Introducing Anthropology. Laura Pountney

Читать онлайн.
Название Introducing Anthropology
Автор произведения Laura Pountney
Жанр Культурология
Серия
Издательство Культурология
Год выпуска 0
isbn 9781509544158



Скачать книгу

      Conduct a life history project in which you have to carry out an extended series of interviews with a chosen informant in order to ascertain what effects globalization has had on his or her life. Transcribe the interviews and write a report that includes themes such as childhood, education, career and family.

      You should choose an older person who has experienced changes throughout his or her life.

      In ethnography, reflexivity has come to mean thinking carefully about who has undertaken the research, under what conditions, how it was written up and what impact these questions might have on the value of the ethnography produced. In anthropology, reflexivity has come to have two distinct meanings, one that refers to the researcher’s awareness of an analytic focus on his or her relationship to the field of study, and the other that attends to the ways that cultural practices involve consciousness and commentary on themselves. In the following case study, Mwenda Ntarangwi reflects on his experience of being an African anthropologist in American culture.

      reflexivity The process of reflection on the research process

       An African ethnography of American anthropology (Mwenda Ntarangwi)

      Anthropologists are not only good at studying other cultures and communities in depth, they also frequently turn their analytical eye on themselves and their practices. They look at how their gender, race, social class, ethnic identity and other identity markers shape their ethnographic studies and the analyses they undertake of the data collected. This analytical look on themselves is the approach I have taken in my book Reversed Gaze: An African Ethnography of American Anthropology (2010). I present a side of Western anthropology that is not commonly accessed by many who read anthropological literature, even including that which is found in accounts of field experiences that culminate in reflexive ethnographies and memoirs that have now become standard contributions. My focus is anthropologists’ identities as they ‘practice’ anthropology within academic departments, professional meetings, classrooms and lecture halls, and through ethnographic writing, all of which constitute the ‘other side’ of anthropological practice that is often absent in scholarly papers, ethnographies and memoirs. To do this, I ask a number of questions, including the following:

      1 How different are anthropologists’ lives at home in their own institutional and cultural contexts from their lives abroad while conducting the research that they subsequently share in their memoirs and ethnographies?

      2 What part of the anthropologist’s identity revealed in ethnographies is shaped by their own culture and how can it provide a window to an understanding of the general work that anthropologists do?

      3 How do students of anthropology navigate the challenges of ethnography while undergoing training in their own institutions before going ‘out’ into the ‘field’ to undertake their major ethnographic projects, and how might these projects inform each other?

      4 Are mini-ethnographies, conducted at home to fulfil research methods course requirements, some kind of symbolic representation of dissertation fieldwork carried out in any field far away from the departments and institutions?

      5 How do anthropologists interact at annual professional meetings and what does it say about anthropology as a discipline within the larger field of academic practice? Is the annual meeting a ritual similar to the cultural rituals analysed by anthropologists such as Clifford Geertz or Victor Turner? [See Chapter 9.] And to what extent do those rituals in professional meetings represent windows into understanding American anthropological culture?

      My work does not present the undiluted culture of America and of anthropologists, but rather my understanding and interpretation of the ways and thoughts of individuals with whom I have interacted and of events that I have attended. This is not unlike many similar practices engaged in by anthropologists throughout their ethnographic research. My work is an account of how Americans and anthropologists with whom I have interacted have constructed what I consider to be a relatively consistent and shared set of actions, thoughts and beliefs that constitute a cultural logic that made sense to me. But, as anthropologists, we encounter other cultures against a backdrop of our own cultures and this in itself cannot be ignored in understanding the questions we ask, the conclusions we come up with or the topics and issues we seek to pursue. That is why I conclude that my book is as much about American anthropology as it is about my own cultural background; it is a conversation between two cultures and an analysis of key elements in the composition of that conversation within an anthropological frame.

       Interview with Brian Morris (2015)

      DESCRIBE YOUR ETHNOGRAPHIC RESEARCH.

      I have carried out four major pieces of fieldwork. The first was for my PhD, studying the Hill Pandaram people, who are hunters and gatherers in South India. I also carried out my research in Malawi on the relationship people have with their environment. I later returned to Malawi to study people’s relationship with animals, small mammals.

      HOW DID YOU GAIN ACCESS TO THE GROUP YOU STUDIED?

      I never actually had a problem gaining access in Malawi, as I lived and worked there for seven years on a tea plantation before I began my fieldwork. Very few people spoke English there at that time, so I had to learn the local language, Chichewa. So, when I began my research, I already knew the context and language well.

      WHAT WAS THE MOST DIFFICULT PART OF YOUR FIELDWORK?

      The main difficulty I faced in my research in India was living in the forest. I decided to walk barefoot in the same way as the Hill Pandaram people, which was not easy. Sleeping was another problem. I am only an average height, but the Hill Pandaram are small, on average around 5 foot tall. They don’t have houses; instead, they make small conical shelters with palm leaves to cover themselves and to protect them from the rain. I found it very difficult sleeping in these because it rains most of the time and there is always a dog trying to hog the warmth of the fire (dogs are very important to them for hunting), and it was really a problem. I would have to sleep either in the foetal position or put my legs straight, with my legs outside the sleeping bed. I got wet with the rain and I did not have any blankets. The Hill Pandaram people are nomadic and move continually between camps, approximately every ten days, so I became nomadic too. I would spend three days with the Hill Pandaram in the jungle and then return to the village, where I lived with my family. I was there with my wife and three young daughters. It was very difficult for my family, but having children actually was not a handicap for my research at all. It opened to us many things, as Indians love children. So we were accepted very quickly in the village.

      HOW DID YOU LEARN WHAT TO LOOK FOR?

      I go around like a hunter-gatherer but I gather knowledge, and I gather anything that relates to my topic of research. So I would go and chat with people, stay at cheap rest houses, sitting there and drinking beer, and then I would turn the conversation towards insects, for example, to see how people might relate to them. I would cut out all of the local newspapers reports on insects. I would look at archives for locust swarms and dig up information on everything. I would then gather this