THE COMPLETE ROUGON-MACQUART SERIES (All 20 Books in One Edition). Эмиль Золя

fairy tales.

      As time went on their childish affection took the inevitable turn. Veritable offsprings of Nature, knowing naught of social conventions and restraints, they loved one another in all innocence and guilelessness. They mated even as the birds of the air mate, even as youth and maid mated in primeval times, because such is Nature’s law. At sixteen Cadine was a dusky town gipsy, greedy and sensual, whilst Marjolin, now eighteen, was a tall, strapping fellow, as handsome a youth as could be met, but still with his mental faculties quite undeveloped. He had lived, indeed, a mere animal life, which had strengthened his frame, but left his intellect in a rudimentary state.

      When old Madame Chantemesse realised the turn that things were taking she wrathfully upbraided Cadine and struck out vigorously at her with her broom. But the hussy only laughed and dodged the blows, and then hied off to her lover. And gradually the markets became their home, their manger, their aviary, where they lived and loved amidst the meat, the butter, the vegetables, and the feathers.

      They discovered another little paradise in the pavilion where butter, eggs, and cheese were sold wholesale. Enormous walls of empty baskets were here piled up every morning, and amidst these Cadine and Marjolin burrowed and hollowed out a dark lair for themselves. A mere partition of osier-work separated them from the market crowd, whose loud voices rang out all around them. They often shook with laughter when people, without the least suspicion of their presence, stopped to talk together a few yards away from them. On these occasions they would contrive peepholes, and spy through them, and when cherries were in season Cadine tossed the stones in the faces of all the old women who passed along — a pastime which amused them the more as the startled old crones could never make out whence the hail of cherry-stones had come. They also prowled about the depths of the cellars, knowing every gloomy corner of them, and contriving to get through the most carefully locked gates. One of their favourite amusements was to visit the track of the subterranean railway, which had been laid under the markets, and which those who planned the latter had intended to connect with the different goods’ stations of Paris. Sections of this railway were laid beneath each of the covered ways, between the cellars of each pavilion; the work, indeed, was in such an advanced state that turn-tables had been put into position at all the points of intersection, and were in readiness for use. After much examination, Cadine and Marjolin had at last succeeded in discovering a loose plank in the hoarding which enclosed the track, and they had managed to convert it into a door, by which they could easily gain access to the line. There they were quite shut off from the world, though they could hear the continuous rumbling of the street traffic over their heads.

      The line stretched through deserted vaults, here and there illumined by a glimmer of light filtering through iron gratings, while in certain dark corners gas jets were burning. And Cadine and Marjolin rambled about as in the secret recesses of some castle of their own, secure from all interruption, and rejoicing in the buzzy silence, the murky glimmer, and subterranean secrecy, which imparted a touch of melodrama to their experiences. All sorts of smells were wafted through the hoarding from the neighbouring cellars; the musty smell of vegetables, the pungency of fish, the overpowering stench of cheese, and the warm reek of poultry.

      At other times, on clear nights and fine dawns, they would climb on to the roofs, ascending thither by the steep staircases of the turrets at the angles of the pavilions. Up above they found fields of leads, endless promenades and squares, a stretch of undulating country which belonged to them. They rambled round the square roofs of the pavilions, followed the course of the long roofs of the covered ways, climbed and descended the slopes, and lost themselves in endless perambulations of discovery. And when they grew tired of the lower levels they ascended still higher, venturing up the iron ladders, on which Cadine’s skirts flapped like flags. Then they ran along the second tier of roofs beneath the open heavens. There was nothing save the stars above them. All sorts of sounds rose up from the echoing markets, a clattering and rumbling, a vague roar as of a distant tempest heard at nighttime. At that height the morning breeze swept away the evil smells, the foul breath of the awaking markets. They would kiss one another on the edge of the gutterings like sparrows frisking on the housetops. The rising fires of the sun illumined their faces with a ruddy glow. Cadine laughed with pleasure at being so high up in the air, and her neck shone with iridescent tints like a dove’s; while Marjolin bent down to look at the street still wrapped in gloom, with his hands clutching hold of the leads like the feet of a wood-pigeon. When they descended to earth again, joyful from their excursion in the fresh air, they would remark to one another that they were coming back from the country.

