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• Toronto is one of the most queer-friendly North American cities. Our Pride parade is the largest in North America, and this year even Prime Minister Justin Trudeau took to the streets to celebrate.• This is a book about a community, told by a community. Rather than offering one single authoritative voice, this collection features the perspectives of over 60 writers, artists, academics, and activists.• Being diverse in perspective, the book is also broad in scope: chapter subjects include bars, shared houses, raids, stage performers and pioneering activists. • Lavishly illustrated with archival images and photo essays.
Subdivided
More than any other city-region in the world, including metropolises like New York, Los Angeles and London, Greater Toronto has become a testing ground for urban hyper-diversity. Almost half the region’s 6 million residents were born outside Canada, and many more come from First Nations and racialized communities. Yet recent research has shown that Toronto, like many large cities, is turning into a sprawling collection of homogenous enclaves.Toronto is in many ways ahead of the curve as far as urban diversity goes, By situating Toronto in a broader context and then using it as a kind of case study for the future of urban diversity, we're aiming to make the collection relevant well beyond this city. In a recent article in Toronto Life, 'The Skin I'm In,' writer Desmond Cole described his experiences being carded in Toronto, which prompted discussion of carding practices in the city. It received widespread attention and was picked up by NPR in the US. A book by Cole on race in Canada is forthcoming from Doubleday Canada in 2017; Subdivided will complement this work by presenting other voices on this topic.
The Ward
From the 1870s to the 1950s, waves of immigrants to Toronto – Irish, Jewish, Chinese and Italian, among others – landed in ‘The Ward’ in the centre of downtown. Deemed a slum, the area was crammed with derelict housing and ‘ethnic’ businesses; it was razed in the 1950s to make way for a grand civic plaza and modern city hall. Archival photos and contributions from a wide variety of voices finally tell the story of this complex neighbourhood and the lessons it offers about immigration and poverty in big cities. Contributors include historians, politicians, architects and descendents of Ward res­idents on subjects such as playgrounds, tuberculosis, bootlegging and Chinese laundries.With essays by Howard Akler, Denise Balkissoon, Steve Bulger, Jim Burant, Arlene Chan, Alina Chatterjee, Cathy Crowe, Richard Dennis, Ruth Frager, Richard Harris, Gaetan Heroux, Edward Keenan, Bruce Kidd, Mark Kingwell, Jack Lipinsky, John Lorinc, Shawn Micallef, Howard Moscoe, Laurie Monsebraaten, Terry Murray, Ratna Omidvar, Stephen Otto, Vincenzo Pietropaolo, Michael Posner, Michael Redhill, Victor Russell, Ellen Scheinberg, Sandra Shaul, Myer Siemiatycki, Mariana Valverde, Thelma Wheatley, Kristyn Wong­-Tam and Paul Yee, among others.
The Poetic Edda
"This is a wonderful new edition of the Poetic Edda . It captures the language, vitality, and rhythms of the original."—Jesse Byock, PhD, UCLAGods, giants, the undead, dwarves, Valkyries, heroes, kidnapping, dragons, and a giant wolf are just some of the stars in these Norse tales. Committed to vellum in Iceland around 1270, The Poetic Edda has compelled the likes of Richard Wagner, J. R. R. Tolkien, Jorges Luis Borges, and W.H. Auden. Jeramy Dodds transmits the Old Icelandic text into English without chipping the patina of the original. Jeramy Dodds 's Crabwise to the Hounds was shortlisted for the Griffin Poetry Prize and won the Trillium Book Award for poetry.
Inside the Pleasure Dome
Everybody loves the movies. But a movie about the colour blue, or an isolated mountain range, or a man grown so thin the world floats through his perfect transparency? Welcome to the strange and wonderful universe of fringe cinema. Twenty-three interviews with Canada's finest underdogs. Includes a foreword by Atom Egoyan.
Exploring Contemporary Craft
The craft of craft, the art of craft – here in Canada we're just starting to really talk about these things. In March 1999, Jean Johnson, who runs Toronto's Craft Studio at Harbourfront Centre, organized a wildly successful symposium on the state of craft in Canada. Curators, writers, critics, academics and craftspeople spoke about all aspects of craft: history, practice, theory, criticism. Taken together, these papers create a clear picture of the vibrant crafts scene in Canada. The symposium was a groundbreaking event, a first in Canada, offering to the crafts community a new depth of consideration. The book, too, is a Canadian first, and it will allow a dialogue about the academic side of the craft movement to continue. Each of the book's three sections, History, Theory and Critical Writing, contains a keynote paper and essays by experts in each field, including Mark Kingwell writing 'On Style,' Blake Gopnik on 'Reviewing Craft Exhibitions for the Art Pages,' and Robin Metcalfe addressing 'Teacup Readings: Contextualizing Craft in the Art Gallery.'
