Ingram

Hidden in Plain Sight

David K. Leff

<P>In the course of the mundane routines of life, we encounter a variety of landscapes and objects, either ignoring them or looking without interest at what appears to be just a tree, stone, anonymous building, or dirt road. But the «deep traveler,» according to Hartford Courant essayist David K. Leff, doesn't make this mistake. Instead, the commonplace elements become the most important. By learning to see the magic in the mundane, we not only enrich daily life with a sense of place, we are more likely to protect and make those places better. Over his many years working at the Connecticut Department of Environmental Protection and writing about the state's landscape, Leff gained unparalleled intimacy while traveling its byways and back roads. In Hidden in Plain Sight, Leff's essays and photographs take us on a point-by-point journey, revealing the rich stories behind many of Connecticut's overlooked landmarks, from the Merritt Parkway and Cornwall's Cathedral Pines to roadside rock art and centuries-old milestones.</P>

Puritan Village

Sumner Chilton Powell

Stories in Stone

Jelle Zeilinga de Boer

<P>In a series of entertaining essays, geoscientist Jelle Zeilinga de Boer describes how early settlers discovered and exploited Connecticut's natural resources. Their successes as well as failures form the very basis of the state's history: Chatham's gold played a role in the acquisition of its Charter, and Middletown's lead helped the colony gain its freedom during the Revolution. Fertile soils in the Central Valley fueled the state's development into an agricultural power house, and iron ores discovered in the western highlands helped trigger its manufacturing eminence. The Statue of Liberty, a quintessential symbol of America, rests on Connecticut's Stony Creek granite. Geology not only shaped the state's physical landscape, but also provided an economic base and played a cultural role by inspiring folklore, paintings, and poems. Illuminated by 50 illustrations and 12 color plates, Stories in Stone describes the marvel of Connecticut's geologic diversity and also recounts the impact of past climates, earthquakes, and meteorites on the lives of the people who made Connecticut their home.</P>

The German Conception of History

Georg G. Iggers

<P>This is the first comprehensive critical examination in any language of the German national tradition of historiography. It analyzes the basic theoretical assumptions of the German historians of the nineteenth and twentieth centuries and relates these assumptions to political thought and action. <BR>The German national tradition of historiography had its beginnings in the reaction against the Enlightenment and the French Revolution of 1789. This historiography rejected the rationalistic theory of natural law as universally valid and held that all human values must be understood within the context of the historical flux. But it maintained at the same time the Lutheran doctrine that existing political institutions had a rational basis in the will of God, though only a few of these historians were unqualified conservatives. Most argued for liberal institutions within the authoritarian state, but considered that constitutional liberties had to be subordinated to foreign policy –; a subordination that was to have tragic results. </P><P>Mr. Iggers first defines Historismus or historicism and analyzes its origins. Then he traces the transformation of German historical thought from Herder's cosmopolitan culture-oriented nationalism to exclusive state-centered nationalism of the War of Liberation and of national unification. He considers the development of historicism in the writings of such thinkers as von Humboldt, Ranke, Dilthey, Max Weber, Troeltsch, and Meinecke; and he discusses the radicalization and ultimate disintegration of the historicist position, showing how its inadequacies contributed to the political débâcle of the Weimar Republic and the rise of National Socialism. No one who wants to fully understand the political development of national Germany can neglect this study.</P>

Animals Erased

Arran Stibbe

<P>Animals are disappearing, vanishing, and dying out—not just in the physical sense of becoming extinct, but in the sense of being erased from our consciousness. Increasingly, interactions with animals happen at a remove: mediated by nature programs, books, and cartoons; framed by the enclosures of zoos and aquariums; distanced by the museum cases that display lifeless bodies. In this thought-provoking book, Arran Stibbe takes us on a journey of discovery, revealing the many ways in which language affects our relationships with animals and the natural world. Animal-product industry manuals, school textbooks, ecological reports, media coverage of environmental issues, and animal-rights polemics all commonly portray animals as inanimate objects or passive victims. In his search for an alternative to these negative forms of discourse, Stibbe turns to the traditional culture of Japan. Within Zen philosophy, haiku poetry, and even contemporary children's animated films, animals appear as active agents, leading their own lives for their own purposes, and of value in themselves.</P>