      It was in the tripe market that they had made the acquaintance of Claude Lantier. They went there every day, impelled thereto by an animal taste for blood, the cruel instinct of urchins who find amusement in the sight of severed heads. A ruddy stream flowed along the gutters round the pavilion; they dipped the tips of their shoes in it, and dammed it up with leaves, so as to form large pools of blood. They took a strong interest in the arrival of the loads of offal in carts which always smelt offensively, despite all the drenchings of water they got; they watched the unloading of the bundles of sheep’s trotters, which were piled up on the ground like filthy paving-stones, of the huge stiffened tongues, bleeding at their torn roots, and of the massive bell-shaped bullocks’ hearts. But the spectacle which, above all others, made them quiver with delight was that of the big dripping hampers, full of sheep’s heads, with greasy horns and black muzzles, and strips of woolly skin dangling from bleeding flesh. The sight of these conjured up in their minds the idea of some guillotine casting into the baskets the heads of countless victims.

      They followed the baskets into the depths of the cellar, watching them glide down the rails laid over the steps, and listening to the rasping noise which the casters of these osier waggons made in their descent. Down below there was a scene of exquisite horror. They entered into a charnelhouse atmosphere, and walked along through murky puddles, amidst which every now and then purple eyes seem to be glistening. At times the soles of their boots stuck to the ground, at others they splashed through the horrible mire, anxious and yet delighted. The gas jets burned low, like blinking, bloodshot eyes. Near the watertaps, in the pale light falling through the gratings, they came upon the blocks; and there they remained in rapture watching the tripe men, who, in aprons stiffened by gory splashings, broke the sheep’s heads one after another with a blow of their mallets. They lingered there for hours, waiting till all the baskets were empty, fascinated by the crackling of the bones, unable to tear themselves away till all was over. Sometimes an attendant passed behind them, cleansing the cellar with a hose; floods of water rushed out with a sluice-like roar, but although the violence of the discharge actually ate away the surface of the flagstones, it was powerless to remove the ruddy stains and stench of blood.

      Cadine and Marjolin were sure of meeting Claude between four and five in the afternoon at the wholesale auction of the bullocks’ lights. He was always there amidst the tripe dealers’ carts backed up against the kerbstones and the blue-bloused, white-aproned men who jostled him and deafened his ears by their loud bids. But he never felt their elbows; he stood in a sort of ecstatic trance before the huge hanging lights, and often told Cadine and Marjolin that there was no finer sight to be seen. The lights were of a soft rosy hue, gradually deepening and turning at the lower edges to a rich carmine; and Claude compared them to watered satin, finding no other term to describe the soft silkiness of those flowing lengths of flesh which drooped in broad folds like ballet dancers’ skirts. He thought, too, of gauze and lace allowing a glimpse of pinky skin; and when a ray of sunshine fell upon the lights and girdled them with gold an expression of languorous rapture came into his eyes, and he felt happier than if he had been privileged to contemplate the Greek goddesses in their sovereign nudity, or the chatelaines of romance in their brocaded robes.

      The artist became a great friend of the two young scapegraces. He loved beautiful animals, and such undoubtedly they were. For a long time he dreamt of a colossal picture which should represent the loves of Cadine and Marjolin in the central markets, amidst the vegetables, the fish, and the meat. He would have depicted them seated on some couch of food, their arms circling each other’s waists, and their lips exchanging an idyllic kiss. In this conception he saw a manifesto proclaiming the positivism of art — modern art, experimental and materialistic. And it seemed to him also that it would be a smart satire on the school which wishes every painting to embody an “idea,” a slap for the old traditions