Hans Andersen's Fairy Tales. Hans Christian Andersen

use, she could see. Then she took water and washed the dead man's face, covered it with fresh green leaves, fetched great boughs and laid them ​over him, shook leaves between them, then took the heaviest stones she was able to lift, laid them over the dead bodies, and filled up the openings with moss. Then the mound seemed strong and protected, but this arduous task had occupied the entire night—the sun now burst forth, and little Helga stood in all her beauty, with bleeding hands, and, for the first time, with tears on her flushed maiden cheeks.

      In this transformation, it seemed as if the two natures struggled within her. She trembled, and gazed around her as if she had awoke from a frightful dream. Running to a slender beech, she held fast to it for support, then climbed to the top of the tree, as lithely as a cat, and clung fast to it. There she sat like a frightened squirrel, sat there all through the long day in the deep solitude of the forest, where all is still and deathlike as they say. Yet a pair of butterflies fluttered about at play or in quarrel; there were ant-hills close by with many hundreds of busy little creatures that crowded backwards and forwards. Countless gnats danced in the air, swarm upon swarm; hosts of buzzing flies chased each other about; birds, dragon-flies, and other small winged creatures filled the air. The earth-worm crept out from the moist soil, the mole raised itself above the ground. In all else it was still and death-like around, or what one calls death-like indeed! Nothing took any notice of little Helga, except the jays, which flew screaming around the top of the tree where she was sitting. They jumped along the branches near her in daring inquisitiveness. One glance of her eye was enough to chase them away again; but they could not quite make her out, neither could she understand herself.

      When evening was near, and the sun began to go down, her approaching change called her to movement again. She let herself slide down from the tree, and when the last ray of the ​sun disappeared, she sat there in the toad's shrunken form, with the webbed skin of her hands lacerated, but her eyes now sparkled with a brilliancy of beauty which they had scarcely possessed before, even in her beautiful human shape. They were now the gentle eyes of a pious maiden that looked from behind the reptile's outward shape, and told of a deepened mind, of a true human heart. The beautiful eyes swam with tears, heavy tears that relieved her heart.

      The cross of boughs bound together with a strip of bark, the last work of him who now lay dead and buried, was still lying on the grave she had made. Little Helga now took it, at some unprompted impulse, and planted it amongst the stones, over him and the slain horse. The sadness of the recollection brought tears to her eyes, and with the grief in her heart she traced the same sign in the earth around the grave that so honourably enclosed the dead. As with both hands she traced the sign of the cross, the webbing fell off like a torn glove! She washed herself in the water of the spring, and looked with astonishment at her fine white hands. Again she made the sign of the cross in the air between herself and the grave; her lips quivered, her tongue moved, and that Name, which she had heard pronounced most frequently on her ride through the forest, came audibly from her mouth—she said, 'Jesus Christ!'

      The toad's skin fell off: she was a beautiful young maiden; but her head drooped wearily, her limbs needed repose—she slept.

      Her slumber was short; at midnight she awoke. The dead horse was standing before her, shining, and full of life, that gleamed in light from its eyes and from its wounded neck. Close by she saw the murdered Christian priest, 'more beautiful ​than Baldur!' as the Viking's wife would have said; and he appeared surrounded with a glory of fire.

      There was an earnest look in his large, gentle eyes, just and searching, so penetrating a gaze that it seemed to shine into the inmost recesses of her heart. Little Helga trembled before it, and her memory was awakened with a power as if it was the Day of Judgment. Every kind action that had been done for her, every kindly word that had been spoken to her, seemed endued with life; she understood that it was mercy which had taken care of her during her days of trial, in which the child of spirit and clay works and strives. She owned that she had only followed the bent of her own desire, and had done nothing on her own part. Everything had been given to her, everything had been allowed, so to speak. She bowed herself humbly, ashamed before Him who alone can read the hidden things of the heart; and in that instant there seemed to come to her a fiery touch of purifying flame—the flame of the Holy Spirit.

      'Thou daughter of the mire,' said the Christian priest, 'from the mire, from the earth thou art sprung; from earth thou shalt again arise. The fire within thee returns in personality to its source; the ray is not from the sun, but from God. No soul shall perish, but far distant is the time when life shall be merged in eternity. I come from the land of the dead; so shalt thou at some time travel through the deep valley to the shining hill-country, where grace and fulness dwell. I may not lead thee to Hadde for Christian baptism. First thou must burst the water-shield over the deep moorland, and draw up the living root that gave thee life and cradled thee. Thou must do thy work before the consecration may come to thee.'

      And he lifted her on to the horse, handed her a golden ​censer, like that which she had seen in the Viking's castle, from which there came a sweet, strong fragrance. The open wound on the forehead of the slain shone like a radiant diadem. He took the cross from the grave, raised it on high; and now they went off through the air, over the rustling forest, then over the mounds where the warriors were buried, sitting on their dead steeds; and these majestic forms arose, and rode out to the tops of the hills. A broad golden hoop with a gold knob gleamed on their foreheads in the moonlight, and their cloaks fluttered in the wind. The dragon that sits and broods over treasure raised its head, and looked after them. Dwarfs peered forth from the hills, and the furrows swarmed with red, blue, and green lights, like a cluster of sparks in a burnt piece of paper.

      Away over wood and heath, stream and pool, they flew to the moor, and floated over that in great circles. The Christian priest raised the cross on high; it shone like gold, and from his lips came the eucharistic chant. Little Helga sang with him, as a child joins in the song of its mother. She swung the censer, and there came a fragrance as if from an altar, so powerful, so subtly operating, that the rushes and reeds of the moor put forth their flowers. All the germs sprang up from the deep soil; everything that had life arose. A veil of water-lilies spread itself like an embroidered carpet of flowers, and on it lay a sleeping woman, young and beautiful. Little Helga thought she saw herself mirrored in the still water; but it was her mother that she saw, the Marsh King's wife, the princess from the waters of the Nile.

      The dead Christian priest bade the sleeper be lifted on to the horse; but that sank under the burden as if its body was only a winding-sheet flying in the breeze; but the sign of the ​cross made the airy phantom strong, and all three rode to the firm ground.

      A cock crowed in the Viking's stronghold. The phantoms rose up in the mist, and were dispersed in the wind, but mother and daughter stood there together.

      'Is that myself that I see in the deep water?' said the mother.

      'Is that myself that I see in the bright shield?' exclaimed the daughter; and they came close together, breast to breast in each other's arms. The mother's heart beat strongest, and she understood it all.

      'My child! My own heart's flower! My lotus from the deep waters!'

      And she embraced her child, and wept over her; and the tears were as a baptism of new life and affection for little Helga.

      'I came hither in a swan's skin, and I took it off,' said the mother. 'I sank through the quivering swamp, deep into the mire of the bog, that enclosed me as with a wall. But soon I found a fresher current about me; a power seemed to draw me ever deeper and deeper. I felt a pressure of sleep on my eyelids; I slept, I dreamt—I seemed to lie again in the pyramids of Egypt; but there still stood before me the moving elder-stump, which had frightened me on the surface of the moor. I looked at the crevices in the bark, and they shone forth in colours and became hieroglyphics—it was the case of a mummy which I was looking at. That burst, and out of it stepped a lord a thousand years old, a mummy form, black as pitch, shining black like a wood-snail or the slimy black mud—the Marsh King, or the mummy of the pyramid, I did not know which. He flung his arms about me, and I felt that I should die. When I first returned to life again, and my

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