Группа авторов
Список книг автора Группа авторовErnest Sosa
This is the first book devoted to the work of Ernest Sosa, one of the most influential contemporary epistemologists. Part of the acclaimed Philosophers and Their Critics series. The editor’s introduction serves as an introduction to Sosa’s epistemology. Contains critical essays by more than twenty of the most prominent epistemologists in the world, commenting on Sosa's work. Concludes with Sosa’s own reply to his critics.
Islamic Philosophy
Although Islamic philosophy represents one of the leading philosophical traditions in the world, it has only recently begun to receive the attention it deserves in the non-Islamic world. This important text provides a concise and accessible introduction to the major movements, thinkers and concepts within that tradition, from the foundation of Islam to the present day. Ever since the growth of Islam as a religious and political movement, Muslim thinkers have sought to understand the theoretical aspects of their faith by using philosophical concepts. Leaman outlines this history and demonstrates that, although the development of Islamic philosophy is closely linked with Islam itself, its form is not essentially connected to any particular religion, and its leading ideas and arguments are of general philosophical significance. The author illustrates the importance of Islamic thought within philosophy through the use of many modern examples. He describes and contrasts the three main movements in Islamic philosophy ? Peripatetic, Sufi and Illuminationist ? and examines the Persian as well as the Arabic traditions. Wide coverage is given to key aspects of Islamic philosophy, including epistemology, ontology, politics, ethics and philosophy of language, providing readers with a balanced view of the discipline. The second edition has been thoroughly revised and updated throughout, including the addition of two new chapters on recent debates surrounding Islam's need for an enlightenment, and on the future of Islamic philosophy. The new edition of Islamic Philosophy will continue to be essential reading for students and scholars of the subject, as well as anyone wanting to learn more about one of the most significant and influential philosophical traditions in the world today.
Comedy Incarnate
In Comedy Incarnate, Noël Carroll surveys the characteristics of Buster Keaton’s unique visual style, to reveal the distinctive experience of watching Keaton’s films. Bold and provocative thesis written by one of America’s foremost film theorists Takes a unique look at the philosophies behind Keaton’s style Weighs visual elements over narrative form in the analysis of the Keaton’s work Provides a fresh vantage point for analysis of film and comedy itself
Philosophical Writing
Substantially updated and revised, the third edition of Philosophical Writing is designed to help those with little or no experience in philosophy to think and write successfully. Traces the evolution of a good philosophical essay from draft stage to completion Now includes new examples of the structures of a philosophical essay, new examples of rough drafts, tips on how to study for a test and a new section on how to utilize the internet effectively Written with clarity and wit by a bestselling author
Richard Rorty
Neil Gascoigne provides the first comprehensive introduction Richard Rorty’s work. He demonstrates to the general reader and to the student of philosophy alike how the radical views on truth, objectivity and rationality expressed in Rorty’s widely-read essays on contemporary culture and politics derive from his earliest work in the philosophy of mind and language. He avoids the partisanship that characterizes much discussion of Rorty’s work whilst providing a critical account of some of the dominant concerns of contemporary thought. Beginning with Rorty’s early work on concept-change in the philosophy of mind, the book traces his increasing hostility to the idea that philosophy is cognitively privileged with respect to other disciplines. After the publication of Philosophy and the Mirror of Nature, this led to a new emphasis on preserving the moral and political inheritance of the enlightenment by detaching it from the traditional search for rational foundations. This emerging project led Rorty to champion ‘ironic’ thinkers like Foucault and Derrida, and to his attempt to update the liberalism of J. S. Mill by offering a non-universalistic account of the individual’s need to balance their own private interests against their commitments to others. By returning him to his philosophical roots, Gascoigne shows why Rorty’s pragmatism is of continuing relevance to anyone interested in ongoing debates about the nature and limits of philosophy, and the implications these debates have for our understanding of what role the intellectual might play in contemporary life. This book serves as both an excellent introduction to Rorty’s work and an innovative critique which contributes to ongoing debates in the field.
Edmund Husserl
Dermot Moran provides a lucid, engaging, and critical introduction to Edmund Husserl's philosophy, with specific emphasis on his development of phenomenology. This book is a comprehensive guide to Husserl's thought from its origins in nineteenth-century concerns with the nature of scientific knowledge and with psychologism, through his breakthrough discovery of phenomenology and his elucidation of the phenomenological method, to the late analyses of culture and the life-world. Husserl's complex ideas are presented in a clear and expert manner. Individual chapters explore Husserl's key texts including Philosophy of Arithmetic, Logical Investigations, Ideas I, Cartesian Meditations and Crisis of the European Sciences. In addition, Moran offers penetrating criticisms and evaluations of Husserl's achievement, including the contribution of his phenomenology to current philosophical debates concerning consciousness and the mind. Edmund Husserl is an invaluable guide to understanding the thought of one of the seminal thinkers of the twentieth century. It will be helpful to students of contemporary philosophy, and to those interested in scientific, literary and cultural studies on the European continent.
Miami Vice
Miami Vice captures the glitter and glamour embodied by Crockett and Tubbs and offers students an anatomy of a ground-breaking work in the police procedural genre. Explores Miami Vice’s combination of disparate influences (MTV, film noir, soap opera, ‘high concept’ action films) as well as the social, cultural and industrial moments when it burst onto the network Introduces readers to major components of televisual analysis–style, storytelling, the television show as commodity and ideological critique– that illustrate the show’s unique features Provides a model for students’ own assessment of other shows, and confirms precisely how–and on what terms–Miami Vice redefined the police drama and an era
Fatal Attraction
Since its famed introduction of the “boiled bunny,” Fatal Attraction (1987) established itself as one of American cinema’s most controversial films. This insightful new book surveys the film's formal features and its ideological impact, paying special attention to the film’s signature mix of sexuality, fear, and family values. Features detailed breakdowns of the formal techniques the film employs to create suspense, such as turning ordinary household objects into agents of terror Considers the film’s mixed-genre status as a thriller, melodrama, horror picture, and film noir Offers an explanation and analysis of the cultural storm ignited by the film, especially due to its treatment of single career women Investigates the film’s handling of extramarital sexuality, pregnancy, birth control, and AIDS Discusses the film’s lasting role in shaping American gender politics
Puzzle Films
Drawing upon the expertise of film scholars from around the world, Puzzle Films investigates a number of films that sport complex storytelling–from Memento, Old Boy, and Run Lola Run, to the Infernal Affairs trilogy and In the Mood for Love. Unites American ‘independent’ cinema, the European and International Art film, and certain modes of avant-garde filmmaking on the basis of their shared storytelling complexity Draws upon the expertise of film scholars from North America, Britain, China, Poland, Holland, Italy, Greece, New Zealand, and Australia
Television Truths
Television Truths considers what we know about TV, whether we love it or hate it, where TV is going, and whether viewers should bother going along for the ride. This engaging volume, written by one of television's best known scholars, offers a new take on the history of television and an up-to-date analysis of its imaginative content and cultural uses. Explores the pervasive, persuasive, and powerful nature of television: among the most criticized phenomena of modern life, but still the most popular pastime ever Written by John Hartley, one of television’s best known scholars Considers how television reflects and shapes contemporary life across the economic, political, social and cultural spectrum, examining its influence from historical, political and aesthetic perspectives Probes the nature of, and future for, television at a time of unprecedented change in technologies and business plans Provides an up-to-date analysis of content and cultural uses, from the television live event, to its global political influence, through to the concept of the “TV citizen” Maps out a new paradigm for understanding television, for its research and scholarship, and for the very future of the medium itself