New Dark Ages

Donald Revell

<P><B>Winner of the Pen Center USA West Literary Award in Poetry (1990)</B></P><P>New Dark Ages is a book of ideas that exhibits a rare quality –; adventurousness. The poems are intelligent and deeply felt, complex and crystal clear. Donald Revell writes about things as tender and as complicated as happiness and freedom. His poetry brims with images, wonder, and discovery, as it seeks to answer such questions as :If the original idea of America is defunct, what has taken its place? If privacy is no more, how do we go about the business of loving? If God and history have become one, what is the relationship between morality and expediency?" And, above all, «Why is it that, in spite of all, the twentieth century is so heart-breakingly beautiful –; a true vindication of humanism?»</P>

Water for Hartford

Kevin Murphy

<P>As good health is inextricably wedded to pure drinking water—and this particular concern looms larger every day—understanding delivery systems is almost as important as the water itself. Water for Hartford chronicles the century-long effort, beginning in the 1850s, to construct a viable, efficient water system. The story of Hartford's water works is a fascinating one, for it recalls the hard work, great sacrifice, and extraordinary engineering feats necessary to deliver wholesome drinking water to a growing urban center. It also illuminates the ever-changing social, political, and economic milieu in which it was built.</P><P>The story of its construction is also the story of three men—Hiram Bissell, Ezra Clark, and Caleb Saville. Readers are transported back in time and given a firsthand glimpse of what these champions of a water system faced on a daily basis: unforgiving geography, venal politicians, and an often-indifferent public. The book culminates in the exhilaration of having built a water works from scratch to deliver clean, safe drinking water to the masses. Water for Hartford is a human story, peopled by men of vision and achievement, who understood that their decisions and actions would affect millions of people for decades to come.</P>

The Actor Within

Rose Eichenbaum

<P>In Rose Eichenbaum's third work on the confluence of art making and human expression, she delves into the lives of thirty-five celebrated actors through intimate conversations and photographic portraits. With her probing questions and disarming manner, she captures the essential character of her subjects while shining a light on the art that defines them. The work provides extraordinary insights on the craft of acting with discussions of process, techniques, tools of the trade, and how to advice for aspiring actors from seasoned veterans. These stars of stage and screen, known for signature roles and critically acclaimed performances, emerge in The Actor Within with masks and wardrobe removed. Here, they speak their own lines, tell their own stories, and raise the curtain on what it means to live the actor's life—the challenge of mastering their craft, the drama of big breaks and career woes, the search for meaningful roles, and above all, having the courage to bare their souls before theater audiences or the camera. For the artists featured in this work, acting is more than a profession; it is how they make their way in the world and artfully merge their inner sense of humanness with universal truths. This collection serves as an important inspirational resource for anyone interested in making art, regardless of medium.</P><P>The Actor Within includes interviews with Karl Malden, Ruby Dee, Ed Harris, Piper Laurie, Marcia Gay Harden, William H. Macy, Ellen Burstyn, Joe Mantegna, Debra Winger, Julia Stiles, Elliott Gould, Elijah Wood, Stockard Channing, Bill Pullman, Amanda Plummer, Marlee Matlin, Charles Durning, Marsha Mason, and many others.</P>

Songs and Stories of the Ghouls

Alice Notley

<P>Left dead after our cultures were broken by triumphant enemies, our stories changed to suit others. We now change them again to suit ourselves. Songs and Stories of the Ghouls purports to give power to the dead—voices to the victims of genocide both ancient and contemporary—and presence to women. Medea did not kill her sons; Dido founds a city, over and over again, the city of the present author's poetry. In these poems the poet asserts that though her art comes from a tradition as broken as Afghanistan's statuary, there is always a culture to pass on to one's children, and one is always involved in doing so. We are the ghouls, the drinkers of the blood-sacs, and we insist that we are alive.</P>

Parabolas of Science Fiction

Группа авторов

<P>As a geometric term, parabola suggests a narrative trajectory or story arc. In science fiction, parabolas take us from the known to the unknown. More concrete than themes, more complex than motifs, parabolas are combinations of meaningful setting, character, and action that lend themselves to endless redefinition and jazzlike improvisation. The fourteen original essays in this collection explore how the field of science fiction has developed as a complex of repetitions, influences, arguments, and broad conversations. This particular feature of the genre has been the source of much critical commentary, most notably through growing interest in the «sf megatext,» a continually expanding archive of shared images, situations, plots, characters, settings, and themes found in science fiction across media. Contributors include Jane Donawerth, Terry Dowling, L. Timmel Duchamp, Rachel Haywood Ferreira, Pawel Frelik, David M. Higgins, Amy J. Ransom, John Rieder, Nicholas Ruddick, Graham Sleight, Gary K. Wolfe, and Lisa Yaszek.</P>