The Last Prince of the Mexican Empire is a sweeping historical novel of Mexico during the short, tragic, at times surreal, reign of Emperor Maximilian and his court. Even as the American Civil War raged north of the border, a clique of Mexican conservative exiles and clergy convinced Louis Napoleon to invade Mexico and install the Archduke of Austria, Maximilian von Habsburg, as Emperor. A year later, the childless Maximilian took custody of the two year old, half-American, Prince Agustìn de Iturbide y Green, making the toddler the Heir Presumptive. Maximilian’s reluctance to return the child to his distraught parents, even as his empire began to fall, and the Empress Carlota descended into madness, ignited an international scandal. This lush, grand read is based on the true story and illuminates both the cultural roots of Mexico and the political development of the Americas. But it is made all the more captivating by the depth of Mayo’s writing and her understanding of the pressures and influences on these all too human players.
Spanning western Europe from 1875 to 1917 and presenting a gothic historical Paris that subverts our old assumptions regarding the City of Light, M. Allen Cunningham’s new novel brings a brooding atmosphere and human complexity to an intimate and imaginative portrait of one of the most uniquely sensitive artists of his time, a poet whose odd childhood and difficult early life will both fascinate and perhaps help explain his determination to stay true to his artistic vision at almost any cost. Here is Rainer Maria Rilke in the grip of his greatest artistic struggle: life itself.Rilke’s gripping emotional drama as child, lover, husband, father, protégé, misfit soldier, and wanderer is framed by a haunted young figure, a researcher who, a century later, feels compelled to trace Rilke’s itinerant footsteps and those of Rilke’s fictional alter ego, the bewitched poet Malte Laurids Brigge. The result is an exploration of the forever imperfect loyalties we face in work and life, the seemingly immeasurable distances that can separate life and art, and the generational tensions between masters and admirers.
From the heartlands of the 1880s Upper Midwest comes a morality tale of survival and destiny told in the convincing language of a patriarch’s journal, evoking a real sense of the time and place. Gerhardt Praeger, a farmer of some education and plenty experience, understands the mixture of hard work, ingenuity, ethic, grace and steadiness of spirit needed to hold his settler family and neighboring community together while homesteading the hard territory of the Dakotas. He, along with his wife and seven sons, must constantly contend with natural disasters and manmade challenges to carve out their holdings in an unforgiving environment that has defeated so many of their neighbors, sending them home to their families back east. Praeger believes that God will provide sufficiently if not in abundance to those who can resist over-reaching. But a new neighbor, the bold Beidermann, who seems at times almost larger than life, stirs both his curiosity and envy, and tests Praeger’s moral beliefs. Between his remarkable journal entries that observe the increasingly tense events between them, is also a narrative that moves the everyone toward calamity. What results is an almost biblical story of moral imperatives and self-revelation, of man striving to civilize his own impulses along with the wild land.
The Good Doctor Guillotin follows five characters to a common destination—the scaffold at the first guillotining of the French Revolution:Dr. Guillotin, of course, a physician and member of the National Assembly, involved in many important events, including the Tennis Court Oath. Nicolas Pelletier, the first victim—or “patient,” as they were sometimes called, since the new beheading machine was seen as a humanitarian medical intervention in the state’s technique of dealing death.Father Pierre, the curé who accompanies Pelletier in his last days, a man torn between his religious commitment, and an equally strong commitment to the poor and their revolution.Sanson, the famous executioner of Paris who, 9 months later would execute the king and retire from remorse.Tobias Schmidt, builder of the new machine, a German piano maker working in Paris, a freethinker predicting the Terror that will follow, but allowing himself to initiate it. The revolution, after all, had reduced the sale of pianos.Various other interesting figures briefly appear:Damiens, Mozart, Mesmer, Louis XVI, the Marquis de Sade, Marat, Robespierre, Demoulins among them. The eighteenth century narrative is divided into several sections, each introduced by an essay in the author’s voice, the first on five-ness and Pentagons; a second on hope and Utopia; a third on revolutionary violence; and a fourth on capital punishment.This is no “historical novel.” It is, rather, a fictive meditation on a contemporary conundrum using an eighteenth century drum.
