The Story of Edgar Sawtelle. David Wroblewski

no trade, and that was a fair deal.

      Which was how John Sawtelle found himself driving to Mellen that September with a pup in a box and a fishing rod in the back seat, whistling “Shine On, Harvest Moon.” He’d already decided to name the new pup Gus if the name fit.

      Billy and Captain took to Vi’s pup at once. The two men walked into Billy’s backyard to discuss the merits of each of the pups in Captain’s litter and after a while one came bumbling over and that decided things. John Sawtelle put the spare collar on the pup and they spent the afternoon parked by a lake, shore fishing. Gus ate bits of sunfish roasted on a stick and they slept there in front of a fire, tethered collar to belt by a length of string.

      The next day, before heading home, Edgar’s grandfather thought he’d drive around a bit. The area was an interesting mix: the logged-off parts were ugly as sin, but the pretty parts were especially pretty. Like the falls. And some of the farm country to the west. Most especially, the hilly woods north of town. Besides, there were few things he liked better than steering the Kissel along those old back roads.

      Late in the morning he found himself navigating along a heavily washboarded dirt road. The limbs of the trees meshed overhead. Left and right, thick underbrush obscured everything farther than twenty yards into the woods. When the road finally topped out at a clearing, he was presented with a view of the Penokee range rolling out to the west, and an unbroken emerald forest stretching to the north—all the way, it seemed, to the granite rim of Lake Superior. At the bottom of the hill stood a little white farmhouse and a gigantic red barn. A milk house was huddled up near the front of the barn. An untopped stone silo stood behind. By the road, a crudely lettered sign read, “For Sale.”

      He pulled into the rutted drive. He parked and got out and peered through the living room windows. No one was home. The house looked barely finished inside. He stomped through the fields with Gus in his arms and when he got back he plunked himself down on the running board of the Kissel and watched the autumn clouds soar above.

      John Sawtelle was a tremendous reader and letter writer. He especially loved newspapers from faraway cities. He’d recently happened across an article describing a man named Gregor Mendel—a Czechoslovakian monk, of all things—who had done some very interesting experiments with peas. Had demonstrated, for starters, that he could predict how the offspring of his plants would look—the colors of their flowers and so on. Mendelism, this was being called: the scientific study of heredity. The article had dwelt upon the stupendous implications for the breeding of livestock. Edgar’s grandfather had been so fascinated that he’d gone to the library and located a book on Mendel and read it cover to cover. What he’d learned occupied his mind in odd moments. He thought back on the vision (if he could call it that) that had descended upon him as he shook Captain’s paw at The Hollow. It was one of those rare days when everything in a person’s life feels connected. He was twenty-five years old, but over the course of the last year his hair had turned steely gray. The same thing had happened to his grandfather, yet his father was edging up on seventy with a jet black mane. Nothing of the kind had happened to either of his elder brothers, though one was bald as an egg. Nowadays when John Sawtelle looked into the mirror he felt a little like a Mendelian pea himself.

      He sat in the sun and watched Gus, thick-legged and clumsy, pin a grasshopper to the ground, mouth it, then shake his head with disgust and lick his chops. He’d begun smothering the hopper with the side of his neck when he suddenly noticed Edgar’s grandfather looking on, heels set in the dirt driveway, toes pointed skyward. The pup bucked in mock surprise, as if he’d never seen this man before. He scrambled forward to investigate, twice going tail over teakettle as he closed the gap.

      It was, John Sawtelle thought, a lovely little place.

      Explaining Gus to his wife was going to be the least of his worries.

      IN FACT, IT DIDN’T TAKE LONG for the fuss to die down. When he wanted to, Edgar’s grandfather could radiate a charming enthusiasm, one of the reasons Mary had been attracted to him in the first place. He could tell a good story about the way things were going to be. Besides, they had been living in her parents’ house for over a year and she was as eager as he to get out on her own. They completed the purchase of the land by mail and telegram.

      This the boy Edgar would come to know because his parents kept their most important documents in an ammunition box at the back of their bedroom closet. The box was military gray, with a big clasp on the side, and it was metal, and therefore mouseproof. When they weren’t around he’d sneak it out and dig through the contents. Their birth certificates were in there, along with a marriage certificate and the deed and history of ownership of their land. But the telegram was what interested him most—a thick, yellowing sheet of paper with a Western Union legend across the top, its message consisting of just six words, glued to the backing in strips: OFFER ACCEPTED SEE ADAMSKI RE PAPERS. Adamski was Mr. Schultz’s lawyer; his signature appeared on several documents in the box. The glue holding those words to the telegram had dried over the years, and each time Edgar snuck it out, another word dropped off. The first to go was PAPERS, then RE, then SEE. Eventually Edgar stopped taking the telegram out at all, fearing that when ACCEPTED fluttered into his lap, his family’s claim to the land would be reversed.

      He didn’t know what to do with the liberated words. It seemed wrong to throw them away, so he dropped them into the ammo box and hoped no one would notice.

      WHAT LITTLE THEY KNEW about Schultz came from living in the buildings he’d made. For instance, because the Sawtelles had done a lot of remodeling, they knew that Schultz worked without levels or squares, and that he didn’t know the old carpenter’s three-four-five rule for squaring corners. They knew that when he cut lumber he cut it once, making do with shims and extra nails if it was too short, and if it was too long, wedging it in at an angle. They knew he was thrifty because he filled the basement walls with rocks to save on the cost of cement, and every spring, water seeped through the cracks until the basement flooded ankle-deep. And this, Edgar’s father said, was how they knew Schultz had never poured a basement before.

      They also knew Schultz admired economy—had to admire it to make a life in the woods—because the house he built was a miniature version of the barn, all its dimensions divided by three. To see the similarity, it was best to stand in the south field, near the birch grove with the small white cross at its base. With a little imagination, subtracting out the changes the Sawtelles had made—the expanded kitchen, the extra bedroom, the back porch that ran the length of the west side—you’d notice that the house had the same steep gambrel roof that shed the snow so well in the winter, and that the windows were cut into the house just where the Dutch doors appeared at the end of the barn. The peak of the roof even overhung the driveway like a little hay hood, charming but useless. The buildings looked squat and friendly and plain, like a cow and her calf lying at pasture. Edgar liked looking back at their yard; that was the view Schultz would have seen each day as he worked in the field picking rocks, pulling stumps, gathering his herd for the night.

      Innumerable questions couldn’t be answered by the facts alone. Was there a dog to herd the cows? That would have been the first dog that ever called the place home, and Edgar would have liked to know its name. What did Schultz do at night without television or radio? Did he teach his dog to blow out candles? Did he pepper his morning eggs with gunpowder, like the voyageurs? Did he raise chickens and ducks? Did he sit up nights with a gun on his lap to shoot foxes? In the middle of winter, did he run howling down the rough track toward town, drunk and bored and driven out of his mind by the endless harmonica chord the wind played through the window sash? A photograph of Schultz was too much to hope for, but the boy, ever inward, imagined him stepping out of the woods as if no time had passed, ready to give farming one last try—a compact, solemn man with a handlebar mustache, thick eyebrows, and sad brown eyes. His gait would swing roundly from so many hours spent astride the ponies and he’d have a certain grace about him. When he stopped to consider something, he’d rest his hands on his hips and kick a foot out on its heel and he’d whistle.

      More evidence of Schultz: opening a wall to replace a rotted-out window, they found handwriting on a timber, in pencil:

      25 1/4 + 3 1/4 = 28 1/2

      On