The Celebrity at Home. Violet Hunt

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       Violet Hunt

      The Celebrity at Home

      Published by Good Press, 2019

       [email protected]

      EAN 4064066156817

Table of Contents

       CHAPTER I

       CHAPTER II

       CHAPTER III

       CHAPTER IV

       CHAPTER V

       CHAPTER VI

       CHAPTER VII

       CHAPTER VIII

       CHAPTER IX

       CHAPTER X

       CHAPTER XI

       CHAPTER XII

       CHAPTER XIII

       CHAPTER XIV

       CHAPTER XV

       CHAPTER XVI

       CHAPTER XVII

       CHAPTER XVIII

       CHAPTER XIX

       CHAPTER XX

       CHAPTER XXI

CHAPTER I

       Table of Contents

      THEY say that a child’s childhood is the happiest time of its life!

      Mine isn’t.

      For it is nice to do as you like even if it isn’t good for you. It is nice to overeat yourself even though it does make you ill afterwards. It is a positive pleasure to go out and do something that catches you a cold, if you want to, and to leave off your winter clothes a month too soon. Children hate feeling “stuffy”—no grown-up person understands that feeling that makes you wriggle and twist till you get sent to bed. It is nice to go to bed when you are sleepy, and no sooner, not to be despatched any time that grown-up people are tired of you and take the quickest way to get rid of a nuisance. Taken all round, the very nicest thing in the world is your own way and plenty of it, and you never get that properly, it seems to me, until you are too old to enjoy it, or too cross to admit that you do!

      I suspect that the word “rice-pudding” will be written on my heart, as Calais was on Bloody Mary’s, when I am dead.

      I have got that blue shade about the eyes that they say early-dying children have, and I may die young. So I am going to write down everything, just as it happens, in my life, because when I grow up, I mean to be an author, like my father before me, and teach in song, or in prose, what I have learned in suffering. Doing this will get me insensibly into the habit of composition. George—my father—we always call him by his Christian name by request—offered to look it over for me, but I do not think that I shall avail myself of his kindness. I want to be quite honest, and set down everything, in malice, as grown-up people do, and then your book is sure to be amusing. I shall say the worst—I mean the truth—about everybody, including myself. That is what makes a book saleable. People don’t like to be put off with short commons in scandal, and chuck the book into the fire at once as I have seen George do, when the writer is too discreet. My book will not be discreet, but crisp, and gossippy. Even Ariadne must not read it, however much of my hair and its leaves she pulls out, for she will claw me in her rage, of course. Grammar and spelling will not be made a specialty of, because what you gain in propriety you lose in originality and verve. I do adore verve!

      George’s own style is said to be the perfection of nervousness and vervousness. He is a genius, he admits it. I am proud, but not glad, for it cuts both ways, and it is hardly likely that there will be two following after each other so soon in the same family. Though one never knows? Mozart’s father was a musical man. George says that to be daughter to such a person is a liberal education; it seems about all the education I am likely to get! George teaches me Greek and Latin, when he has time. He won’t touch Ariadne, for she isn’t worth it. He says I am apt. Dear me, one may as well make lessons a pleasure, instead of a scene! Ariadne cried the first time at Perspective, when George, after a long explanation that puzzled her, asked her in that particular, sniffy, dried-up tone teachers put on—“Did she see?” And when he asked me, I didn’t see either, but I said I did, to prevent unpleasantness.

      I do not know why I am called Tempe. Short for temper, the new cook says, but when I asked George, he laughed, and bid me and the cook beware of obvious derivations. It appears that there is a pretty place somewhere in Greece called the Vale of Tempe, and that I am named after that, surely a mistake. My father calls me a devil—plain devil when he is cross, little devil when he is pleased. I take it as a compliment, for look at my sister Ariadne, she is as good as gold, and what does she get by it? She does not contradict or ask questions or bother anybody, but reads poetry and does her hair different ways all day long. She never says a sharp word—can’t! George says she is bound to get left, like the first Ariadne was. She is long and pale and thin, and white like a snowdrop, except for her reddish hair. The pert hepatica is my favourite flower. It comes straight out of the ground, like me, without any fuss or preparation in the way of leaves and trimmings.

      I know that I am not ugly. I know it by the art of deduction. We none of us are, or we should not have been allowed to survive. George would never have condescended to own ugly children. We should have been exposed when we were babies on Primrose Hill, which is, I suppose, the tantamount of Mount Täygetus, as the ancient Greeks did their ugly babies. We aren’t allowed to read Lemprière. I do. What brutes those Greeks were, and did not even know one colour from the other, so George says!

      I am right in saying we are all tolerable. The annoying thing is that the new cook, who knows what she is talking about, says that children “go in and out so,” and even Aunt Gerty says that “fancy children never last,” and after all this, I feel that the pretty ones can never count on keeping up to their own standard.

      I