<P><B>Winner of the Ewell L. Newman Award from the American Historical Print Collectors Society (2009)</B><BR><B>Winner of the Betty M. Linsley Award from the Association for the Study of Connecticut History (2010)</B></P><P>This is the first book-length account of the pioneering and prolific Kellogg family of lithographers, active in Connecticut for over four decades. Daniel Wright Kellogg opened his print shop on Main Street in Hartford five years before Nathaniel Currier went into a similar business in New York and more than twenty-five years before Currier founded his partnership with James M. Ives, yet Daniel and his brothers Elijah and Edmund Kellogg have long been overshadowed by the Currier &amp; Ives printmaking firm. </P><P>Editor Nancy Finlay has gathered together eight essays that explore the complexity of the relationships between artists, lithographers, and print, map, and book publishers. Presenting a complete visual overview of the Kelloggs' production between 1830 and 1880, Picturing Victorian America also provides museums, libraries, and private collectors with the information needed to document the Kellogg prints in their own collections. The first comprehensive study of the Kellogg prints, this book demands reconsideration of this Connecticut family's place in the history of American graphic and visual arts.</P><P>CONTRIBUTORS: Georgia B. Barnhill, Lynne Zacek Bassett, Candice C. Brashears, Nancy Finlay, Elisabeth Hodermarsky, Richard C. Malley, Sally Pierce, Michael Shortell, Kate Steinway.</P>
<P>In August 1918 Rockwell Kent and his 9-year-old son settled into a primitive cabin on an island near Seward, Alaska. Kent, who during the next three decades became America's premier graphic artist, printmaker, and illustrator, was seeking time, peace, and solitude to work on his art and strengthen ties with his son. This reissue of the journal chronicling their 7-month odyssey describes what Kent called «an adventure of the spirit.» He soon discovers how deeply he is «stirred by simple happenings in a quiet world» as man and boy face both the mundane and the magnificent: satisfaction in simple chores like woodchopping or baking; the appalling gloom of long and lonely winter nights; hours of silence while each works at his drawings; crystalline moonlight glancing off a frozen lake; killer whales cavorting in their bay. Richly illustrated by Kent's drawings, the journal vividly re-creates that sense of great height and space – both external and internal – at the same time that it celebrates a wilderness now nearly lost to us.</P>
<P>Fela: Kalakuta Notes is an evocative account of Fela Kuti—the Afrobeat superstar who took African music into the arena of direct action. With his antiestablishment songs, he dedicated himself to Pan-Africanism and the down-trodden Nigerian masses, or «sufferheads.» In the 1970s, the British/Ghanaian musician and author John Collins met and worked with Fela in Ghana and Nigeria. Kalakuta Notes includes a diary that Collins kept in 1977 when he acted in Fela's autobiographical film, Black President. The book offers revealing interviews with Fela by the author, as well as with band members, friends, and colleagues. </P><P>For this second edition, Collins has expanded the original introduction by providing needed context for popular music in Africa in the 1960s and the influences on the artist's music and politics. In a new concluding chapter, Collins reflects on the legacy of Fela: the spread of Afrobeat, Fela's musical children, Fela's Shrine and Kalakuta House, and the annual Felabration. As the dust settles over Fela's fiery, creative, and controversial career, his Afrobeat groove and political message live on in Kalakuta Notes. Features a new foreword by Banning Eyre, an up-to-date discography by Ronnie Graham, a timeline, historical photographs, and snapshots by the author.</P>
<P>Three staff manuals and handbooks from the formative years of the Riverview Hospital for Children and Youth, a groundbreaking psychiatric hospital in Middletown, Connecticut. Includes the ABCD Program, BLEU Handbook, and Sunburst Handbook. These archival materials provide detail that illuminates the treatment philosophy and methods employed by the hospital staff during the hospital's formative years.</P><P>This ebook is being published as a companion to Riverview Hospital for Children and Youth: A Culture of Promise, by Richard J. Wiseman.</P>
<P>The Lives of Robert Ryan provides an inside look at the gifted, complex, intensely private man whom Martin Scorsese called «one of the greatest actors in the history of American film.» The son of a Chicago construction executive with strong ties to the Democratic machine, Ryan became a star after World War II on the strength of his menacing performance as an anti-Semitic murderer in the film noir Crossfire. Over the next quarter century he created a gallery of brooding, neurotic, and violent characters in such movies as Bad Day at Black Rock, Billy Budd, The Dirty Dozen, and The Wild Bunch. His riveting performances expose the darkest impulses of the American psyche during the Cold War.</P><P>At the same time, Ryan's marriage to a liberal Quaker and his own sense of conscience launched him into a tireless career of peace and civil rights activism that stood in direct contrast to his screen persona. Drawing on unpublished writings and revealing interviews, film critic J.R. Jones deftly explores the many contradictory facets of Robert Ryan's public and private lives, and how these lives intertwined in one of the most compelling actors of a generation.</P>
