HALLOWEEN Boxed Set: 200+ Horror Classics & Supernatural Mysteries. Джек Лондон

path that led to the sea; he sat on the beach, watching the monotonous flow of the waves; they danced and sparkled; his gloomy thoughts refused to imbibe cheerfulness from wave or sun.

      A form passed near him--a peasant-girl, who balanced a pitcher, urn-shaped, upon her head; she was meanly clad, but she attracted Ludovico's regard, and when, having approached the fountain, she took her pitcher and turned to fill it, he recognized the cottager of the foregoing winter. She knew him also, and, leaving her occupation, she approached him and kissed his hand with that irresistible grace that southern climes seem to instill into the meanest of their children.

      At first she hesitated, and began to thank him in broken accents, but words came as she spoke, and Ludovico listened to her eloquent thanks--the first he had heard addressed to him by any human being. A smile of pleasure stole over his face--a smile whose beauty sank deep into the gazer's heart. In a minute they were seated on the bank beside the fountain, and Viola told the story of her poverty-stricken youth--her orphan lot--the death of her best friend--and it was now only the benign climate which, in diminishing human wants, made her appear less wretched than then. She was alone in the world--living in that desolate cottage--providing for her daily fare with difficulty. Her pale cheek, the sickly languor that pervaded her manner, gave evidence of the truth of her words; but she did not weep, she spoke words of good heart, and it was only when she alluded to the benefaction of Ludovico that her soft dark eyes swam with tears.

      The youth visited her cottage the next day. He rode up the lane, now grass-grown and scented by violets, which Viola was gathering from the banks. She presented her nosegay to him. They entered the cottage together. It was dilapidated and miserable. A few flowers placed in a broken vase was a type only of poor Viola herself--a lovely blossom in the midst of utter poverty; and the rose-tree that shaded the window could only tell that sweet Italy, even in the midst of wretchedness, spares her natural wealth to adorn her children.

      Ludovico made Viola sit down on a bench by the window, and stood opposite to her, her flowers in his hand, listening. She did not talk of her poverty, and it would be difficult to recount what was said. She seemed happy and smiled and spoke with a gleeful voice, which softened the heart of her friend, so that he almost wept with pity and admiration. After this, day by day, Ludovico visited the cottage and bestowed all his time on Viola. He came and talked with her, gathered violets with her, consoled and advised her, and became happy. The idea that he was of use to a single human being instilled joy into his heart; and yet he was wholly unconscious how entirely he was necessary to the happiness of his protégée. He felt happy beside her, he was delighted to bestow benefits on her, and to see her profit by them; but he did not think of love, and his mind, unawakened to passion, reposed from its long pain without a thought for the future. It was not so with the peasant-girl. She could not see his eyes bent in gentleness on her, his mouth lighted by its tender smile, or listen to his voice as he bade her trust in him, for that he would be father, brother, all to her, without deeply, passionately loving him. He became the sun of her day, the breath of her life--her hope, joy, and sole possession. She watched for his coming, she watched him as he went, and for a long time she was happy. She would not repine that he replied to her earnest love with calm affection only--she was a peasant, he a noble--and she could claim and expect no more; he was a god--she might adore him; and it were blasphemy to hope for more than a benign acceptation of her worship.

      Prince Mondolfo was soon made aware of Ludovico's visits to the cottage of the forest, and he did not doubt that Viola had become the mistress of his son. He did not endeavor to interrupt the connection, or put any bar to his visits. Ludovico, indeed, enjoyed more liberty than ever, and his cruel father confined himself alone to the restricting of him more than ever in money. His policy was apparent: Ludovico had resisted every temptation of gambling and other modes of expense thrown in his way. Fernando had long wished to bring his son to a painful sense of his poverty and dependence, and to oblige him to seek the necessary funds in such a career as would necessitate his desertion of the paternal roof. He had wound many snares around the boy, and all were snapped by his firm but almost unconscious resistance; but now, without seeking, without expectation, the occasion came of itself which would lead him to require far more than his father had at any time allowed him, and now that allowance was restricted, yet Ludovico did not murmur--and until now he had had enough.

