What She Said. Monica Lunin

of television and before the talk show format really existed. The audience were accustomed to the portrait and Q&A style of interview used by Gaus from previous shows featuring political figures as well as artists and philosophers.

      Not exactly a speech, the interview does cover a lot of ground and Arendt presents her arguments clearly. When Gaus turns to the question of the Eichmann matter, Arendt responds with force and reason. Evident in this interview is her characteristic commitment to uncovering the truth, her deference to logos over pathos — and her endless chain-smoking habit.

      WHAT SHE SAID

      Gaus: Miss Arendt, your book on the trial of Eichmann in Jerusalem was published this fall in the Federal Republic. Since its publication in America, your book has been very heatedly discussed. From the Jewish side, especially, objections have been raised which you say are partly based on misunderstandings and partly on an intentional political campaign. Above all, people were offended by the question you raised about the extent to which Jews are to blame for their passive acceptance of the German mass murders, or to what extent the collaboration of certain Jewish councils almost constitutes a kind of guilt of their own. In any case, for a portrait of Hannah Arendt, so to speak, a number of questions come out of this book. If I may begin with them: Is the criticism that your book is lacking in love for the Jewish people painful to you?

      Arendt: First of all, I must, in all friendliness, state that you yourself have become a victim of this campaign. Nowhere in my book did I reproach the Jewish people with nonresistance. Someone else did that in the Eichmann trial, namely, Mr. Haussner of the Israeli public prosecutor’s office. I called such questions directed to the witnesses in Jerusalem both foolish and cruel.

      Gaus: I have read the book. I know that. But some of the criticisms made of you are based on the tone in which many passages are written.

Arendt: Well, that is another matter. What can I say? Besides, I don’t want to say anything. If people think that one can only write about these things in a solemn tone of voice … Look, there are people who take it amiss — and I can understand that in a sense — that, for instance, I can still laugh. But I was really of the opinion that Eichmann was a buffoon. I’ll tell you this: I read the transcript of his police investigation, thirty-six hundred pages, read it, and read it very carefully, and I do not know how many times I laughed — laughed out loud! People took this reaction in a bad way. I cannot do anything about that. But I know one thing: three minutes before certain death, I probably still would laugh. And that, they say, is the tone of voice. That the tone of voice is predominantly ironic is completely true. The tone of voice in this case is really the person. When people reproach me with accusing the Jewish people, that is a malignant lie and propaganda and nothing else. The tone of voice, however, is an objection against me personally. And I cannot do anything about that.

      Gaus: You are prepared to bear that?

      Arendt: Yes, willingly. What is one to do? I cannot say to people: You misunderstand me, and in truth this or that is going on in my heart. That’s ridiculous.

      … Gaus: Miss Arendt, do you feel that it is your duty to publish what you learn through political-philosophical speculation or sociological analysis? Or are there reasons to be silent about something you know?

      Arendt: Yes, that is a very difficult problem. It is at bottom the sole question that interested me in the whole controversy over the Eichmann book. But it is a question that never arose unless I broached it. It is the only serious question — everything else is pure propaganda soup. So, fiat veritas, et pereat mundus [let truth be told though the world may perish]?d But the Eichmann book did not de facto touch upon such things. The book really does not jeopardize anybody’s legitimate interests. It was only thought to do so.

      Gaus: You must leave the question of what is legitimate open to discussion.

      Arendt: Yes, that is true. You are right. The question of what is legitimate is still open to discussion. I probably mean by ‘legitimate’ something different from what the Jewish organizations mean. But let us assume that real interests, which even I recognize, were at stake.

Gaus: Might one then be silent about the truth?

      Arendt: Might I have been? Yes! To be sure, I might have written it … But look here, someone asked me, if I had anticipated one thing or another, wouldn’t I have written the Eichmann book differently? I answered: No. I would have confronted the alternative: to write or not to write. Because one can also hold one’s tongue.

      HOW SHE DID THAT

      Be prepared to face the difficult questions

      We all experience a strong temptation to sidestep the thorniest issues that are bound to create tension and ill will. The more difficult and challenging they are, the more likely we are to face criticism and rejection. But, as Hannah Arendt shows us, by tackling these issues and demonstrating tenacity and clear-headedness, the good outweighs the bad. The benefit of advancing human understanding is worth the risks of being misunderstood, in her view.

      Building on the philosophical views of her contemporaries, and adding her unique perspective as a Jew and a woman, she illuminates a side of the situation not previously considered. This is a voice the world needed to hear and still does.

      In today's world, Arendt would likely be accused of not ‘managing the optics'. Perhaps her opponents would suggest she was tone-deaf. Long before the era of political correctness, Hannah Arendt demonstrated a willingness to stand by her convictions, to brave the storm of criticism in order to illuminate a deeper truth.

      If your perspective is likely to be met with resistance or awkwardness, ask yourself why you need to speak out in the first place. If your reason is in service of a bigger purpose than your own gratification, perhaps you can summon some of Arendt's tenacity. By attaching yourself to a higher goal, you may just find the strength needed to take on questions and face down those who seek to downplay your contribution.

      Once you have made the choice and you have taken a stand, you need to stick around for the fallout. Engage with your opponents. Demonstrate a willingness to debate. Be ready to entertain and discuss opposing viewpoints. Do not shrink away and wait for the dust to settle.

      Accept complexity and nuance

      So many ideas are swept away because they are difficult to articulate in a ten-second sound bite. Without catchphrases and mnemonics to assist us, we have to really pay attention. A reduced attention span has possibly become more commonplace with the changes in how we now consume media.

      Arendt shows us that we needn't reduce our ideas any further than they should be. If meaning is at stake, the right thing to do is err on the side of complexity, but be deliberate in your language, and provide examples and explanations to ensure understanding. Doubting the intelligence of your audience is a mistake. In the long run, ‘dumbing down' your ideas is futile.

      When you know you will need to go into some detail in order to explain yourself properly, make sure you have chosen the right forum. Your audience should be prepped. You can indicate, as Arendt does in this interview, you are taking the matter seriously.

      In defending your point of view while also communicating complex ideas, you may need to structure, segment and reiterate your points in different ways, for different audiences. Arendt is very clear, almost but not quite to the point of rudeness, in cleaving tone and content. She is aware that her tone may be problematic for some but she is forthright in explaining that her tone, lacking pathos as it does, has no bearing on her central idea — the banality of evil.

      Deflect ad hominem attacks

      After her article was published in the New