Assembled from the works of the finest masters of the genre, these compelling narratives promise to raise gooseflesh and accelerate pulses with their supernatural scenarios.Featured stories include J. S. LeFanu's «An Account of Some Strange Disturbances in Aungier Street,» with a mysterious old mansion as the focal point; Mary E. Wilkins' «The Lost Ghost,» in which a strange child's disturbing presence instills fear and foreboding in all those she encounters; Robert Louis Stevenson's «The Body-Snatchers»; «Mrs. Zant and the Ghost,» by Wilkie Collins; and other gripping works by Charles Dickens, Henry James, Ralph Cram, Mrs. Henry Wood, Amelia B. Edwards, Fitz-James O'Brien, and M. R. James.Rich in detail and ghoulish incidents, this modestly priced collection will thrill readers who appreciate tales of terror as well as devotees of well-crafted literature.
The long agony of the American Civil War inspired a wealth of contemporary verse — from sentimental doggerel to sublime lyrics that rank among the finest American poetry. This inexpensive anthology brings together a superb selection of poems from both North and South, comprising the best and most representative poetry of those turbulent times.Over 75 poems include works by many of America's greatest 19th century writers: Walt Whitman, Herman Melville, Ralph Waldo Emerson, Henry Wadsworth Longfellow, John Greenleaf Whittier, William Cullen Bryant, and many more. Also included are many fine poems by lesser-known poets of the period: Julia Ward Howe, Henry Timrod, Edwin Markham, Edmund Clarence Stedman, Francis Miles Finch, George Henry Boker, and more.Among the selections in this volume: Julia Ward Howe's «Battle Hymn of the Republic,» Ralph Waldo Emerson's «Boston Hymn,» John Greenleaf Whittier's «Barbara Frietchie,» «The Death of Slavery,» by William Cullen Bryant, Henry Wadsworth Longfellow's «Killed at the Ford,» Henry Howard Brownell's «The Bay Flight,» «All Quiet Along the Potomac Tonight» by Ethel Lynn Beers, «O Captain! My Captain!» and «When Lilacs Last in the Dooryard Bloom'd» by Walt Whitman, and many more.Ranging from boisterous calls to arms to poignant memorials for the slain, these poems reflect the heroism, horror, exaltation, and anguish of the bloodiest and most crucial conflict in the nation's history. Anyone interested in the Civil War or American literature of the period will want this collection on their bookshelves.
Carolers, choral groups and sing-along enthusiasts will welcome this convenient collection of over 50 of the most popular Christmas carols. Compact, inexpensive and printed in easy-to-read type, this handy volume is the perfect companion to pass around and take along on informal singing events throughout the holiday season. With this book, you don't have to worry about remembering every word of every carol-the complete lyrics are right at your fingertips. The carols in this volume include: Away in a Manger, Coventry Carol, Deck the Halls, The First Nowell, God Rest You Merry, Gentlemen, Good King Wenceslas, Hark! The Herald Angels Sing, I Heard the Bells on Christmas Day, I Saw Three Ships, It Came upon the Midnight Clear, Jingle Bells, Joy to the World, O Christmas Tree, O Come, All Ye Faithful, O Holy Night, O Little Town of Bethlehem, Silent Night, The Twelve Days of Christmas, We Three Kings of Orient Are, and We Wish You a Merry Christmas.
"Let blockheads read what blockheads write," suggested Lord Chesterfield. W. H. Auden once said, «Some books are undeservedly forgotten; none are undeservedly remembered.» And TV celebrity Jerry Seinfeld noted: «The big advantage of a book is that it's very easy to rewind. Close it and you're right back at the beginning.» Over 450 memorable quotes about books and reading fill these pages—with provocative declarations from Mark Twain, Virginia Woolf, Andrew Carnegie, Theodore Roosevelt, James Thurber, Anna Quindlen, and Oprah Winfrey, and scores of other writers, political figures, and celebrities.A handy aid for speech writers and public speakers, this entertaining collection will also delight general readers.
In the 19th century, abolitionist and African-American periodicals printed thousands of poems by black men and women on such topics as bondage and freedom, hatred and discrimination, racial identity and racial solidarity, along with dialect verse that mythologized the Southern past. Early in the 20th century, black poets celebrated race consciousness in propagandistic and protest poetry, while World War I helped engender the outpouring of African-American creativity known as the «Harlem Renaissance.»The present volume spans this wealth of material, ranging from the religious and moral verse of Phillis Wheatley Peters (ca. 1753–1784) to the 20th-century sensibilities of Langston Hughes and Countee Cullen. Also here are works by George Moses Horton, Frances Ellen Watkins Harper, Alberry Alston Whitman, Henrietta Cordelia Ray, Daniel Webster Davis, Mary Weston Fordham, James Weldon Johnson, Paul Laurence Dunbar, and many more.Attractive and inexpensive, this carefully chosen collection offers unparalleled insight into the hearts and minds of African-Americans. It will be welcomed by students of the black experience in America and any lover of fine poetry.