      A long time Fernando abstained from all allusion to the connection of his son; but one evening, at a banquet, gayety overcame his caution--a gayety which ever led him to sport with his son's feelings, and to excite a pain which might repress the smile that his new state of mind ceased to make frequent visits to his countenance.

      "Here," cried Fernando, as he filled a goblet--"here, Ludovico, is to the health of your violet-girl!"

      and he concluded his speech with some indecorous allusion that suffused Ludovico's cheek with red. Without replying he arose to depart.

      "And whither are you going, sir?" cried his father. "Take yon cup to answer my pledge, for, by Bacchus! none that sit at my table shall pass it uncourteously by."

      Ludovico, still standing, filled his cup and raised it as he was about to speak and retort to his father's speech, but the memory of his words and the innocence of Viola pressed upon him and filled his heart almost to bursting. He put down his cup, pushed aside the people who sought to detain him, and left the castle, and soon the laughter of the revelers was no more heard by him, though it had loudly rung and was echoed through the lofty halls. The words of Fernando had awakened a strange spirit in Ludovico. "Viola! Can she love me? Do I love her?" The last question was quickly answered. Passion, suddenly awake, made every artery tingle by its thrill-ing presence. His cheeks burned and his heart danced with strange exultation as he hastened toward the cottage, unheeding all but the universe of sensation that dwelt within him. He reached its door. Blank and dark the walls rose before him, and the boughs of the wood waved and sighed over him. Until now he had felt impatience alone--the sickness of fear--fear of finding a cold return to his passion's feeling now entered his heart; and, retreating a little from the cottage, he sat on a bank, and hid his face in his hands, while passionate tears gushed from his eyes and trickled from between his fingers. Viola opened the door of her cottage; Ludovico had failed in his daily visit, and she was unhappy. She looked on the sky--the sun had set, and Hesperus glowed in the West; the dark ilex-trees made a deep shade, which was broken by innumerable fire-flies, which flashed now low on the ground, discovering the flowers as they slept hushed and closed in night, now high among the branches, and their light was reflected by the shining leaves of ilex and laurel. Viola's wandering eye unconsciously selected one and followed it as it flew, and ever and anon cast aside its veil of darkness and shed a wide pallor around its own form. At length it nestled itself in a bower of green leaves formed by a clump of united laurels and myrtles; and there it stayed, flashing its beautiful light, which, coming from among the boughs, seemed as if the brightest star of the heavens had wandered from its course, and, trembling at its temerity, sat panting on its earthly perch. Ludovico sat near the laurel--Viola saw him--her breath came quick--she spoke not--but stepped lightly to him--and looked with such mazed ecstasy of thought that she felt, nay, almost heard, her heart beat with her emotion. At length she spoke--she uttered his name, and he looked up on her gentle face, her beaming eyes and her sylph-like form bent over him. He forgot his fears, and his hopes were soon confirmed. For the first time he pressed the trembling lips of Viola, and then tore himself away to think with rapture and wonder on all that had taken place.

      Ludovico ever acted with energy and promptness. He returned only to plan with Viola when they might be united. A small chapel in the Apennines, sequestered and unknown, was selected; a priest was easily procured from a neighboring convent and easily bribed to silence. Ludovico led back his bride to the cottage in the forest. There she continued to reside; for worlds he would not have had her change her habitation; all his wealth was expended in decorating it; yet his all only sufliced to render it tolerable. But they were happy. The small circlet of earth's expanse that held in his Viola was the universe to her husband. His heart and imagination widened and filled it until it encompassed all of beautiful, and was inhabited by all of excellent, this world contains.

      She sang to him; he listened, and the notes built around him a magic bower of delight. He trod the soil of paradise, and its winds fed his mind to intoxication. The inhabitants of Mondolfo could not recognize the haughty, resentful