Ingram
Все книги издательства IngramTempest-Tossed
<P>Tempest-Tossed is the first full biography of the passionate, fascinating youngest daughter of the «Fabulous Beecher» family—one of America's most high-powered families of the nineteenth century. Older sister Harriet Beecher Stowe was the author of Uncle Tom's Cabin. Brother Henry Ward Beecher was one of America's most influential ministers, and sister Catherine Beecher wrote pivotal works on women's rights and educational reform. And then there was Isabella Beecher Hooker—"a curiously modern nineteenth-century figure." She was a leader in the suffrage movement, and a mover and shaker in Hartford's storied Nook Farm neighborhood and salon. But there is more to the story—to Isabella's character—than that. </P><P>Isabella was an ardent Spiritualist. In daily life, she could be off-putting, perplexing, tenacious, charming. Many found her daunting to get to know and stay on comfortable terms with. Her «wild streak» was especially unfavorable in the eyes of Hartford society at the time, which valued restraint and duty. In her latest book, Susan Campbell brings her own unique blend of empathy and unbridled humor to the story of Harriet's younger half-sister. Tempest Tossed reveals Isabella's evolution from orthodox Calvinist daughter, wife, and mother, to one of the most influential players in the movement for women's suffrage, where this unforgettable woman finally gets her proper due.</P>
Rider
<P><B>Winner of the National Book Critics Circle Award for Poetry (1995)</B></P><P>Mark Rudman –; poet, essayist, translator, and teacher –; has consistently pursued questions of human relationship and identity, and in Rider he takes the poetry of autobiography and confessional to a new plane. In a polyphonic narrative that combines verse with lyrical prose and often humorous dialogue, Rudman examines his own coming-of-age through the lens of his relationships with his grandfather, father, step-father, and son. These memories emerge against the background of a family history anchored in the traditions of Judaism and the culture of the diaspora.</P>
Prudence Crandall’s Legacy
<P>Prudence Crandall was a schoolteacher who fought to integrate her school in Canterbury, Connecticut, and educate black women in the early nineteenth century. When Crandall accepted a black woman as a student, she unleashed a storm of controversy that catapulted her to national notoriety, and drew the attention of the most significant pro- and anti-slavery activists of the day. The Connecticut state legislature passed its infamous Black Law in an attempt to close down her school. Arrested and jailed, Crandall's legal legacy had a lasting impact—Crandall v. State was the first full-throated civil rights case in U.S. history. The arguments by attorneys in Crandall played a role in two of the most fateful Supreme Court decisions, Dred Scott v. Sandford, and the landmark case of Brown v. Board of Education. In Prudence Crandall's Legacy, author and lawyer Donald E. Williams Jr. marshals a wealth of detail concerning the life and work of Prudence Crandall, her unique role in the fight for civil rights, and her influence on legal arguments for equality in America.</P>
Tashlinesque
<P>Frank Tashlin (1913–;1972) was a supremely gifted satirist and visual stylist who made an indelible mark on 1950s Hollywood and American popular culture—first as a talented animator working on Looney Tunes cartoons, then as muse to film stars Jerry Lewis, Bob Hope, and Jayne Mansfield. Yet his name is not especially well known today. Long regarded as an anomaly or curiosity, Tashlin is finally given his due in this career-spanning survey. Tashlinesque considers the director's films in the contexts of Hollywood censorship, animation history, and the development of the genre of comedy in American film, with particular emphasis on the sex, satire, and visual flair that comprised Tashlin's distinctive artistic and comedic style. Through close readings and pointed analyses of Tashlin's large and fascinating body of work, Ethan de Seife offers fresh insights into such classic films as Will Success Spoil Rock Hunter?, The Girl Can't Help It, Artists and Models, The Disorderly Orderly, and Son of Paleface, as well as numerous Warner Bros. cartoons starring Porky Pig, among others. This is an important rediscovery of a highly unusual and truly hilarious American artist. Includes a complete filmography.</P>
Connecticut in the American Civil War
<P>Connecticut in the American Civil War offers readers a remarkable window into the state's involvement in a conflict that challenged and defined the unity of a nation. The arc of the war is traced through the many facets and stories of battlefield, home front, and factory. Matthew Warshauer masterfully reveals the varied attitudes toward slavery and race before, during, and after the war; Connecticut's reaction to the firing on Fort Sumter; the dissent in the state over whether or not the sword and musket should be raised against the South; the raising of troops; the sacrifice of those who served on the front and at home; and the need for closure after the war. This book is a concise, amazing account of a complex and troubling war. No one interested in this period of American history can afford to miss reading this important contribution to our national and local stories.</P><P>The paperback edition includes a reading guide, which is also available at http://www.wesleyan.edu/wespress/e-books/materials/warshauer_reading_guide.pdf</P>