<P>Originally published in 1992 and revised in 2001, Frank B. Connolly's Local Government in Connecticut is one of the most useful and well-established resources on the state's local government. Written expressly for public officials and students, the book explains Connecticut's basic forms of local government and its many variants, as well as examining their inner workings, including governance, management, administration, municipal services, education, and land use. This new edition has been entirely revised, expanded, and updated, with new chapters on charter revision, municipal employees and unionization, education, homeland security and local government, pensions, and economic development. It includes references to key sections of the Connecticut General Statutes. This unique and indispensable resource for the state is published in cooperation with the Connecticut Conference of Municipalities.</P>
<P>The Connecticut River Valley was an important center for the teaching and production of embroidered pictures by young women in private academies from the mid-eighteenth to the early nineteenth century. This book identifies the distinctive styles developed by teachers and students at schools throughout the valley, from Connecticut and Massachusetts to Vermont and New Hampshire. Needlework was a means of instilling the values of citizenship, faith, knowledge, and patriotism into girls who would become mothers in the early republic. This book describes and illustrates how these embroideries provide insight into the nature of women's schooling at this time. Over the course of their education, girls undertook progressively more complex and difficult needlework. Before the age of ten, they stitched elementary samplers on linen. As the culmination of their studies, they executed elaborate samplers, memorials, and silk pictures as evidence of the skills and accomplishments befitting a lady. Proudly displayed as enticements to potential suitors, these pieces affirmed a young woman's mastery of the polite arts, which encompassed knowledge of religious and literary themes as well as art and music.</P><P>This publication has been made possible through the generous support of The Coby Foundation, Ltd., the Connecticut Humanities Council, the Connecticut Commission on Culture and Tourism, Furthermore: a program of the J. M. Kaplan Fund, and several private donors.</P>
<P>A cigar-chomping storyteller who signaled «Action!» by shooting a gun, Samuel Fuller has been lionized as one of the most distinctive writer/directors ever to emerge from Hollywood. In such films as The Steel Helmet, Pickup on South Street, Shock Corridor, and The Big Red One, Fuller gleefully challenged classical and generic norms—and often standards of good taste—in an effort to shock and arouse audiences. Tackling war, crime, race, and sexuality with a candor rare for any period, Fuller's maverick vision was tested by Hollywood's transition from the studio system to independent filmmaking. Now, in the first full account of all of the director's audaciously original work, author Lisa Dombrowski brings his career into new relief. The Films of Samuel Fuller features close analysis of Fuller's pictures and draws on previously untapped production and regulatory files, script notes, and interviews to explore how artistic, economic, and industrial factors impacted Fuller's career choices and shaped the expression of his personal aesthetic. Fans of Fuller and American cinema will welcome this in-depth study of a provocative director who embodied both the unique opportunities and challenges of postwar filmmaking.</P>
<P>The definitive record of the history, lore, and lost secrets of the Eclectic Society at Wesleyan University from its inception in 1837 through a great period of upheaval in the 1960s. The Society was founded in 1837 at Wesleyan, making it one of the oldest college fraternal organizations in the United States.</P>
<P>Here are the engrossing facts about one of the least-known movements in Connecticut's history—the rise, organization, and operations of the Underground Railroad, over which fugitive slaves from the South found their way to freedom. Drawing his data from published sources and, perhaps more importantly, from the still-existing oral tradition of descendants of Underground agents, Horatio Strother tells the detailed story in this book, originally published in 1962. He traces the routes from entry points such as New Haven harbor and the New York state line, through important crossroads like Brooklyn and Farmington. Revealing the dangers fugitives faced, the author also identifies the high-minded lawbreakers who operated the system—farmers and merchants, local officials and judges, at least one United States Senator, and many dedicated ministers of the Gospel. These narratives are set against the larger background of the development of slavery and abolitionism in America— conversations still relevant today.</P>