In July of 1995, the news photographer Gray Banick disappeared into the Bosnian war zone and doing so took away pieces of the hearts of three people who loved him: Emil Todorovic, his interpreter and friend; Jack MacKenzie, his mentor who taught Gray to hold his camera steady between himself and the worst that war presents; and Lian Zhao, who didn’t have the strength to love him as he wanted her to. Now, almost five years later, they have gathered in Sarajevo to find out what happened to Gray, the man who had taught them all what love is.Each driven character in this novel believes fully that there is a love strong enough to sustain them, even in the extreme circumstances of war. But each time they have uncovered a glimpse of such a thing, they have failed tragically love itself.Or, to see it another way, this is a novel about how love fails us every time—or almost every time.
In 1961, when Amazing Grace Jansen, a firecracker from Appalachia, meets Mary Elizabeth Cox, the daughter of a Black southern preacher, at Kentucky’s Berea College, they already carry the scars and traces of their mothers’ troubles. Poor and single, Maze’s mother has had to raise her daughter alone and fight to keep a roof over their heads. Mary Elizabeth’s mother has carried a shattering grief throughout her life, a loss so great that it has disabled her and isolated her stern husband and her brilliant, talented daughter. The caution this has scored into Mary Elizabeth has made her defensive and too private and limited her ambitions, despite her gifts as a musician. But Maze’s earthy fearlessness might be enough to carry them both forward toward lives lived bravely in an angry world that changes by the day. Both of them are drawn to the enigmatic Georginea Ward, an aging idealist who taught at Berea sixty years ago, fell in love with a black man, and suddenly found herself renamed as a sister in a tiny Shaker community. Sister Georgia believes in discipline and simplicity, yes. But, more important, her faith is rooted in fairness and the long reach of unconditional love.This is a novel about three generations of women and the love that makes families where none can be expected.
Louisa May Alcott's «A Christmas Dream, and How It Came to Be True» has been characterized as «A Christmas Carol» for children. It is a charming Christmas tale for the young and young at heart. By the author of «Little Women.»
The Second Tijuana Bible Reader and its prequel have attained legendary status among collectors of gay literature. Edited anonymously by Victor J. Banis, these two books included pieces by Banis himself and his friends, all published by Greenleaf Classics in 1969 without any bylines. The original volumes are now nearly impossible to find. The Borgo Press is proud to present the first new editions of these seminal works of homoerotica in almost forty years!
“Marvelously original. . . . Zlotsky has done for conjoined twins what Günter Grass did for midgets in The Tin Drum. . . . A weirdly hilarious Russian fairytale composed with the comedic zeal of Gogol and the rhetorical brilliance of Nabokov.”—Lee Siegel, author of Love in a Dead Language “Pure joy in language. . . . Nabokov’s Pale Fire mated with Finnegan’s Wake.” —Michael Drout, PhD, language scholar Meet Alex and Alex, as compelling a Russian portrait as the two sides of Raskolnikov. He is—or they are—a dark-caped anti-hero, conjoined twins stalking, counterfeiting, fleeing the iron curtain, delightfully innocent, seeking what everyone seeks: love, hope, and redemption.
1. Intelligent, lyrical and frankly sexual, this first novel by a young woman lawyer speaks to her generation about the clash between easy sexuality and the yearning for emotional fulfillment. 2. Its use of magic realism in a contemporary urban setting evokes a young Alice Hoffman. 3. Illuminates the world of MTV generation women for those generations whose whose lives are dissimilar but whose needs are the same. 4. First novel by a brilliant twenty four year-old talent. –Compare to A Girls Guide to Fishing and Hunting