The Heather-Moon. C. N. Williamson

ashamed of not contradicting him, yet she did not contradict. She could not bear to put in words what in her heart she knew to be the truth: that their success was due to Basil, the dreamer of dreams; that her little smartnesses and pretty trivialities could never have carried them to the place where they now stood together. The worst part of her wanted Basil to think, wanted every one to think, that she was the important partner, that she was actually all in the partnership. And it was too miserably easy to produce this impression. Basil was so unassuming, thought so poorly of himself, realized so little how she leaned upon him in their work, admired her so loyally!

      "Ian Somerled is more of a man than any other man I ever met," she said. "I like him for his strength and for his indifference. Everything about him appeals to me—even his money; for making it in the way he did was one expression of his power. Just because they say he'll never marry, I want——"

      "I can understand how a woman may feel about him," Basil said gently, when she suddenly broke off.

      "I thought I was perfectly happy the day he asked us to tour Scotland with him in his car; and when he promised to spend a few days with us here, after he'd got through his business in London," Aline went on, "it was like honey to hear him say that he didn't want to come if any one else was to be here. He'd enjoy it only with you and me alone. But ever since I saw him I've been worrying until I'm quite wretched."

      "Worrying about what?"

      "Whether he suspects anything."

      "Why, what is there to suspect?"

      "Then you don't? I'm glad, for you're both men. If you don't suspect, why should he?"

      "You'll have to tell me what you're driving at. I shan't have an easy minute till you do—and that means I can't write. You know I won't give you away."

      "A woman wouldn't need telling. That's why I like men! You never guessed, then, that I've been doing it all? I was the power behind the throne. I made him invite us, and——"

      "The deuce you did! Why, I heard him ask you. It was on board ship, and——"

      "And before he asked, unless you were deaf, you heard me say I couldn't work up any enthusiasm about the next book we'd promised our publisher to write because we'd sold our last car and hadn't time to make up our minds about a new one, and we had no friends to give us good 'tips' about the country. It was then he asked me what country we wanted to write about, and I said Scotland."

      "Well, yes, I suppose I heard you say all that, now you remind me of it. But it wasn't hinting, because you didn't know he was going to Scotland for his rest cure."

      "Oh, yes, I did. I read it in the New York Sun before we sailed. And when I said we'd accept his invitation if he'd accept ours, Mrs. Keeling hadn't offered me this house."

      "You said she had."

      "I was sure she would, because she told me I had only to ask. She was dying to lend it. She wanted to be able to tell everybody that Aline West and Basil Norman lived in her house for a fortnight in August. It's a great feather in her cap; and Ian Somerled coming to visit us here is something she'll never get over as long as she lives. I marconied her an hour after he'd said that he would come to us after London, and we'd begin our motor tour from Carlisle. 'Twas only taking Time by the forelock to tell him we had been invited. It was bad luck poor Mrs. Keeling being ill when she got my wire, and she really was a trump to turn out and go to a nursing home."

      "Good heavens, is that what she did? I didn't know——"

      "Of course not. But you needn't mind so dreadfully. She's much more comfortable in the nursing home with the best attention than in her own. And, as a reward, we'll dedicate the book to her."

      Aline said this as a queen might have suggested lending her crown to a loyal servitor. Basil laughed, rather uncomfortably, and his sister looked up hastily into his face, to see if he were making fun of her. Just then they were drawing near the open windows of the drawing-room, and the lamplight shone out so brightly through the old-fashioned embroidered lace curtains that she could see his profile. Hers too was clearly outlined as she lifted her chin anxiously.

      The brother and sister were both good to look at, in ways so different that the two made a striking contrast. Aline knew that in appearance they were a romantic pair of travelling companions. Every one stared at them when they were together, for he was very tall and dark, more like an Italian or a Spaniard than an Englishman, and she was gracefully slender and fair, dressing with a subtle appreciation of herself and all her points. Aline West's and Basil Norman's photographs, taken together or apart, for newspapers and magazines, were extremely effective, and were considered by publishers to help the sale of their books. Norman might have sat for Titian's Portrait of a Gentleman: and there were those who thought Mrs. West not unlike Lady Hamilton. Since the first expression of this opinion in print, she had changed the fashion of her hair, and at fancy-dress balls, of which she was fond, she generally appeared as the beautiful Emma. Certainly the cast of her features and the cutting of her lips faintly recalled those of Romney's ideal; but Mrs. West's pretty pale face had only two expressions: the one when she smiled—always the same delicate curving of the lips which lit no beam in the deep-set forget-me-not eyes; the one when she was grave and wistfully intellectual. She had a beautiful round white throat which she never hid with a high collar. Her hair was of that sun-in-a-mist gold that eventually fades almost imperceptibly into gray—if left to itself. But in Aline's case it was improbable that it would be left to itself. Every morning when dressing she examined it anxiously, even fearfully, to see whether it was becoming thinner or losing its misty glints of gold. Yet she knew that her fears were likely to advance the day she dreaded, and tried to shut them out of her mind.

      "Why do you laugh?" she inquired almost irritably, for she was secretly afraid always of missing something that was seen by others to be amusing. She talked constantly of a sense of humour, pitying those not blessed with it, but there were moments when she wondered bleakly if she had it herself. "Have I said anything funny?"

      "Only you seem so sure that the dedication will be a panacea for every wound."

      "So it will be for Mrs. Keeling."

      "I thought you had the idea of dedicating it to Somerled, as he'll be taking us through Scotland in his car."

      "I had. But I feel now it would be a mistake. He couldn't refuse, and one wouldn't be sure he was pleased. He's so horribly important, you know. I don't mean in his own eyes, but in the eyes of the world; so nothing we could do for him would really confer an honour. And the reason he's cynical and bored is because people have fussed over him so sickeningly, more and more every year, since he began to rise to what he is."

      "Yet I don't think he's conceited."

      "Not in the ordinary way. But he can't help knowing that he's some one in particular. He began to like us because we didn't fuss over him, or seem to go out of our way to please him. That's where I've been clever; for oh, Basil, I'd do anything short of disfiguring myself to win him."

      "My poor girl!" Norman exclaimed.

      She caught him up hastily. "Why do you call me 'poor?' Do you think I shan't succeed? Do you think he'll never care?"

      "You're a far better judge than I am," her brother answered evasively. "Women feel such things. We——"

      "You feel things, too. You know you do, Basil."

      "In an abstract way—not when they're just in front of my eyes."

      "He has told me a lot about himself, anyhow." Aline took up a new line of argument, out of her own thoughts. "That's a good sign. He is so reserved with almost everybody—and he was even with me till our last evening on shipboard. I was telling him about Jim dying in India and leaving me alone there, almost a girl; and how there was no money; and how I took up writing and made a success. Then from that we drifted into talk about success in general; and he told me his whole story—much more than I'd ever heard from gossip, and a good deal of it quite different. I took it as the greatest compliment that he should open his heart to me—and