First published in New Zealand in 1957, Owls Do Cry, was Janet Frame’s second book and the first of her thirteen novels. Now approaching its 60th anniversary, it is securely a landmark in Frame’s catalog and indeed a landmark of modernist literature. The novel spans twenty years in the Withers family, tracing Daphne’s coming of age into a post-war New Zealand too narrow to know what to make of her. She is deemed mad, institutionalized, and made to undergo a risky lobotomy. Margaret Drabble calls Owls Do Cry “a song of survival”—it is Daphne’s song of survival but also the author’s: Frame was herself misdiagnosed with schizophrenia and scheduled for brain surgery. She was famously saved only when she won New Zealand’s premier fiction prize.Frame was among the first major writers of the twentieth century to confront life in mental institutions and Owls Do Cry is important for this perspective. But it is equally valuable for its poetry, its incisive satire, and its acute social observations. A sensitively rendered portrait of childhood and adolescence and a testament to the power of imagination, this early novel is a first-rate example of Frame’s powerful, lyric, and original prose.
The autobiography of New Zealand's most significant writer New Zealand's preeminent writer Janet Frame brings the skill of an extraordinary novelist and poet to these vivid and haunting recollections, gathered here for the first time in a single volume. From a childhood and adolescence spent in a poor but intellectually intense railway family, through life as a student, and years of incarceration in mental hospitals, eventually followed by her entry into the saving world of writers and the «Mirror City» that sustains them, we are given not only a record of the events of a life, but also «the transformation of ordinary facts and ideas into a shining palace of mirrors.»Frame's journey of self-discovery, from New Zealand to London, to Paris and Barcelona, and then home again, is a heartfelt and courageous account of a writer's beginnings as well as one woman's personal struggle to survive.This book contains selections from the long out-of-print collection entitled Janet Frame: An Autobiography (George Brazillier, 1991), which itself was originally published in three volumes: To the Is-land, An Angel at My Table, and The Envoy from Mirror City.
Harry Gill, a moderately successful writer of historical fiction, has been awarded the annual Watercress-Armstrong Fellowship—a ‘living memorial’ to the poet, Margaret Rose Hurndell. He arrives in the small French village of Menton, where Hurndell once lived and worked, to write. But the Memorial Room is not suitable—it has no electricity or water. Hurndell never wrote here, though it is expected of Harry.Janet Frame’s previously unpublished novel draws on her own experiences in Menton, France as a Katherine Mansfield Fellow. It is a wonderful social satire, a send-up of the cult of the dead author, and—in the best tradition of Frame—a fascinating exploration of the complexity and the beauty of language.
“Self-styled” writer Grace Cleave has writer’s block, and her anxiety is only augmented by her chronic aversion to leaving her home, to be “among people, even for five or ten minutes.” And so it is with trepidation that she accepts an invitation to spend a weekend away from London in the north of England. Once there, she feels more and more like a migratory bird, as the pull of her native New Zealand makes life away from it seem transitory. Grace longs to find her place in the world, but first she must learn to be comfortable in her own skin, feathers and all.From the author of the universally acclaimed An Angel at My Table comes an exquisitely written novel of exile and return, homesickness and belonging. Written in 1963 when Janet Frame was living in London, this is the first publication of a novel she considered too personal to be published while she was alive.
In 1951, just days before her scheduled lobotomy after years in a mental hospital, New Zealand author Janet Frame’s first collection of short stories unexpectedly won the Hubert Church Memorial Award, one of the country’s most prestigious honors. The procedure was cancelled, and Frame would go on to become one of the seminal authors of contemporary New Zealand literature.During her time at the MacDowell artist’s colony in New Hampshire, Frame met painter William Theophilus Brown, and their friendship resulted in a whimsical and artistic correspondence that lasted until Frame’s death in 2004. In Brown, Frame found an ideal listener who inspired her to take the art of letter writing to new creative heights; over the course of their correspondence, Frame included character sketches, personal disclosures, invented tales, and over 300 of her own doodles and collages.This compilation of over xxx letters and original illustrations has been published nowhere else in the world, including Frame’s home country of New Zealand. This moving and enlightening correspondence opens up the hopes, fears, joys, and inner machinations of one of New Zealand’s most renowned authors, and offers a side of her dramatic personal history often ignored or misunderstood by the public. The closeness and intimacy of the two artists allows for unfettered wordplay, where Janet is merely “Jay”, Bill merely “Bee”, and granular, unprocessed creativity is allowed to flow freely; the result is a book that vividly captures the brilliantly unique wit that was Janet Frame.