Two Dooms. Cyril M. Kornbluth

He stood, paralyzed.

      His supervisor took it in in a flash and banged open the circuit to Service. To the genial face that appeared on the screen, he snapped: "Trace Hialeah, Boston and Kansas City—in that order, Micky."

      Micky said: "Okay, pal," and vanished.

      The supervisor turned to the youngster. "Didn't know what to do?" he asked genially. "Don't let it worry you. Next time you'll know. You noticed the order of priority?"

      "Yes," the boy gulped.

      "It wasn't an accident that I gave it to him that way. First, Hialeah because it was the most important. We get the bulk of our revenue from serving the horse rooms—in fact, I understand we started as a horse wire exclusively. Naturally the horse-room customers pay for it in the long run, but they pay without pain. Nobody's forcing them to improve the breed, right?

      "Second, Boston-New York trunk. That's common-carrier while the Fair Grounds isn't running up there. We don't make any profit on common-carrier service, the rates are too low, but we owe it to the public that supports us.

      "Third, Kansas City-New York. That's common carrier too, but with one terminal in Mob Territory. No reason why we should knock ourselves out for Regan and his boys, but after the other two are traced and closed, we'll get around to them. Think you got it straight now?"

      "Yes," the youngster said.

      "Good. Just take it easy."

      * * * * *

      The supervisor moved away to do a job of billing that didn't need immediate doing; he wanted to avoid the very appearance of nagging the boy. He wondered too, if he'd really put it over, and decided he hadn't. Who could, after all. It took years on the wires to get the feel. Slowly your motivation changed. You started by wanting to make a place for yourself and earn some dough. After years you realized, not with a blinding flash, but gradually, that you were working for quite another reason. Nice gang here that treats you right. Don't let the Syndic down. The customers pay for their fun and by God, you see that they get it or bust a gut trying.

      * * * * *

      On his way to the 101st Precinct station house, the ears of Charles Orsino burned as he thought of the withering lecture that had followed the blast on Gilby's whistle. "Mister Orsino, is it or is it not your responsibility as team captain to demand that a dangerous ball be taken out of play? And did or did not that last burst from Mister Vladek beat the ball out of round, thus giving rise to a distinct possibility of dangerous ricochets?" The old man was right of course, but it had been a pocked and battered practice ball to start with; in practice sessions, you couldn't afford to be fussy—not with regulation 18 inch armor steel balls selling for thirty dollars each at the pro shop.

      He walked between the two green lamps of the precinct station and dumped his bag on the sergeant's desk. Immediately the sergeant started a tale of woe: "Mr. Orsino, I don't like to bother you with the men's personal troubles, but I wonder if you could come through with a hundred dollar present for a very deserving young fellow here. It's Patrolman Gibney, seven years in the old 101st and not a black mark against him. One citation for shooting it out with a burglar and another for nabbing a past-post crook at Lefko's horse room. Gibney's been married for five years and has two of the cutest kids you ever saw, and you know that takes money. Now he wants to get married again, he's crazy in love with the girl and his first wife don't mind, she says she can use a helping hand around the house, and he wants to do it right with a big wedding.

      "If he can do it on a hundred, he's welcome to it," Charles said, grinning. "Give him my best wishes." He divided the pile of bills into two orderly stacks, transferred a hundred dollars to one and pocketed the other.

      He dropped it off at the Syndic Building, had an uninteresting dinner in one of its cafeterias and went to his furnished room downtown. He read a chapter in F. W. Taylor's—Uncle Frank's—latest book, Organization, Symbolism and Morale, couldn't understand a word he read, bathed and got out his evening clothes.

      * * * * *

      A thin and attractive girl entered a preposterously-furnished room in the Syndic Building, arguing bitterly with a white-bearded, hawk-nosed old man.

      "My dear ancestor," she began, with exaggerated patience.

      "God-damn it, Lee, don't call me an ancestor! Makes me feel as if I was dead already."

      "You might as well be for all the sense you're talking."

      "All right, Lee." He looked wounded and brave.

      "Oh, I didn't mean to hurt your feelings, Edward—" She studied his face with suddenly-narrowed eyes and her tone changed. "Listen, you old devil, you're not fooling me for a minute. I couldn't hurt your feelings with the blunt edge of an axe. You're not talking me into anything. It'd just be sending somebody to his death. Besides, they were both accidents." She turned and began to fiddle with a semi-circular screen whose focus was a large and complicated chair. Three synchronized projectors bore on the screen.

      The old man said very softly: "And what if they weren't? Tom McGurn and Bob were good men. None better. If the damn Government's knocking us off one by one, something ought to be done. And you seem to be the only person in a position to do it."

      "Start a war," she said bitterly. "Sweep them from the seas. Wasn't Dick Reiner chanting that when I was in diapers?"

      "Yes," the old man brooded. "And he's still chanting it now that you're in—whatever young ladies wear nowadays. Promise me something, Lee. If there's another try, will you help us out?"

      "I am so sure there won't be," she said, "that I'll promise. And God help you, Edward, if you try to fake one. I've told you before and I tell you now that it's almost certain death."

      * * * * *

      Charles Orsino studied himself in a three-way mirror.

      The evening suit was new; he wished the gunbelt was. The holster rode awkwardly on his hip; he hadn't got a new outfit since his eighteenth birthday and his chest had filled out to the last hole of the cross-strap's buckle since then. Well, it would have to wait; the evening would cost him enough as it was. Five bodyguards! He winced at the thought. But you had to be seen at these things and you had to do it right or it didn't count.

      He fell into a brief reverie of meeting a beautiful, beautiful girl at the theater, a girl who would think he was interesting and handsome and a wonderful polo player, a girl who would happily turn out to be in the direct Falcaro line with all sorts of powerful relations to speak up for him....

      Someone said on his room annunciator: "The limousine is here, Mr. Orsino. I'm Halloran, your chief bodyguard."

      "Very well, Halloran," he said casually, just as he'd practiced it in the bathroom that morning and rode down.

      The limousine was a beauty and the guards were faultlessly turned out. One was democratic with one's chief guard and a little less so with the others. As Halloran drove, Charles chatted with him about the play, which was Julius Caesar in modern dress. Halloran said he'd heard it was very good.

      * * * * *

      Their arrival in the lobby of the Costello created no sensation. Five bodyguards wasn't a lot of bodyguards, even though there seemed to be no other Syndic people there. So much for the beautiful Falcaro girl. Charles chatted with a television director he knew slightly. The director explained to him that the theater was sick, very sick, that Harry Tremaine,—he played Brutus—made a magnificent stage picture but couldn't read lines.

      By then Halloran was whispering in his ear that it was time to take their seats. Halloran was sweating like a pig and Charles didn't get around to asking him why. Charles took an aisle seat, Halloran was across the aisle and the others sat to his side, front and rear.

      The curtain rose on "New York—A Street."

      The first scene, a timekiller designed to let fidgeters subside and coughers finish their coughing, was a 3-D projection of Times Square, with a stylized suggestion of a public relations consultant's office "down in one" on the apron.

      When