The Public World/Syntactically Impermanence
<P>The Public World / Syntactically Impermanence is a brilliant consideration of the strategies of poetry, and the similarities between early Zen thought and some American avant-garde writings that counter the «language of determinateness,» or conventions of perception. The theme of the essays is poetic language which critiques itself, recognizing its own conceptual formations of private and social, the form or syntax of the language being «syntactically impermanence.»</P><P>Whether writing reflexively on her own poetry or looking closely at the writing of her peers, Leslie Scalapino makes us aware of the split between commentary (discourse and interpretation) and interior experience. The «poetry» in the collection is both commentary and interior experience at once. She argues that poetry is perhaps most deeply political when it is an expression that is not recognized or readily comprehensible as discourse.</P>
Maple Sugaring
<P>Maple Sugaring gives readers an intimate look at the art and science of America's favorite sweet. These stories, told by real-life sugarmakers, reveal how this ancient industry has continued into the twenty-first century. Thanks to the newest technology, and patience, New England sugarmakers are still keeping it real. A former maple sugarmaker and board member of the Maple Syrup Producers' Association of Connecticut, David Leff takes us on a journey into the very heart of New England's character. Along the way he talks with the sugar gurus, who share their expertise, insights, and anecdotes about their experiences in the business. What makes maple sugaring such a beloved tradition? Is it marketing savvy, family tradition, or something deeper—and harder to tap? This book is for anyone with a sweet tooth who is curious about the science, or who simply enjoys a good story. Maple Sugaring is full of wisdom, quirky characters, and recipes.</P>
Sex and Race, Volume 1
<P>In the Sex and Race series, first published in the 1940s, historian Joel Augustus Rogers questioned the concept of race, the origins of racial differentiation, and the root of the «color problem.» Rogers surmised that a large percentage of ethnic differences are the result of sociological factors and in these volumes he gathered what he called «the bran of history»—the uncollected, unexamined history of black people—in the hope that these neglected parts of history would become part of the mainstream body of Western history. Drawing on a vast amount of research, Rogers was attempting to point out the absurdity of racial divisions. Indeed his belief in one race—humanity—precluded the idea of several different ethnic races. The series marshals the data he had collected as evidence to prove his underlying humanistic thesis: that people were one large family without racial boundaries. Self-trained and self-published, Rogers and his work were immensely popular and influential during his day, even cited by Malcolm X. The books are presented here in their original editions.</P>
Nature Knows No Color-Line
<P>In Nature Knows No Color-Line, originally published in 1952, historian Joel Augustus Rogers examines the origins of racial hierarchy and the color problem. Rogers was a humanist who believed that there were no scientifically evident racial divisions—all humans belong to one «race.» He believed that color prejudice generally evolved from issues of domination and power between two physiologically different groups. According to Rogers, color prejudice was then used a rationale for domination, subjugation and warfare. Societies developed myths and prejudices in order to pursue their own interests at the expense of other groups. This book argues that many instances of the contributions of black people had been left out of the history books, and gives many examples.</P>
Africa's Gift to America
<P>Originally published in 1959 and revised and expanded in 1989, this book asserts that Africans had contributed more to the world than was previously acknowledged. Historian Joel Augustus Rogers devoted a significant amount of his professional life to unearthing facts about people of African ancestry. He intended these findings to be a refutation of contemporary racist beliefs about the inferiority of blacks. Rogers asserted that the color of skin did not determine intellectual genius, and he publicized the great black civilizations that had flourished in Africa during antiquity. According to Rogers, many ancient African civilizations had been primal molders of Western civilization and culture.</P>