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    The Peopling of New Connecticut

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    <P>In 1784 Connecticut laid claim to a territory stretching from Pennsylvania's western border 120 miles along Lake Erie. In 1786 Congress took steps to legitimate this claim, and explicitly recognized it in 1800. The Peopling of New Connecticut presents primary documents that define Connecticut's complex relationship with this territory, known then as the Western Reserve. Using excerpts from previously published official records, diaries, newspapers, periodical journals, pamphlets, and the occasional book that illustrates the process whereby Connecticut transplanted some of its people to a distant, western land, this Acorn Club publication illuminates not only the experience of the emigrants as they journeyed to Ohio and settled in the Western Reserve but also the effect that the emigrants' departure had on the society they left behind. The volume comes with an introduction and commentary about the significance of these republished materials. The Peopling of New Connecticut is a vital, enlightening record of this special chapter in Connecticut's history and provides unique insight into the early westward movement after the Revolutionary War.</P>

    Paul on Mazursky

    Sam Wasson

    <P>Paul Mazursky's nearly twenty films as writer/director represent Hollywood's most sustained comic expression of the 1970s and 1980s. But they have not been given their due, perhaps because Mazursky's films—both sincere and ridiculous, realistic and romantic—are pure emotion. This makes films like Bob & Carol & Ted & Alice, An Unmarried Woman, and Enemies, A Love Story difficult to classify, but that's what makes a human comedy human. In the first ever book-length examination of one of America's most important and least appreciated filmmakers, Sam Wasson sits down with Mazursky himself to talk about his movies and how he makes them. Going over Mazursky's oeuvre one film at a time, interviewer and interviewee delve into the director's life in and out of Hollywood, laughing, talking, and above all else, feeling—like Mazursky's people always do. The book includes a filmography and never-before-seen photos.</P>

    Money Shot

    Rae Armantrout

    <P>The poems in Money Shot are forensic. Just as the money shot in porn is proof of the male orgasm, these poems explore questions of revelation and concealment. What is seen, what is hidden, and how do we know? Money Shot's investigation of these questions takes on a particular urgency because it occurs in the context of the suddenly revealed market manipulation and subsequent «great recession» of 2008–;2009. In these poems, Rae Armantrout searches for new ways to organize information. What can be made manifest? What constitutes proof? Do we «know it when we see it»? Looking at sex, botany, cosmology, and death through the dark lens of «disaster capitalism,» Armantrout finds evidence of betrayal, grounds for rebellion, moments of possibility, and even pleasure, in a time of sudden scarcity and relentless greed. This stunning follow-up to Versed—winner of the Pulitzer Prize and the National Book Critics Circle Award, and a finalist for the National Book Award—is a wonderfully stringent exploration of how deeply our experience of everyday life is embedded in capitalism.</P>

    Imagining Mars

    Robert Crossley

    <P>For centuries, the planet Mars has captivated astronomers and inspired writers of all genres. Whether imagined as the symbol of the bloody god of war, the cradle of an alien species, or a possible new home for human civilization, our closest planetary neighbor has played a central role in how we think about ourselves in the universe. From Galileo to Kim Stanley Robinson, Robert Crossley traces the history of our fascination with the red planet as it has evolved in literature both fictional and scientific. Crossley focuses specifically on the interplay between scientific discovery and literary invention, exploring how writers throughout the ages have tried to assimilate or resist new planetary knowledge. Covering texts from the 1600s to the present, from the obscure to the classic, Crossley shows how writing about Mars has reflected the desires and social controversies of each era. This astute and elegant study is perfect for science fiction fans and readers of popular science.</P>

    Martha Hill and the Making of American Dance

    Janet Mansfield Soares

    <P>Martha Hill (1900–;1995) was one of the most influential figures of twentieth century American dance. Her vision and leadership helped to establish dance as a serious area of study at the university level and solidify its position as a legitimate art form. Setting Hill's story in the context of American postwar culture and women's changing status, this riveting biography shows us how Hill led her colleagues in the development of American contemporary dance from the Kellogg School of Physical Education to Bennington College and the American Dance Festival to the Juilliard School at Lincoln Center. She created pivotal opportunities for Martha Graham, Doris Humphrey, Charles Weidman, Hanya Holm, José Limón, Merce Cunningham, and many others. The book provides an intimate look at the struggles and achievements of a woman dedicated to taking dance out of the college gymnasium and into the theatre, drawing on primary sources that were previously unavailable. It is lavishly illustrated with period photographs.</P>

