Capturing the spirit of arcane writing, Evan S. Connell delivers spectacular and esoteric prose as he imagines the journals of seven alchemists. The first is Paracelsus, the famous sixteenth-century alchemist, who is followed by an array of distinct voices: physicians, historians, alchemists, and philosophers. Each employs a unique personality and point of view in a world of pre-scientific thought, of the western world about to step into modernity.Though this historical recreation is medieval in style, Connell succeeds in infusing his diarists with alchemic wisdom, ancient appeal, and felt humanness. A work of rigid art and astute mimicry, Connell’s work is intelligent and remarkable, medieval yet applicable to modernity. Alchymic Journals[/i] is, at its core, a study of humanity from the mind of one of America’s greatest writers.
Our Town is the debut of a striking literary voice, one that captures the disillusion at the fringes of Hollywood as seen through a haze of drugs, alcohol, abuse, and fallen aspirations. An unseen narrator guides us through the dark fairy tale of Dorothy White, an aspiring actress who “never quite figured how to get out of her own way.” Her perfect marriage to an equally golden actor, Dale, quickly turns into one of jealousy and violence. Dorothy ends the marriage yet begins a legacy of self-destruction for the failed couple, as well as their two children, Clover and Dylan.But we see the pathos in Dorothy’s attempts to get back on track, to be a good woman, mother, and grandmother. Throughout the novel, she is left in the wake of decisions that turn disastrous. Her downward spiral from elusive fame into consistent infamy—a series of DUIs, the continuing neglect of her children, a string of failed and unhealthy relationships—is not without its grace, with the warmth of her character shining through her spackled makeup and cloud of acrid perfume. In many ways, Dorothy White is an anti-heroine for the ages—“vanilla voiced,” bewigged, loving, and ever radiant —a sympathetic character caught in the riptide of her transformation from small-town southern girl to one-time toast of Hollywood to embarrassing tabloid fodder.Our Town is an original and startling debut novel, one whose fresh voice and expert perspective reinvents the Hollywood story for a new generation of readers.
Karl Muhlbach, hero of Evan Connell’s previous novel, The Connoisseur, has a new obsession—a beautiful, nubile girl-about-New York named Lambeth Brent, whose puzzling background and swinging activities lead Muhlbach into dark areas, causing new revelations of himself as a man to emerge.The mysterious bonds between opposites come into sharp relief as we follow the course of Muhlbach and Lambeth’s relationship. An uncomfortable visit to the ballet, an abortive country vacation, brief but sparkling happy moments, and Muhlbach’s final, shocking discovery add up to a mosaic of vignettes, rendering the characters startlingly real.Double Honeymoon explores the built-in dangers of a love affair between a cautious, conservative, middle-aged widower and a neurotic, high-strung, self-destructive girl. But far from just another May-September romance, the book is a keen examination of the dilemma posed by two people who are attracted to each other, yet unable to come together because of the profound differences in their backgrounds and outlooks. With a sure hand, Evan Connell demonstrates just how profound those differences can be.
Another brilliant example of Evan Connell’s art, The Patriot deals with an American boy who grew to maturity with World War II. He had learned his father’s patriotism, and then, through the impact of firsthand experience, formulated his own.Melvin Isaacs, aged seventeen, became a Navy Air Force cadet in 1942. His course of training as a flyer was an education in fear and death, even though it had its wonderfully comic times and a sense of comradeship that was new to him. Perhaps it was in the air—for Melvin loved to fly—that the first feelings of aloneness stirred his mind. Melvin, who queried the whys and wherefores of his regimented training life, became, despite all efforts to conform, a maverick. This portion of the novel is a touching and true mixture of human comedy and tragedy, and it also embodies scenes of flight and danger that are unmatched for pure vividness and sensate realism.The story of Melvin after the war is a continuation of the absurdities that can pursue a man so constituted that he must think for himself. And here the implications of the novel become clear. It is partly the age-old story of a father and son in conflict, of an older generation’s notions that are insupportable to the younger, a human dilemma that has no possible resolution. It is also the story of Melvin’s final rejection of war, of his unshakeable conviction that a man today must think and act for the good of the planet, Stephen Decatur’s slogan notwithstanding. With too many excellences to catalogue and extol, the novel has a total effect of a new voice telling a new story of this old familiar world.
