Two Dooms. Cyril M. Kornbluth

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Название Two Dooms
Автор произведения Cyril M. Kornbluth
Жанр Языкознание
Серия
Издательство Языкознание
Год выпуска 0
isbn 4064066397661



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      Wearily, the parish priest dipped his pen and scratched on the parchment: RON. XIII ii, viii, XV i. "Whosoever resisteth the power resisteth the ordinance of God ... owe no man any thing ... we that are strong ought to bear the infirmities of the weak...." A triple-plated text, which, reinforced by a brow of thunder from the pulpit should make the village goldsmith think twice before pressing his demand on Sir Baldwin. Usury was a sin.

      There was a different knock on the door frame.

      The goldsmith, a leather-aproned fellow named John, stood there twisting his cap in his big, burn scarred hands.

      "Yes, my son? Come in." But he scowled at the fellow involuntarily. He should know better than to succumb to the capital sin of avarice. "Well, what is it?"

      "Father," the fellow said, "I've come to give you this." He passed a soft leather purse to the priest. It clinked.

      Father Ambrosius emptied it on his desk and stirred the broad silver coins wonderingly with his finger. Five marks and eleven silver pennies. No more salt herring until Lent! Silver forwarded to his bishop in an amount that would do credit to the parish! A gilding job for the image of the Blessed Virgin! Perhaps glass panes in one or two of the church windows!

      And then he stiffened and swept the money back into the purse. "You got this by sin," he said flatly. "The sin of avarice worked in your heart and you practiced the sin of usury on your fellow Christians. Don't give this money to the Church; give it back to your victims."

      "Father," the fellow said, nearly blubbering, "excuse me but you don't understand! They come to me and come to me. They say it's all right with them, that they're hiring the money the way you'd hire a horse. Doesn't that make sense? Do you think I wanted to become a moneylender? No! I was an honest goldsmith and an honest goldsmith can't help himself. All the money in the village drifts somehow into his hands. One leaves a mark with you for safekeeping and pays you a penny the year to guard it. Another brings you silver coins to make into a basin, and you get to keep whatever coins are left over. And then others come to you and say 'Let me have soandso's mark to use for a year and then I'll pay it back and with it another mark'. Father, they beg me! They say they'll be ruined if I don't lend to them, their old parents will die if they can't fee the leech, or their dead will roast forever unless they can pay for masses and what's a man to do?"

      "Sin no more," the priest answered simply. It was no problem.

      The fellow was getting angry. "Very well for you to sit there and say so, father. But what do you think paid for the masses you said for the repose of Goodie Howat's soul? And how did Tom the Thatcher buy his wagon so he could sell his beer in Glastonbury at a better price? And how did Farmer Major hire the men from Wealing to get in his hay before the great storm could ruin it? And a hundred things more. I tell you, this parish would be a worse place without John Goldsmith and he doesn't propose to be pointed at any longer as a black sinner! I didn't want to fall into usury but I did, and when I did, I found out that those who hoist their noses highest at the moneylender when they pass him in the road are the same ones who beg the hardest when they come to his shop for a loan!"

      The priest was stunned by the outburst. John seemed honest, the facts were the facts—can good come out of evil? And there were stories that His Holiness the Pope himself had certain dealings with the Longobards—benchers, or bankers or whatever they called themselves....

      "I must think on this, my son," he said. "Perhaps I was over hasty. Perhaps in the days of St. Paul usury was another thing entirely. Perhaps what you practice is not really usury but merely something that resembles it. You may leave this silver with me."

      When John left, Father Ambrosius squeezed his eyes tight shut and pressed the knuckles of both hands to his forehead. Things did change. Under the dispensation of the Old Testament, men had more wives than one. That was sinful now, but surely Abraham, Isaac and Jacob were in heaven? Paul wrote his epistles to little islands of Christians surrounded by seas of pagans. Surely in those days it was necessary for Christians to be bound closely together against the common enemy, whereas in these modern times, the ties could be safely relaxed a trifle? How could sinning have paid for the repose of Goodie Howat's soul, got a better price for brewer Thatcher's ale and saved the village hay crop? The Devil was tricky, but not that tricky, surely. A few more such tricks and the parish would resemble the paradise terrestrial!

      Father Ambrosius dashed from his study to the altar of the little stone church and began furiously to turn the pages of the huge metal-bound lectern Bible.

      "For the love of money is the root of all evil—"

      It burst on Father Ambrosius with a great light that the words of Paul were in reference not to John Goldsmith's love of money but to Sir Baldwin's love of money.

      He dashed back to his study and his pen began to squeak over the parchment, obliterating the last dim trace of Tacitus' Annals, VIII i.v. The sermon would be a scorcher, all right, but it wouldn't scorch John Goldsmith. It would scorch Sir Baldwin for ruthlessly and against the laws of God and man refusing to turn Fallowfield over to the moneylender. There would be growls of approval in the church that Sunday, and many black looks directed against Sir Baldwin for his attempt to bilk the parish's friend and benefactor, the moneylender.

      * * * * *

      "And that," F. W. Taylor concluded, chuckling, "is how power passes from one pair of hands to another, and how public acceptance of the change follows on its heels. A strange thing—people always think that each exchange of power is the last that will ever take place."

      He seemed to be finished.

      "Uncle," Orsino said, "somebody tried to kill me."

      Taylor stared at him for a long minute, speechless. "What happened?" he finally asked.

      "I went formal to the theater, with five bodyguards. The chief guard, name of Halloran, took a shot at me. One of my boys got in the way. He was killed."

      Taylor's fingers began to play a tattoo on his annunciator board. Faces leaped into existence on its various screens as he fired orders. "Charles Orsino's chief bodyguard for tonight—Halloran. Trace him. The works. He tried to kill Orsino."

      He clicked off the board switches and turned grimly to Orsino. "Now you," he said. "What have you been up to?"

      "Just doing my job, uncle," Orsino said uneasily.

      "Still bagman at the 101st?"

      "Yes."

      "Fooling with any women?"

      "Nothing special, uncle. Nothing intense."

      "Disciplined or downgraded anybody lately?"

      "Certainly not. The precinct runs like a watch. I'll match their morale against any outfit east of the Mississippi. Why are you taking this so heavy?"

      "Because you're the third. The other two—your cousin Thomas McGurn and your uncle Robert Orsino—didn't have guards to get in the way. One other question."

      "Yes, uncle."

      "My boy, why didn't you tell me about this when you first came in?"

      CHAPTER IV.

       Table of Contents

      A family council was called the next day. Orsino, very much a junior, had never been admitted to one before. He knew why the exception was being made, and didn't like the reason.

      Edward Falcaro wagged his formidable white beard at the thirty-odd Syndic chiefs around the table and growled: "I think we'll dispense with reviewing production and so on. I want to talk about this damn gunplay. Dick, bring us up to date."

      He lit a vile cigar and leaned back.

      Richard W. Reiner rose.

      "Thomas McGurn," he said, "killed April 15th by a burst of eight machine gun bullets in his