Biting the Error
What is the best way to tell a story? In this anthology, the first-ever collection of essays by innovative, cutting-edge writers on the theme of narration, forty of the continent's top experimental writers describe their engagement with language, storytelling and the world. The anthology includes renowned writers like Kathy Acker, Dennis Cooper, Nicole Brossard, Daphne Marlatt, Lydia Davis and Kevin Killian, writers who have spent years pondering the meaning of storytelling and how storytelling functions in our culture, as well as presenting a new generation of brilliant thinkers and writers, like Christian Bök, Corey Frost, Derek McCormack and Lisa Robertson. Contemporizing the friendly anecdotal style of Montaigne and written by daring writers of different ages, of different origins, from many different regions of the continent, from Mexico to Montreal, these essays run the gamut of mirth, prose poetry, tall tales and playful explorations of reader/writer dynamics. They discuss aesthetics founded on new explorations in the field of narrative, the mystery that is the body, questions of how representation may be torqued to deal with gender and sexuality, the experience of marginalized people, the negotiation between different orders of time, the 'performance' of outlaw subject matter.Brave, energetic and fresh, Biting the Error tells a whole new story about narrative. Biting the Error is edited by Mary Burger, Robert Glück, Camille Roy and Gail Scott, the co-founders of the Narrativity Website Magazine, based at the Poetry Center, San Francisco State University.
The Edible City
If a city is its people, and its people are what they eat, then shouldn’t food play a larger role in our dialogue about how and where we live? The food of a metropolis is essential to its character. Native plants, proximity to farmland, the locations of supermarkets, immigration, food-security concerns, how chefs are trained: how a city nourishes itself might say more than anything else about what kind of city it is. With a cornucopia of essays on comestibles, The Edible City considers how one city eats. It includes dishes on peaches and poverty, on processing plants and public gardens, on rats and bees and bad restaurant service, on schnitzel and school lunches. There are incisive studies of food-safety policy, of feeding the poor, and of waste, and a happy tale about a hardy fig tree. Together they form a saucy picture of how Toronto – and, by extension, every city – sustains itself, from growing basil on balconies to four-star restaurants. Dig into The Edible City and get the whole story, from field to fork.
uTOpia
Since the election of Mayor David Miller in November 2003, Toronto has experienced a wave of civic pride and enthusiasm not felt in decades. At long last, Torontonians see their city as a place of possibility and potential. Visions of a truly workable, liveable and world-class city are once again dancing in citizens’ heads. In the past two years, this spirit has, directly or indirectly, manifested itself in multifarious forms: in writer Sheila Heti’s sui generis lecture series, Trampoline Hall; in the transformation of derelict hotels such as the Drake and the Gladstone into cultural hotspots; in renewed interest in waterfront revitalization and public transportation; in exciting, controversial architectural developments such as the OCAD building, the expansion of the ROM and the AGO; in the [murmur] project, which catalogues stories about Toronto neighbourhoods and broadcasts them to people’s cell phones; in the explosion of the local independent music scene. uTOpia aims to capture and chronicle that spirit, collecting writing by many of the people inspired by and involved in these projects. Featuring passionate, visionary essays by thirty-four different journalists, artists, thinkers, architects and activists, uTOpia is a compendium of ideas, opinions and strategies. The anthology explores plans to redevelop the Island airport into a Ward’s Island-style community; how the Zeidler family is energizing artist-run centres; what a car-free Kensington Market might mean; the necessity and beauty of laneway housing; the way past efforts to combat devastating developments like the Spadina Expressway have shaped current activism; what a utopian Toronto might look like mapped out; and much, much more. Playful, erudite and accessible, uTOpia writes Toronto as it is shared and created by the people who live here. Though it is by no means a complete picture of what is happening in the city right now, it will hopefully show that what was once just a T-shirt slogan – I Heart T.O. – is now genuine, heartfelt sentiment. Contributors include Howard Akler, Andrew Alfred-Duggan, Jacob Allderdice, Bert Archer, James Bow, Nicole Cohen, Jonny Dovercourt, Dale Duncan, Philip Evans, Mark Fram, Misha Glouberman, Chris Hardwicke, Sheila Heti, Alfred Holden, Luis Jacob, Lorraine Johnson, Edward Keenan, Mark Kingwell, John Lorinc, Sally McKay, Heather McLean, Dave Meslin, Shawn Micallef, Derek Murr, Ninjalicious, Darren O’Donnell, Planning Action, Barbara Rahder, Dylan Reid, Erik Rutherford, Jeffrey Stinson, Deanne Taylor, Conan Tobias, Stéphanie Verge, Adam Vaughan and Marlena Zuber.
The State of the Arts
City Hall proclaimed 2006 the Year of Creativity. ‘Live With Culture’ banners flap over the city. And across the city, donors are ponying up millions for the ROM and the AGO. Culture’s never had it so good. Right? The State of the Arts explores the Toronto arts scene from every angle, applauding, assailing and arguing about art in our fair burg. The essays consider the big-ticket and the ticket-free, from the Opera House and the CNE to the subconscious art of graffiti eradication and underground hip-hop. In between, you'll find considerations art in the suburbs, how business uses art to sell condos, questions of infrastructure, an examination of Toronto on film and a history of micro press publishing. You'll read about the fine line between party and art, the trials of being a capitalist in a sea of left-wing artists, the power of the internet to create arts communities and a plea for spaces that cater to musicians and their kids. Throughout, you'll find equal doses of optimism and frustration, and a good measure of T.O. love. Taken together, the thoughts of these writers, thinkers, musicians and city-builders aim to create an honest survey of where we're at and where we can go.