The Collected Works of George Bernard Shaw: Plays, Novels, Articles, Letters and Essays. GEORGE BERNARD SHAW

an extraordinary girl!” said Mrs. Fairfax, as Elinor opened her catalogue at the end, and suddenly disappeared to the right amongst the crowd.

      “She always does so,” said Marian; “and I think she is quite right. Two people cannot make their way about as easily as one; and they never want to see the same pictures.”

      “But, my dear, consider the impropriety of a young girl walking about by herself.”

      “Surely there is no impropriety in it. Lots of people — all sensible women do it. Who can tell, in this crowd, whether you are by yourself or not? And what does it matter if — —”

      Here Mrs. Fairfax’s attention was diverted by the approach of one of her numerous acquaintances. Marian, after a moment’s indecision, slipped away and began her tour of the rooms alone, passing quickly through the first in order to escape pursuit. In the second she tried to look at the pictures; but as she now for the first time realized that she might meet Conolly at any moment, doubt as to what answer she should give him seized her; and she felt a strong impulse to fly. The pictures were unintelligible to her: she kept her face turned to the inharmonious shew of paint and gilding only because she shrank from looking at the people about. Whenever she stood still, and any man approached and remained near her, she contemplated the wall fixedly, and did not dare to look round or even to stir until he moved away, lest he should be Conolly. When she passed from the second room to the large one, she felt as though she were making a tremendous plunge; and indeed the catastrophe occurred before she had accomplished the movement, for she came suddenly face to face with him in the doorway. He did not flinch: he raised his hat, and prepared to pass on. She involuntarily put out her hand in remonstrance. He took it as a gift at once; and she, confused, said anxiously: “We must not stand in the doorway. The people cannot pass us,” as if her action had meant nothing more than an attempt to draw him out of the way. Then, perceiving the absurdity of this pretence, she was quite lost for a moment. When she recovered her self-possession they were standing together in the less thronged space near a bust of the Queen; and Conolly was saying:

      “I have been here half an hour; and I have not seen a single picture.”

      “Nor I,” she said timidly, looking down at her catalogue. “Shall we try to see some now?”

      He opened his catalogue; and they turned together toward the pictures and were soon discussing them sedulously, as if they wished to shut out the subject of the very recent crisis in their affairs, which was nevertheless constantly present in their minds. Marian was saluted by many acquaintances. At each encounter she made an effort to appear unconcerned, and suffered immediately afterward from a suspicion that the effort had defeated its own object, as such efforts often do. Conolly had something to say about most of the pictures: generally an unanswerable objection to some historical or technical inaccuracy, which sometimes convinced her, and always impressed her with a confiding sense of ignorance in herself and infallible judgment in him.

      “I think we have done enough for one day,” she said at last. “The watercolors and the sculpture must wait until next time.”

      “We had better watch for a vacant seat. You must be tired.”

      “I am, a little. I think I should like to sit in some other room. Mrs. Leith Fairfax is over there with Mr. Douglas — a gentleman whom I know and would rather not meet just now. You saw him at Wandsworth.”

      “Yes. That tall man? He has let his beard grow since.”

      “That is he. Let us go to the room where the drawings are: we shall have a better chance of a seat there. I have not seen Sholto for two years; and our last meeting was rather a stormy one.”

      “What happened?”

      Marian was a little hurt by being questioned. She missed the reticence of a gentleman. Then she reproached herself for not understanding that his frank curiosity was a delicate appeal to her confidence in him, and answered: “He proposed to me.”

      Conolly immediately dropped the subject, and went in search of a vacant seat. They found one in the little room where the architects’ drawings languish. They were silent for some time.

      Then he began, seriously: “Is it too soon to call you by your own name? ‘Miss Lind’ is distant; but ‘Marian’ might shock you if it came too confidently without preparation.”

      “Whichever you please.”

      “Whichever I please!”

      “That is the worst of being a woman. Little speeches that are sheer coquetry when you analyze them, come to our lips and escape even when we are most anxious to be straightforward.”

      “In the same way,” said Conolly, “the most enlightened men often express themselves in a purely conventional manner on subjects on which they have the deepest convictions.” This sententious utterance had the effect of extinguishing the conversation for some moments, Marian being unable to think of a worthy rejoinder. At last she said:

      “What is your name?”

      “Edward, or, familiarly, Ned. Commonly Ted. In America, Ed. With, of course, the diminutives Neddy, Teddy, and Eddy.”

      “I think I should prefer Ned.”

      “I prefer Ned myself.”

      “Have you any other name?”

      “Yes; but it is a secret. Why people should be plagued with two Christian names, I do not know. No one would have believed in the motor if they had known that my name was Sebastian.”

      “Sebastian!”

      “Hush. I was actually christened Edoardo Sebastiano Conolly. My father used to spell his name Conollj whilst he was out of Italy. I have frustrated the bounty of my godfathers by suppressing all but the sensible Edward Conolly.”

      There was a pause. Then Marian spoke.

      “Do you intend to make our — our engagement known at once?”

      “I have considered the point; and as you are the person likely to be inconvenienced by its publication, I am bound to let you conceal it for the present, if you wish to. It must transpire sometime: the sooner the better. You will feel uncomfortably deceitful with such a secret; and as for me, every time your father greets me cordially in the City I shall feel mean. However, you can watch for your opportunity. Let me know at once when the cat comes out of the bag.”

      “I will. I think, as you say, the right course is to tell at once.”

      “Undoubtedly. But from the moment you do so until we are married you will be worried by remonstrances, entreaties, threats, and what not; so that we cannot possibly make that interval too short.”

      “We must take Nelly into our confidence. You will not object to that?”

      “Certainly not. I like Miss McQuinch.”

      “You really do! Oh, I am so glad. Well, we are accustomed to go about together, especially to picture galleries. We can come to the Academy as often as we like; and you can come as often as you like, can you not?”

      “Opening day, for instance.”

      “Yes, if you wish.”

      “Let us say between half-past four and five, then. I would willingly be here when the doors open in the morning; but my business will not do itself while I am philandering and making you tired of me before your time. The consciousness of having done a day’s work is necessary to my complete happiness.”

      “I, too, have my day’s work to do, silly as it is. I have to housekeep, to receive visitors, to write notes about nothing, and to think of the future. We can say half-past four or any later hour that may suit you.”

      “Agreed. And now, Marian — —”

      “Dont let me disturb you,” said Miss McQuinch, at his elbow, to Marian; “but Mrs. Leith Fairfax will be here with Sholto Douglas presently; and I thought you might like to have an opportunity of avoiding him. How do you