompt but smooth halt, proportionate to the length of the sigh/command. Aaaaaaahhhhhhh. We did not head off until the afternoon today so we have had a full seven-hour stint without breaks. It was about eight in the evening when we stopped, very hungry and sore. I was almost definitely sure my period had leaked in my salopettes but no one could tell through the thickness so it was fine. Bit of a panic as to what to do but we have now figured out the toilet situation. One of us holds up a piece of tarpaulin while the other goes, but we have not yet found an explanation for Umik and Amos for the hysterics that Urla goes into as I try to take care of my Mooncup discreetly.
It makes me think about the Inuit relationship to the land, how consciously gentle they are to it, how aware they are that every single human being leaves an imprint, a mark on the land behind itself. Out on the ice with no plumbing and no soil this becomes stark. Every time you have to expel your waste a mark is left in the sparkling white snow and that impact is made so very concrete. Starting from our beginning anyone could track us right to where we end no matter how hard we try to leave everything in this place as we found it, could follow our paw marks and scratches and dug-up snow and buried bones.
The two tents Amos has look so tiny and bright against the vast white of the ice; accidental, futile, defiant, out-of-depth. Like a single plant clinging to the side of a cliff. We are sharing a one-man between the two of us, which at least guarantees maximum body heat exchange. Without the swooshing sound the moving sleds make, and with the dogs all asleep and huffing, this place is eerie-silent. Apart from when the wind makes the tents crackle, their taut skins whipping frantically. The quiet is ominous; we all feel it, the act of writing this itself feels like pathetic fallacy. But there is nothing but us for miles around, the nearest town is the one we headed off from. Urla says polar bears never come this far south, so not to worry too much about attracting them with my blood. It had not occurred to me to worry until she said.
Urla got a really great interview with Amos today. She did all the speaking, of course, with me filming. We watched it back and Urla translated it for me. He talks about being out on the ice, especially alone (he does most of his trips without Umik but he brings Genen).
I took it so that he was sat cross-legged on the ice with Genen, with nothing else in shot. It was almost perfect, like it encapsulated this ethereal feeling we have both tried and failed to describe: something just less than emptiness, a white collage.
What Thoreau said: in wildness is the preservation of the world. He is often misquoted as having said wilderness, but he meant pure wild-ness. Not wilderness in the sense you usually conceive it, a space set aside to be chaotic or fierce or biodiverse. He meant it in the sense of ‘wild’ as in ‘self-will’ in the past participle. Like looking out over the ocean, or into space, a blank and human-void place, and feeling tiny; this is what Thoreau meant. The very opposite of culture or civilisation.
It is an overwhelming feeling because it reminds you of how you are not like it; vast, indifferent, unfathomable. The ice will erase you. When you and everything living here leave, the ice will swallow up all of your traces. No symbols at all. You. Not you.
The ice sheet refuses human cartography utterly. It is an empty and markless expanse with nothing to anchor the lines of a map to. Well, probably there are glaciologists who can map it in some way, density of ice maybe, accumulation of atmospheric particles perhaps, but this can only be seen with a very specific kind of vision. An esoteric landscape does not help a person to find their way if they are lost; you could walk from the centre of here and never find your way again.
It makes me feel light-headed, this nullification, if I stand and look out into the expanse. But it is not like a paralysing onset of agoraphobia; instead it is the jolt of a sudden release, the severing of an anchor. It is so not at all like home, where cartography is inescapable, knitted into the soil, and there is no chance to get lost, not really. This is a place for walking, this is not: Welcome to the County of Worcestershire, Private Property, Do Not Walk On The Grass.
I asked Amos if he thinks we are on course to get there in time for the ferry. He just said, ‘Immaqa,’ which kind of means maybe and is the catchphrase of Greenland. Bodes well. Most methods of transport here only happen on a weekly basis.
ON BEING OF GREAT ADVANTAGE TO MY SEX
Sledding across all this snow it kind of feels like we are doing an antithetical version of messianic explorer Robert Falcon Scott’s Antarctica expedition. I watched the Herbert Ponting documentary for inspiration before we left England. At the beginning there is a slide with a quote from King George V along to some jolly colonial-era trumpeting. King George said, I WISH THAT EVERY BRITISH BOY COULD SEE THIS FILM FOR IT WOULD HELP TO FOSTER THE SPIRIT OF ADVENTURE ON WHICH THE EMPIRE WAS FOUNDED.
I wanted some of that spirit, even being of the 50 percent already excluded by KG. Positioning myself as male again; my masculine counterpart who lives in my brain, appending a fraud penis so I can traverse Scott’s Antarctica in my imagination.
We hunt and shoot some seals, but we have to feed the dogs that way so it is not too bad of us. And then they start to anthropomorphise the seals, which is kind of sweet, oh, nice guys, right? But we