Two-Part Inventions begins when Suzanne, a concert pianist, dies suddenly of a stroke in the New York City apartment she shares with her producer husband Philip. Rather than mourn in peace, Philip becomes deeply paranoid: their life is based on a fraud and the acclaimed music the couple created is about to be exposed. Philip had built a career for his wife by altering her recordings, taking a portion of a song here and there, from recordings of other pianists. Syncing the alterations seamlessly, he created a piece of flawless music with Suzanne getting sole credit.In this urban, psychological novel, author Lynne Sharon Schwartz brilliantly guides the reader through a flawed marriage and calculated career. Beginning with Suzanne’s death and moving backwards in time, Schwartz examines their life together, and her remarkable career, while contemplating the nature of truth, marriage and the pursuit of perfection.
The lives of officers in an Air Force squadron in occupied Europe encompass the contradictions of military experience and the men's response to a young newcomer, bright and ambitious, whose fate is to be an emblem of their own. In Cassada, Salter captures the strange comradeship of loneliness, trust, and alienation among military men ready to sacrifice all in the name of duty and pride.After futile attempts at ordinary revision, Salter elected to begin with a blank page, to compose an entirely new novel based upon the characters and events of his second long unavailable novel, The Arm of Flesh. The result, Cassada, is a masterpiece.
Jan Karski, a young Polish diplomat turned cavalry officer, joined the Polish underground movement after escaping from a Soviet detention camp in 1939. He served as a courier for the underground, ferrying messages between occupied Poland and the exiled Polish leaders, before he was captured and brutally tortured by the Gestapo.Escaping from the Germans, Jan Karski was charged with the mission of his lifetime: to convey a message to the Allies about Hitler's program to exterminate the Jews of Europe. He visited Warsaw's Jewish Ghetto so that he could relate the truth about inhuman conditions first hand when he met, soon after, with leaders and top officials in London and President Roosevelt in Washington. He had the ears of the decision-makers, yet nothing was done to prevent the ultimate fate of millions of Jews.Published to immense acclaim in France, The Messenger is a compelling and tragic story. An extraordinary novelized biography about a man's moral courage and our collective humanity, with parallels to Thomas Keneally's Schindler's Ark and WG Sebald's Austerliz.
Twelve years have passed since Kei’s husband, Rei, disappeared and she was left alone with her three-year-old daughter. Her new relationship with a married man—the antithesis of Rei—has brought her life to a numbing stasis, and her relationships with her mother and daughter have spilled into routine, day after day. Kei begins making repeated trips to the seaside town of Manazuru, a place that jogs her memory to a moment in time she can never quite locate. Her time there by the water encompasses years of unsteady footing and a developing urgency to find something.Through a poetic style embracing the surreal and grotesque, a quiet tenderness emerges from these dark moments. Manazuru is a meditation on memory—a profound, precisely delineated exploration of the relationships between lovers and family members. Both startlingly restless and immaculately compact, Manazuru paints the portrait of a woman on the brink of her own memories and future.
“Self-styled” writer Grace Cleave has writer’s block, and her anxiety is only augmented by her chronic aversion to leaving her home, to be “among people, even for five or ten minutes.” And so it is with trepidation that she accepts an invitation to spend a weekend away from London in the north of England. Once there, she feels more and more like a migratory bird, as the pull of her native New Zealand makes life away from it seem transitory. Grace longs to find her place in the world, but first she must learn to be comfortable in her own skin, feathers and all.From the author of the universally acclaimed An Angel at My Table comes an exquisitely written novel of exile and return, homesickness and belonging. Written in 1963 when Janet Frame was living in London, this is the first publication of a novel she considered too personal to be published while she was alive.
"Here is a human being speaking with calm and sanity out of the wilderness. We would do well to hear him." — The Washington Post Book World The Art of the Commonplace gathers twenty essays by Wendell Berry that offer an agrarian alternative to our dominant urban culture. Grouped around five themes—an agrarian critique of culture, agrarian fundamentals, agrarian economics, agrarian religion, and geobiography—these essays promote a clearly defined and compelling vision important to all people dissatisfied with the stress, anxiety, disease, and destructiveness of contemporary American culture. Why is agriculture becoming culturally irrelevant, and at what cost? What are the forces of social disintegration and how might they be reversed? How might men and women live together in ways that benefit both? And, how does the corporate takeover of social institutions and economic practices contribute to the destruction of human and natural environments? Through his staunch support of local economies, his defense of farming communities, and his call for family integrity, Berry emerges as the champion of responsibilities and priorities that serve the health, vitality and happiness of the whole community of creation.