"In America, black is a country," declared Amiri Baraka, who insisted that the lives and destinies of the nation's white and black citizens are inseparably intertwined. His statement, like many others in this compilation of quotations, reflects the black experience in America and touches upon the role of racial identity. Other citations voice a broader perspective, including Maya Angelou's remark, «Life is not measured by the number of breaths we take, but by the moments that take our breath away.»This original collection of quotations cites approximately 100 well-known African-Americans from all walks of life. Twentieth-century notables include Louis Armstrong, Muhammad Ali, Julian Bond, and Ralph Ellison, in addition to earlier figures such as George Washington Carver and Frederick Douglass. Sources include poetry and works of fiction as well as song lyrics. Arranged alphabetically by author, the quotations cover a wide variety of subjects. Brief captions identify the quoted individuals and the achievements for which they are best known.
In 1950, experts at Ellery Queen Mystery Magazine voted on the best detective stories ever written, and the result was this dazzling dozen. Two of the choices—Edgar Allan Poe's «The Purloined Letter» and Sir Arthur Conan Doyle's «The Red-Headed League»—were regarded by their authors as their finest short stories. The remaining tales offer similarly high levels of excitement and mystery. Featured stories include G. K. Chesterton's «The Invisible Man,» from The Innocence of Father Brown; «Suspicion» by Dorothy L. Sayers; Aldous Huxley's «The Gioconda Smile»; and «The Hands of Mr. Ottermole» by Thomas Burke. Additional tales include «The Avenging Chance» by Anthony Berkeley; «The Absent-Minded Coterie» by Robert Barr; Jacques Futrelle's «The Problem of Cell 13»; Melville D. Post's «Naboth’s Vineyard»; «The Yellow Slugs» by H. C. Bailey; and E. C. Bentley's «The Genuine Tabard.»
Preoccupied with death, and repressed in many areas of their lives, Victorians seem to have found an emotional outlet in ghost stories, eerie tales, and a fascination with the macabre. Writers of the era fed this appetite with a continuing feast of stories steeped in terror and the supernatural. This unique collection gathers together 21 of these Victorian-era spine-tinglers, but unlike most anthologies, which feature the same tired tales, this volume contains 21 outstanding, but neglected stories from that time period. The product of painstaking research in libraries, antique bookshops, and other out-of-the-way archives, these rare gems include the title story, a black comedy by Ambrose Bierce; «The Ship that Saw a Ghost,» a tale of seafaring mystery by Frank Norris; «The Tomb,» Guy de Maupassant's grotesque account of one man's incurable longing for his deceased lover; Richard Marsh's unsettling tale of «The Haunted Chair,» and 17 more. Compelling tales by such lesser-known writers as Dorothea Gerard, J. Keighley Snowden, Robert Barr, and Georgina C. Clark round out this collection of carefully chosen, hard-to-find narratives, sure to delight the most discerning reader of Victorian tales of terror and the supernatural.
The group of stories known as The Arabian Nights or The Thousand and One Nights is believed to have originated in the East during the early Middle Ages. The tales first appeared in a Western translation in France in 1704. This selection of favorite Arabian Nights stories, with new illustrations by Thea Kliros, features a multitude of colorful characters — devious magicians, monstrous giants, lovely princesses, and steadfast suitors — caught up in exciting adventures that take them to faraway lands.The six classics included here are «Aladdin and the Wonderful Lamp,» «Ali Baba and the Forty Thieves,» «Abou Hassan, or, The Sleeper Awakened,» «The Seven Voyages of Sinbad the Sailor,» «Camaralzaman and Badoura,» and «The Enchanted Horse.» With this book as their guide, children can journey to the enchanted world of the Arabian Nights and enjoy the same time-honored tales that have enthralled readers and listeners for centuries.
The 126 poems in this superb collection of 19th and 20th century British and American verse range from the impassioned «Renascence» of Edna St. Vincent Millay to Edward Lear's whimsical «The Owl and the Pussycat» and James Whitcomb Riley’s homespun «When the Frost Is on the Punkin.» Famous poets such as Wordsworth, Tennyson, Whitman, and Frost are well-represented, as are less well-known poets such as John McCrae («In Flanders Fields») and Ernest Thayer («Casey at the Bat»). Includes 10 selections from the Common Core State Standards Initiative: «The Owl and the Pussycat,» «Casey at the Bat,» «Jabberwocky,» «O Captain! My Captain!,» «Paul Revere's Ride,» «Ozymandias,» «The Raven,» «Because I Could Not Stop for Death,» «Mending Wall,» and «Ode on a Grecian Urn.»