The Prairie Child. Stringer Arthur

I still had a sense, as I saw the barricaded look come into his face, of entrenchments being frantically thrown up. I continued to stare at him as he found his pipe and proceeded to fill it. I even wrung a ghostly satisfaction out of the discovery that his fingers weren’t so steady as he might have wished them to be. 6

      “I suppose you’re trying to make me feel like the Wicked Uncle edging away from the abandoned Babes in the Woods?” he finally demanded, as though exasperated by my silence. He was delving for matches by this time, and seemed disappointed that none was to be found in his pockets. I don’t know why he should seem to recede from me, for he didn’t move an inch from where he stood with that defensively mocking smile on his face. But abysmal gulfs of space seemed to blow in like sea-mists between him and me, desolating and lonely stretches of emptiness which could never again be spanned by the tiny bridges of hope. I felt alone, terribly alone, in a world over which the last fire had swept and the last rains had fallen. My throat tightened and my eyes smarted from the wave of self-pity which washed through my body. It angered me, ridiculously, to think that I was going to break down at such a time.

      But the more I thought over it the more muddled I grew. There was something maddening in the memory that I was unable to act as my instincts prompted me to act, that I couldn’t, like the outraged wife of screen and story, walk promptly out of the door and slam it epochally shut after me. 7 But modern life never quite lives up to its fiction. And we are never quite free, we women who have given our hostages to fortune, to do as we wish. We have lives other than our own to think about.

      “But it’s all been so—so dishonest!” I cried out, stopping myself in the middle of a gesture which might have seemed like wringing my hands.

      That, apparently, gave Dinky-Dunk something to get his teeth into. The neutral look went out of his eye, to be replaced by a fortifying stare of enmity.

      “I don’t know as it’s any more dishonest than the long-distance brand of the same thing!”

      I knew, at once, what he meant. He meant Peter. He meant poor old Peter Ketley, whose weekly letter, year in and year out, came as regular as clockwork to Casa Grande. Those letters came to my son Dinkie, though it couldn’t be denied they carried many a cheering word and many a companionable message to Dinkie’s mother. But it brought me up short, to think that my own husband would try to play cuttle-fish with a clean-hearted and a clean-handed man like Peter. The wave that went through my body, on this occasion, was one of rage. I tried to say something, but I couldn’t. The lion of my anger had me down, by this time, with his paw on my 8 breast. The power of speech was squeezed out of my carcass. I could only stare at my husband with a denuding and devastating stare of incredulity touched with disgust, of abhorrence skirting dangerously close along the margins of hate. And he stared back, with morose and watchful defiance on his face.

      Heaven only knows how it would have ended, if that tableau hadn’t gone smash, with a sudden offstage clatter and thump and cry which reminded me there were more people in the world than Chaddie McKail and her philandering old husband. For during that interregnum of parental preoccupation Dinkie and Poppsy had essayed to toboggan down the lower half of the front-stairs in an empty drawer commandeered from my bedroom dresser. Their descent, apparently, had been about as precipitate as that of their equally adventurous sire down the treads of my respect, for they had landed in a heap on the hardwood floor of the hall and I found Dinkie with an abraded shin-bone and Poppsy with a cut lip. My Poppsy was more frightened at the sight of blood than actually hurt by her fall, and Dinkie betrayed a not unnatural tendency to enlarge on his injuries in extenuation of his offense. But that 9 suddenly imposed demand for first-aid took my mind out of the darker waters in which it had been wallowing, and by the time I had comforted my kiddies and completed my ministrations Dinky-Dunk had quietly escaped from the house and my accusatory stares by clapping on his hat and going out to the stables. …

      And that’s the scene which keeps pacing back and forth between the bars of my brain like a jaguar in a circus-cage. That’s the scene I’ve been living over, for the last few days, thinking of all the more brilliant things I might have said and the more expedient things I might have done. And that’s the scene which has been working like yeast at the bottom of my sodden batter of contentment, making me feel that I’d swell up and burst, if all that crazy ferment couldn’t find some relief in expression. So after three long years and more of silence I’m turning back to this, the journal of one irresponsible old Chaddie McKail, who wanted so much to be happy and who has in some way missed the pot of gold that they told her was to be found at the rainbow’s end.

      It seems incredible, as I look back, that more than three, long years should slip away without the penning 10 of one line in this, the safety-valve of my soul. But the impulse to write rather slipped away from me. It wasn’t that there was so little to record, for life is always life. But when it burns clearest it seems to have the trick of consuming its own smoke and leaving so very little ash. The crowded even tenor of existence goes on, with its tidal ups and downs, too listlessly busy to demand expression. Then the shock of tempest comes, and it’s only after we’re driven out of them that we realize we’ve been drifting so long in the doldrums of life. Then it comes home to us that there are the Dark Ages in the history of a woman exactly as there were the Dark Ages in the history of Europe. Life goes on in those Dark Ages, but it doesn’t feel the call to articulate itself, to leave a record of its experiences. And that strikes me, as I sit here and think of it, as about the deepest tragedy that can overtake anything on this earth. Nothing, after all, is sadder than silence, the silence of dead civilizations and dead cities and dead souls. And nothing is more costly. For beauty itself, in actual life, passes away, but beauty lovingly recorded by mortal hands endures and goes down to our children. And I stop writing, at that word of “children,” for miraculously, 11 as I repeat it, I see it cut a window in the unlighted house of my heart. And that window is the bright little Gothic oriel which will always be golden and luminous with love and will always send the last shadow scurrying away from the mustiest corner of my tower of life. I have my Dinkie and my Poppsy, and nothing can take them away from me. It’s on them that I pin my hope.

      12

Sunday the Seventeenth

       Table of Contents

      I’ve been thinking a great deal over what’s happened this last week or so. And I’ve been trying to reorganize my life, the same as you put a house to rights after a funeral. But it wasn’t a well-ordered funeral, in this case, and I was denied even the tempered satisfaction of the bereaved after the finality of a smoothly conducted burial. For nothing has been settled. It’s merely that Time has been trying to encyst what it can not absorb. I felt, for a day or two, that I had nothing much to live for. I felt like a feather-weight who’d faced a knock-out. I saw Pride go to the mat, and take the count, and if I was dazed, for a while, I suppose it was mostly convalescence from shock. Then I tightened my belt, and reminded myself that it wasn’t the first wallop Fate had given me, and remembered that in this life you have to adjust yourself to your environment or be eliminated from the game. And life, I suppose, has tamed me, as a man who once loved me said it would do. The older I get the more tolerant I try 13 to be, and the more I know of this world the more I realize that Right is seldom all on one side and Wrong on the other. It’s a matter of give and take, this problem of traveling in double-harness. I can even smile a little, as I remember that college day in my teens when Matilda-Anne and Katrina and Fanny-Rain-in-the-Face and myself solemnly discussed man and his make-up, over a three-pound box of Maillard’s, and resolutely agreed that we would surrender our hearts to no suitor over twenty-six and marry no male who’d ever loved another woman—not, at least, unless the situation had become compensatingly romanticized by the death of any such lady preceding us in our loved one’s favor. Little we knew of men and ourselves and the humiliations with which life breaks the spirit of arrogant youth! For even now, knowing what I know, I’ve been doing my best to cooper together a case for my unstable old Dinky-Dunk. I’ve been trying to keep the thought of poor dead Lady Alicia out of my head. I’ve been wondering if there’s any truth in what Dinky-Dunk said, a few weeks ago, about a mere father being