WALT WHITMAN Ultimate Collection: 500+ Works in Poetry & Prose. Walt Whitman

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      ill-doing . . . . or loss or lack of money . . . . or depressions or exaltations,

       They come to me days and nights and go from me again,

       But they are not the Me myself.

      Apart from the pulling and hauling stands what I am,

       Stands amused, complacent, compassionating, idle, unitary,

       Looks down, is erect, bends an arm on an impalpable certain rest,

       Looks with its sidecurved head curious what will come next,

       Both in and out of the game, and watching and wondering at it.

      Backward I see in my own days where I sweated through fog with linguists and contenders,

       I have no mockings or arguments . . . . I witness and wait.

      I believe in you my soul . . . . the other I am must not abase itself to you,

       And you must not be abased to the other.

      Loafe with me on the grass . . . . loose the stop from your throat,

       Not words, not music or rhyme I want . . . . not custom or lecture, not even the best,

       Only the lull I like, the hum of your valved voice.

      I mind how we lay in June, such a transparent summer morning;

       You settled your head athwart my hips and gently turned over upon me,

       And parted the shirt from my bosom-bone, and plunged your tongue to my barestript heart,

       And reached till you felt my beard, and reached till you held my feet.

      Swiftly arose and spread around me the peace and joy and knowledge that pass all the art and argument of the earth;

       And I know that the hand of God is the elderhand of my own,

      And I know that the spirit of God is the eldest brother of my own,

       And that all the men ever born are also my brothers . . . . and the women my sisters and lovers,

       And that a kelson of the creation is love;

       And limitless are leaves stiff or drooping in the fields,

       And brown ants in the little wells beneath them,

       And mossy scabs of the wormfence, and heaped stones, and elder and mullen and pokeweed.

      A child said, What is the grass? fetching it to me with full hands;

       How could I answer the child? . . . . I do not know what it is any more than he.

      I guess it must be the flag of my disposition, out of hopeful green stuff woven.

      Or I guess it is the handkerchief of the Lord,

       A scented gift and remembrancer designedly dropped,

       Bearing the owner’s name someway in the corners, that we may see and remark, and say Whose?

      Or I guess the grass is itself a child . . . . the produced babe of the vegetation.

      Or I guess it is a uniform hieroglyphic,

       And it means, Sprouting alike in broad zones and narrow zones,

       Growing among black folks as among white,

       Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I receive them the same.

      And now it seems to me the beautiful uncut hair of graves.

      Tenderly will I use you curling grass,

       It may be you transpire from the breasts of young men,

       It may be if I had known them I would have loved them;

       It may be you are from old people and from women, and from offspring taken soon out of their mothers’ laps,

       And here you are the mothers’ laps.

      This grass is very dark to be from the white heads of old mothers,

       Darker than the colorless beards of old men,

       Dark to come from under the faint red roofs of mouths.

      O I perceive after all so many uttering tongues!

       And I perceive they do not come from the roofs of mouths

       for nothing.

      I wish I could translate the hints about the dead young men and women,

       And the hints about old men and mothers, and the offspring taken soon out of their laps.

      What do you think has become of the young and old men?

       And what do you think has become of the women and children?

      They are alive and well somewhere;

       The smallest sprout shows there is really no death,

       And if ever there was it led forward life, and does not wait at the end to arrest it,

       And ceased the moment life appeared.

      All goes onward and outward . . . . and nothing collapses,

       And to die is different from what any one supposed, and luckier.

      Has any one supposed it lucky to be born?

       I hasten to inform him or her it is just as lucky to die, and I know it.

      I pass death with the dying, and birth with the new-washed babe . . . . and am not contained between my hat and boots,

       And peruse manifold objects, no two alike, and every one good,

       The earth good, and the stars good, and their adjuncts all good.

      I am not an earth nor an adjunct of an earth,

       I am the mate and companion of people, all just as immortal and fathomless as myself;

       They do not know how immortal, but I know.

      Every kind for itself and its own . . . . for me mine male and female,

       For me all that have been boys and that love women,

       For me the man that is proud and feels how it stings to be slighted,

       For me the sweetheart and the old maid . . . . for me mothers and the mothers of mothers,

       For me lips that have smiled, eyes that have shed tears,

       For me children and the begetters of children.

      Who need be afraid of the merge?

       Undrape . . . . you are not guilty to me, nor stale nor discarded,

       I see through the broadcloth and gingham whether or no,

       And am around, tenacious, acquisitive, tireless . . . . and can never be shaken away.

      The little one sleeps in its cradle,

       I lift the gauze and look a long time, and silently brush away flies with my hand.

       The youngster and the redfaced girl turn aside up the bushy hill,

       I peeringly view them from the top.

      The suicide sprawls on the bloody floor of the bedroom.

       It is so . . . . I witnessed the corpse . . . . there the pistol had fallen.

      The blab of the pave . . . . the tires of carts and sluff of bootsoles and talk of the promenaders,

       The heavy omnibus, the driver with his interrogating thumb, the clank of the shod horses on the granite floor,

       The carnival of sleighs, the clinking and shouted jokes and pelts of snowballs;

      The hurrahs for popular favorites . . . . the fury of roused mobs,

       The flap of the curtained litter -- the sick man inside, borne to the hospital,

       The meeting of enemies, the sudden oath, the blows and fall,

       The excited crowd -- the policeman with his star quickly working his passage to the centre of the crowd;