Название | THE COMEDY OF ERRORS |
---|---|
Автор произведения | William Shakespeare |
Жанр | Языкознание |
Серия | |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 9788027231294 |
William Shakespeare
THE COMEDY OF ERRORS
Including The Life of William Shakespeare
Published by
Books
- Advanced Digital Solutions & High-Quality eBook Formatting -
2017 OK Publishing
ISBN 978-80-272-3129-4
Table of Contents
PERSONS REPRESENTED.
The Life of William Shakespeare
PREFACE
II—CHILDHOOD, EDUCATION, AND MARRIAGE
VI—THE FIRST APPEAL TO THE READING PUBLIC
VII—THE SONNETS AND THEIR LITERARY HISTORY
VIII—THE BORROWED CONCEITS OF THE SONNETS
IX—THE PATRONAGE OF THE EARL OF SOUTHAMPTON
X—THE SUPPOSED STORY OF INTRIGUE IN THE SONNETS
XI—THE DEVELOPMENT OF DRAMATIC POWER
XII—THE PRACTICAL AFFAIRS OF LIFE
XIV—THE HIGHEST THEMES OF TRAGEDY
XVII—SURVIVORS AND DESCENDANTS
XVIII—AUTOGRAPHS, PORTRAITS, AND MEMORIALS
The Comedy of Errors
PERSONS REPRESENTED.
SOLINUS, Duke of Ephesus.
AEGEON, a Merchant of Syracuse.
ANTIPHOLUS OF EPHESUS, Twin brothers and sons to Aegion and
ANTIPHOLUS OF SYRACUSE, and Aemelia, but unknown to each other.
DROMIO OF EPHESUS, Twin brothers, and attendants on
DROMIO OF SYRACUSE, the two Antipholuses.
BALTHAZAR, a Merchant.
ANGELO, a Goldsmith.
A MERCHANT, friend to Antipholus of Syracuse.
PINCH, a Schoolmaster and a Conjurer.
AEMILIA, Wife to Aegeon, an Abbess at Ephesus.
ADRIANA, Wife to Antipholus of Ephesus.
LUCIANA, her Sister.
LUCE, her Servant.
A COURTEZAN
Gaoler, Officers, Attendants
SCENE: Ephesus
ACT I.
SCENE 1. A hall in the DUKE’S palace.
[Enter the DUKE, AEGEON, GAOLER, OFFICERS, and other ATTENDANTS.]
AEGEON.
Proceed, Solinus, to procure my fall,
And, by the doom of death, end woes and all.
DUKE.
Merchant of Syracuse, plead no more;
I am not partial to infringe our laws:
The enmity and discord which of late
Sprung from the rancorous outrage of your duke
To merchants, our well-dealing countrymen,—
Who, wanting guilders to redeem their lives,
Have seal’d his rigorous statutes with their bloods,—
Excludes all pity from our threat’ning looks.
For, since the mortal and intestine jars
‘Twixt thy seditious