Oh, the trees! Nothing but white and green as far as you can see – remember, Lyuba?Oh my lovely childhood. Waking up to happiness, looking out at blossom and trees and there they are – the same trees, the same blossom – after cruel winter, warmth and light and feeling!In his masterpiece The Cherry Orchard, Chekhov maintains an exquisite balance between elegiac celebration of the romance of the past, as embodied in the cherry orchard in full bloom, and the awesome prescience of what is so soon to overwhelm Russia – revolution. The themes are majestic, and yet at the centre of the play is Ranévskaya, a tragic woman who lacks adroitness for survival in a changing world but who has one asset: a capacity for love. It is her solution – and Chekhov's.This new version of The Cherry Orchard by Pam Gems opened at the Crucible, Sheffield in March 2007.
Moving from the biggest democracy on the planet to the newest, Bites takes us back to Afghanistan via Texas. In the last diner at the end of a world ravaged by war, a menu of love, death and revenge is served by the ‘hired help'. Seven courses make for a poetic feast of universal tales looking back to the forgotten war and forward to a nightmarish future.Produced at the Bush Theatre, London in January 2005 (Mama Quillo in association with The Bush).
Includes the plays Laburnum Grove, When We Are Married and Mr Kettle and Mrs MoonWith an introduction by Tom Priestley and a foreword by Roy Hattersley.These three domestic comedies display J B Priestley's talent for the ordinary situation turned sharply on its head. In Laburnum Grove George Radfern's friends and relations want a share of his wealth – until they find out where it's come from. When We Are Married features three high-minded couples who gather to celebrate their silver wedding anniversaries, only to discover they were never properly married at all.And in Mr Kettle and Mrs Moon an unassuming bank manager turns rebel when a voice tells him to pack in his position and stay at home.In these mischievous depictions of respectability gone awry, the proud and the prejudiced battle against emerging truths and potential scandal. J B Priestley proves himself a skilled craftsman and presents his characters with rich humour, warmth and humanity.
“This is the saddest story I have ever heard.” So begins Julian Mitchell’s stage adaptation of Ford Madox Ford’s classic novel, The Good Soldier, a tale of deceit, delusion, and disintegrating marriage in pre-war Britain. Two seemingly upstanding couples find their friendships enveloped by scandal and tragedy, as the façade of wealth and privilege falls away and details of their indiscretions emerge.A fascinating new stage adaptation from an award-winning writer.
Our Bad Magnet is an unashamedly dark and deliciously funny play from one of Scotland's brightest young writing talents, in which the boundaries between fantasy and reality merge with unpredictable results.Centering on an uneasy reunion, Our Bad Magnet follows the progress of four boys from 9 to 29 as they try to unlock the secrets of childhood and memory. Throw in 1980s indie music, a ventriloquist's dummy, some magical fairy stories and the word 'nimston', and you have an hilarious black comedy which isn't afraid to make you think while you're laughing out loud.
Eccentric and hillarious, Georges Feydeau’s much loved comedy mixes madness, mayhem, fun and frivolity. When the beautiful wife of Victor Chandebise suspects of having an affair, she enlists the help of her dearest friend to entrap him. Their plan to entice him to a rendezvous at the Hotel Coq D'or spectacularly misfires and chaos ensues. Set in the decadent surroundings of Belle Époque Paris, Feydeau's quintessential farce promises to be an exhilerating even of mistaken identities and comic disaster.
In a remote Spanish village Yerma, a woman of full of life and passion, longs for a child but is unable to conceive. This compelling and elemental tale of a woman's quest for a child taps into some of the most universal themes of theatre – love, passion, sexuality, marriage. In this adaptation, Pam Gems has stripped the text to the poetic core of Lorca's words in all their epic glory. Vibrant and sweeping, combining elements of dance and song, Yerma is an exhilarating theatrical event.
“I was born a Goose of Southwark by the Grace of Mary Overie, Whose Bishop gives me licence to sin within The Liberty. In Bankside stews and taverns you can hear me honk right daintily, As I unlock the hidden door, unveil the Secret History.” The Liberty of the Clink dates back to 1107 when the Bishop of Winchester was granted a stretch of the Southwark Bankside, which lay outside the law of the City of London. Here, the Bishop controlled the brothels, or stews. The whores of The Liberty were known as Winchester Geese. The Vision Books of The Southwark Mysteries were first revealed by The Goose to John Crow, trickster-familiar of the poet and playwright John Constable, on 23rd November 1996. In these apocalyptic verses, John Crow encounters The Goose at Crossbones, the whores’ graveyard unearthed during work on the Jubilee Line Extension. She initiates him into a secret history spanning 2,000 years – a vision of the Spirit in the flesh, the Sacred in the profane, Eternity in time. This vision informs The Mystery Plays, a contemporary “Southwark Cycle” rooted in the medieval mysteries, retelling sacred stories in the earthy language and context of our own time and place. This epic drama was first performed in Shakespeare’s Globe and Southwark Cathedral on Easter Sunday, 23rd April 2000. A new production was presented in Southwark Cathedral in 2010. The third part of the work is a Glossolalia of local history and esoteric lore to be read in conjunction with the poems and plays." "Past and present, sacred and profane jostle and collide in a glorious tumult in this anarchic drama… it’s couched in verse that is muscular, ribald, and often dazzlingly rich… It’s sprawling and unashamedly ragged in execution, but it’s irrepressibly vital: a joyous, gutsy celebration of life, love, faith and forgiveness. " – Sam Marlowe, The Times
At the heart of a London Park there is a beautiful house. Inside, the raging Pongo has volunteered for an anger management drug trial. But isn’t anger vital to our humanity?Set in a mythical England against ongoing war and civil insurrection, Animal is a dark and funny tale of humanity’s struggle for progress. In this millennium, will we choose to be Animals or Angels? Animal opened at The Soho Theatre and New Writing Centre, London, on 4th September 2003 before embarking on a National tour.
Stella Kirby spent nine years running away; leaving home to find her freedom as an actress. Now she has decided that the only role left to play is the prodigal daughter returned, hoping to rediscover herself amongst the familiar surroundings of her childhood home, Eden End.Priestley has a special tenderness for Eden End and for it he created some of his most fragile, gentle characters. The stoical Dr Kirby, his younger son Wilfred, desperate to prove himself a man of the world, and Lilian, the daughter who stayed at home, are a sharply observed and instantly recognisable family, with all its dreams and disappointments.