The Brotherhood of Consolation. Оноре де Бальзак

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       Honoré de Balzac

      The Brotherhood of Consolation

      Published by Good Press, 2019

       [email protected]

      EAN 4057664613639

Table of Contents

       FIRST EPISODE. MADAME DE LA CHANTERIE

       I. THE MALADY OF THE AGE

       II. OLD HOUSE, OLD PEOPLE, OLD CUSTOMS

       III. THE HOUSE OF MONGENOD

       IV. FAREWELL TO THE LIFE OF THE WORLD

       V. THE INFLUENCE OF BOOKS

       VI. THE BUSINESS OF THE HOUSE OF CHANTERIE AND COMPANY

       VII. MONSIEUR ALAIN TELLS HIS SECRETS

       VIII. WHO SHE WAS—WIFE AND MOTHER

       IX. THE LEGAL STATEMENT

       X. PRAY FOR THOSE WHO DESPITEFULLY USE YOU AND PERSECUTE YOU

       SECOND EPISODE. THE INITIATE

       XI. THE POLICE OF THE GOOD GOD

       XII. A CASE TO INVESTIGATE

       XIII. FURTHER INVESTIGATIONS

       XIV. HOW THE POOR AND HELPLESS ARE PREYED UPON

       XV. AN EVENING WITH VANDA

       XVI. A LESSON IN CHARITY

       XVII. HALPERSOHN

       XVIII. WHO MONSIEUR BERNARD WAS

       ON THE

       SPIRIT OF MODERN LAWS

       XIX. VENGEANCE

       “I?”

       ADDENDUM

FIRST EPISODE. MADAME DE LA CHANTERIE

       Table of Contents

I. THE MALADY OF THE AGE

       Table of Contents

      On a fine evening in the month of September, 1836, a man about thirty years of age was leaning on the parapet of that quay from which a spectator can look up the Seine from the Jardin des Plantes to Notre-Dame, and down, along the vast perspective of the river, to the Louvre. There is not another point of view to compare with it in the capital of ideas. We feel ourselves on the quarter-deck, as it were, of a gigantic vessel. We dream of Paris from the days of the Romans to those of the Franks, from the Normans to the Burgundians, the Middle-Ages, the Valois, Henri IV., Louis XIV., Napoleon, and Louis-Philippe. Vestiges are before us of all those sovereignties, in monuments that recall their memory. The cupola of Sainte-Genevieve towers above the Latin quarter. Behind us rises the noble apsis of the cathedral. The Hotel de Ville tells of revolutions; the Hotel-Dieu, of the miseries of Paris. After gazing at the splendors of the Louvre we can, by taking two steps, look down upon the rags and tatters of that ignoble nest of houses huddling between the quai de la Tournelle and the Hotel-Dieu—a foul spot, which a modern municipality is endeavoring at the present moment to remove.

      In 1836 this marvellous scene presented still another lesson to the eye: between the Parisian leaning on the parapet and the cathedral lay the “Terrain” (such was the ancient name of this barren spot), still strewn with the ruins of the Archiepiscopal Palace. When we contemplate from that quay so many commemorating scenes, when the soul has grasped the past as it does the present of this city of Paris, then indeed Religion seems to have alighted there as if to spread her hands above the sorrows of both banks and extend her arms from the faubourg Saint-Antoine to the faubourg Saint-Marceau. Let us hope that this sublime unity may be completed by the erection of an episcopal palace of the Gothic order; which shall replace the formless buildings now standing between the “Terrain,” the rue d’Arcole, the cathedral, and the quai de la Cite.

      This spot, the heart of ancient Paris, is the loneliest and most melancholy of regions. The waters of the Seine break there noisily, the cathedral casts its shadows at the setting of the sun. We can easily believe that serious thoughts must have filled the mind of a man afflicted with a moral malady as he leaned upon that parapet. Attracted perhaps by the harmony between his thoughts and those to which these diverse scenes gave birth, he rested his hands upon the coping and gave way to a double contemplation—of Paris, and of himself! The shadows deepened, the lights shone out afar, but still he did not move, carried along as he was on the current of a meditation, such as comes to many of us, big with the future and rendered solemn by the past.

      After a while he heard two persons coming towards him, whose voices had caught his attention on the bridge which joins the Ile de la Cite with the quai de la Tournelle. These persons no doubt thought themselves alone, and therefore spoke louder than they would have done in more frequented places. The voices betrayed a discussion which apparently, from the few words that reached the ear of the involuntary listener, related to a loan of money. Just as the pair approached the quay, one of them, dressed like a working man, left the other with a despairing gesture. The other stopped and called after him, saying:—

      “You have not a sou to pay your way across the bridge. Take this,” he added, giving the man a piece of money; “and remember, my friend, that God Himself is speaking to us when a good thought comes into our hearts.”

      This last remark made the dreamer at the parapet quiver. The man who