    The House That Jack Built

    Jack Spicer

    <P>The House That Jack Built collects for the first time the four historic talks given by controversial poet Jack Spicer just before his early death in 1965. These lively and provocative lectures function as a gloss to Spicer's own poetry, a general discourse on poetics, and a cautionary handbook for young poets. This long-awaited document of Spicer's unorthodox poetic vision, what Robin Blaser has called «the practice of outside,» is an authoritative edition of an underground classic.</P><P>Peter Gizzi's afterword elucidates some of the fundamental issues of Spicer's poetry and lectures, including the concept of poetic dictation, which Spicer renovates with vocabularies of popular culture: radio, Martians, and baseball; his use of the California landscape as a backdrop for his poems; and his visual imagination in relation to the aesthetics of west-coast funk assemblage. This book delivers a firsthand account of the contrary and turbulent poetics that define Spicer's ongoing contribution to an international avant-garde.</P>

    Come home Charley Patton

    Ralph Lemon

    <P>Come home Charley Patton is a moving and an imaginative memoir documenting the Civil Rights Era and contemporary southern culture. Intricately layered and deeply arresting, Ralph Lemon's research on the African American experience intertwines personal anecdotes and family remembrances with diaristic accounts of the making of a dance, as Lemon journeys the mythic roads of migration—visiting the sites of lynchings, following the paths of Civil Rights marches, and meeting the descendants of early blues musicians. Come home Charley Patton is a rich, transcendent text, and a historically-charged meditation on memory in America. It is a formidable finale for the Geography trilogy (including Geography and Tree), three books connected thematically by racial identity and the related dance projects choreographed by Lemon. Generously illustrated with family photos, original art, and photos of the performance, the book will take its place in the canon of great African American writing.</P>

    Riverview Hospital for Children and Youth

    Richard J. Wiseman

    <P>Prior to 1972, visitors to Connecticut state mental hospitals might have noticed a six-year-old chronically depressed girl crouching in the corner of a chaotic cafeteria, or a seven-year-old autistic boy sleeping on a cot next to a seventy-year-old schizophrenic man. Riverview Hospital for Children and Youth tells the story of one of the first milieu based therapeutic hospitals specializing in children's care, located in Middletown, Connecticut. Richard J. Wiseman, its first superintendent, offers his own story and treatment philosophy alongside the voices of the many people who worked tirelessly to free children from an adult mental health facility, and to treat children as children. This important book provides access to decades of experiences, useful tools, and knowledge regarding the treatment of children requiring mental health care. Weaving first-person narrative and interviews with staff, administrators, and patients, Riverview Hospital for Children and Youth testifies to the passion and determination it took to spring children from an adult mental health ward and bring them into a place of their own. A companion ebook comprised of three original staff manuals will also be available.</P>

    Barns of Connecticut

    Markham Starr

    <P>Featuring more than 100 stunning full-color photographs along with helpful diagrams and historic photos, Barns of Connecticut captures both the iconic and the unique, including historic and noteworthy barns. The book discusses the importance of barns to Connecticut agriculture across our state and up to the present day. Markham Starr's Barns of Connecticut offers a lovely introduction to the architectural, functional, and agricultural roles these structures played in early Connecticut. Through text and color photographs, it tells a story of change and continuity. From the earliest colonial structures to the low steel buildings of modern dairy farms, barns have adapted to meet the needs of each generation; they've stored wheat, hay, and tobacco, and housed farm animals and dairy cows. These enduring structures display the optimism, ingenuity, hard work, and practicality of the people who tend land and livestock throughout the state.</P>

    Fauxhawk

    Ben Doller

    <P>A politico-linguistic problem, a conflicted hairstyle, and a conflict-bound drone, Fauxhawk works in the space where dissent becomes materialized, ironized, and commodified. Engaging drone optics, redactions, renditions, comedy, and cinema, Ben Doller wrenches exuberant music from the drone of the everyday. The citizens in these poems are fraught in their passivity, both ashamed of being and of being surveyed. Occupied by the material forces conspiring against poetry, Fauxhawk takes on the economics of writing, university bureaucracies, and complicit injustice. The poems in Doller's thrilling new collection attempt to find their own tone amid the blare via formal innovation, carving a space where presence is signified, in hopeful and clarifying resistance. An online reader's companion is available at http://bendoller.site.wesleyan.edu.</P>