The Greatest Novels of Charles Reade. Charles Reade Reade

give me time to think on't. Come o' Saturday, and then I will say ay or nay.”

      The respite thus gained was passed in making the tunic and toga, etc., and trying them on in her chamber, to see whether they suited her style of beauty well enough to compensate their being a thousand years out of date.

      Gerard, hurrying along to this interview, was suddenly arrested, and rooted to earth at a shop window.

      His quick eye had discerned in that window a copy of Lactantius lying open. “That is fairly writ, anyway,” thought he.

      He eyed it a moment more with all his eyes.

      It was not written at all. It was printed.

      Gerard groaned.

      “I am sped; mine enemy is at the door. The press is in Rome.”

      He went into the shop, and affecting nonchalance, inquired how long the printing-press had been in Rome. The man said he believed there was no such thing in the city. “Oh, the Lactantius; that was printed on the top of the Apennines.”

      “What, did the printing-press fall down there out o' the moon?”

      “Nay, messer,” said the trader, laughing; “it shot up there out of Germany. See the title-page!”

      Gerard took the Lactantius eagerly, and saw the following—

      Opera et impensis Sweynheim et Pannartz

      Alumnorum Joannis Fust.

      Impressum Subiacis. A.D. 1465.

      “Will ye buy, messer? See how fair and even be the letters. Few are left can write like that; and scarce a quarter of the price.”

      “I would fain have it,” said Gerard sadly, “but my heart will not let me. Know that I am a caligraph, and these disciples of Fust run after me round the world a-taking the bread out of my mouth. But I wish them no ill. Heaven forbid!” And he hurried from the shop.

      “Dear Margaret,” said he to himself, “we must lose no time; we must make our hay while shines the sun. One month more and an avalanche of printer's type shall roll down on Rome from those Apennines, and lay us waste that writers be.”

      And he almost ran to the Princess Claelia.

      He was ushered into an apartment new to him. It was not very large, but most luxurious; a fountain played in the centre, and the floor was covered with the skins of panthers, dressed with the hair, so that no footfall could be heard. The room was an ante-chamber to the princess's boudoir, for on one side there was no door, but an ample curtain of gorgeous tapestry.

      Here Gerard was left alone till he became quite uneasy, and doubted whether the maid had not shown him to the wrong place.

      These doubts were agreeably dissipated.

      A light step came swiftly behind the curtain; it parted in the middle, and there stood a figure the heathens might have worshipped. It was not quite Venus, nor quite Minerva; but between the two; nobler than Venus, more womanly than Jupiter's daughter. Toga, tunic, sandals; nothing was modern. And as for beauty, that is of all times.

      Gerard started up, and all the artist in him flushed with pleasure.

      “Oh!” he cried innocently, and gazed in rapture.

      This added the last charm to his model: a light blush tinted her cheeks, and her eyes brightened, and her mouth smiled with delicious complacency at this genuine tribute to her charms.

      When they had looked at one another so some time, and she saw Gerard's eloquence was confined to ejaculating and gazing, she spoke. “Well, Gerardo, thou seest I have made myself an antique monster for thee.”

      “A monster? I doubt Fra Colonna would fall down and adore your highness, seeing you so habited.”

      “Nay, I care not to be adored by an old man. I would liever be loved by a young one: of my own choosing.”

      Gerard took out his pencils, arranged his canvas, which he had covered with stout paper, and set to work; and so absorbed was he that he had no mercy on his model. At last, after near an hour in one posture, “Gerardo,” said she faintly, “I can stand so no more, even for thee.”

      “Sit down and rest awhile, Signora.”

      “I thank thee,” said she; and sinking into a chair turned pale and sighed.

      Gerard was alarmed, and saw also he had been inconsiderate. He took water from the fountain and was about to throw it in her face; but she put up a white hand deprecatingly: “Nay, hold it to my brow with thine hand: prithee, do not fling it at me!”

      Gerard timidly and hesitating applied his wet hand to her brow.

      “Ah!” she sighed, “that is reviving. Again.”

      He applied it again. She thanked him, and asked him to ring a little hand-bell on the table. He did so, and a maid came, and was sent to Floretta with orders to bring a large fan.

      Floretta speedily came with the fan.

      She no sooner came near the princess, than that lady's highbred nostrils suddenly expanded like a bloodhorse's. “Wretch!” said she; and rising up with a sudden return to vigour, seized Floretta with her left hand, twisted it in her hair, and with the right hand boxed her ears severely three times.

      Floretta screamed and blubbered; but obtained no mercy.

      The antique toga left quite disengaged a bare arm, that now seemed as powerful as it was beautiful: it rose and fell like the piston of a modern steam-engine, and heavy slaps resounded one after another on Floretta's shoulders; the last one drove her sobbing and screaming through the curtain, and there she was heard crying bitterly for some time after.

      “Saints of heaven!” cried Gerard, “what is amiss? what has she done?”

      “She knows right well. 'Tis not the first time. The nasty toad! I'll learn her to come to me stinking of the musk-cat.”

      “Alas! Signora, 'twas a small fault, methinks.”

      “A small fault? Nay, 'twas a foul fault.” She added with an amazing sudden descent to humility and sweetness, “Are you wroth with me for beating her, Gerar-do?”

      “Signora, it ill becomes me to school you; but methinks such as Heaven appoints to govern others should govern themselves.”

      “That is true, Gerardo. How wise you are, to be so young.” She then called the other maid, and gave her a little purse. “Take that to Floretta, and tell her 'the Gerardo' hath interceded for her; and so I must needs forgive her. There, Gerardo.”

      Gerard coloured all over at the compliment; but not knowing how to turn a phrase equal to the occasion, asked her if he should resume her picture.

      “Not yet; beating that hussy hath somewhat breathed me. I'll sit awhile, and you shall talk to me. I know you can talk, an it pleases you, as rarely as you draw.”

      “That were easily done.

      “Do it then, Gerardo.”

      Gerard was taken aback.

      “But, signora, I know not what to say. This is sudden.”

      “Say your real mind. Say you wish you were anywhere but here.”

      “Nay, signora, that would not be sooth. I wish one thing though.”

      “Ay, and what is that?” said she gently.

      “I wish I could have drawn you as you were beating that poor lass. You were awful, yet lovely. Oh, what a subject for a Pythoness!”

      “Alas! he thinks but of his art. And why keep such a coil about my beauty, Gerardo? You are far fairer than I am. You are more like Apollo than I to Venus. Also, you have lovely hair and lovely eyes—but you know not what to do with them.”

      “Ay, do I. To draw you, signora.”

      “Ah,