The Three Fates. F. Marion Crawford

visions of which he has just enjoyed such a delicious glimpse.

      Fortunately for George Wood, there was no one to disturb his meditations as he strode along the quiet street, ascended the iron steps and mechanically paid his fare before passing through the wicket gate. Nor did the vivid recollection of Constance and Grace Fearing abandon him as the snake-like train came puffing up and stopped before his eyes; still less, when he had taken his seat, and was being carried away up-town in the direction of his home.

      He lived with his father in the small house which the latter still owned, and in which, by dint of rigid economy the two succeeded in leading a decently comfortable existence, so far as their material lives were concerned. A more complete contrast to the residence in Washington Square, where George had just been spending half an hour, could hardly be imagined. The dwelling of the Woods was one of those conventional little buildings which abound in the great American cities, having a front of about sixteen feet, being three stories high, and having two rooms on each floor, one looking upon the street and one upon a small yard at the back. Within, everything was of the simplest description. There was no attempt at anything in the nature of luxury or embellishment. The well-swept carpets were threadbare, the carefully-dusted furniture was of the plainest kind, the smooth, tinted walls were innocent of decoration and unadorned with pictures. There were few books to be seen, except in George’s own room, which presented a contrast to the rest of the house, inasmuch as there reigned in it that sort of disorder which seemed the most real order in the opinion of its occupant. A huge deal table took up fully a quarter of the available space, and deal shelves full of books both old and new lined the walls, indeed almost everything was of deal, from the uncarpeted floor to the chairs. A pile of new volumes in bright bindings stood on a corner of the table, which was littered with printed papers, sheets of manuscript, galley proofs, and cuttings from newspapers. A well-worn penholder lay across a half-written page, and the red cork of a bottle of stylo-graphic ink projected out of the confusion.

      George entered this sanctum, and before doing anything else proceeded to divest himself of the clothes he wore, putting on rusty garments that seemed to belong to different epochs. Then he went to the window with something like a sigh of relief. The view was not inspiring, but the familiarity of it doubtless evoked in his mind trains of thought that were pleasant. There was the narrow brickyard with its Chinese puzzle of crossing and recrossing clothes’ lines. Then a brick wall beyond which he could see at a considerable distance the second and third rows of windows of a large house. Above, a row of French roofs and then the winter sky, red with the last rays of the sun. George did not remain long in contemplation of this prospect; a glance was apparently enough to restore the disturbed balance of his mind. As he turned away and busied himself with lighting a green glass kerosene lamp, the vision of Constance and Grace Fearing dissolved, and gave place to more practical considerations. He sat down and laid hold of the uppermost volume from the pile of new books, instinctively feeling for his paper-cutter with the other hand, among the disorderly litter beside him.

      After cutting a score of pages, he began to look for the editor’s letter. The volumes had been sent him for review, and were accompanied by the usual note, stating with appalling cynicism the number of words he was expected to write as criticism of each production.

      “About a hundred words a-piece,” wrote the literary editor, “and please return the books with the notices on Monday at twelve o’clock, at the latest.”

      It was Thursday to-day, and there were six volumes to be read, digested, and written about. George made a short calculation. He must do two each day, on Friday, Saturday, and Sunday, in order to leave himself Monday morning as a margin in case of accidents. Six books, six hundred words, or rather more than half a column of the paper for which he wrote. That meant five dollars, for the work was well paid, as being supposed to require some judgment and taste on the part of the writer. There was of course nothing of much importance in the heap of gaily-bound printed matter, nothing to justify a serious article, and nothing which George would care to read twice. Nevertheless the exigencies of the book trade must be satisfied, and notices must appear, and editors must find persons willing and able to write such notices at prices varying from fifty cents to a dollar a-piece. Nor was there any difficulty about this. George knew that the pay was very good as times went, and that there were dozens of starving old maids and hungry boys who would do the work for less, and would perhaps do it as well as he could. Nor was he inclined to quarrel with the conditions which allowed him so short a time for the accomplishment of such a task. He had worked at second class reviewing for some time, and was long past the period of surprises. On the contrary, he looked upon the batch of publications with considerable satisfaction. The regularity with which such parcels had arrived during the last few months was a proof that he was doing well, and it seemed probable that in the course of the coming year he might be entrusted with more important work. Once or twice already, he had been instructed to write a column, and those were white days in his recollections. He felt that with a permanent engagement to produce a column a week he should be doing very well, but he knew how hard that was to obtain. No one who has not earned his bread by this kind of labour can have any idea of the crowd that hangs upon the outskirts of professional journalism, a crowd not seeking to enter the ranks of the regular newspaper men, but hoping to pick up the crumbs that fall from the table which appears to them so abundantly loaded. To be a professional journalist in America a man must in nine cases out of ten begin as a reporter. He must possess other qualifications besides those of the literary man. He must have a good knowledge of shorthand writing and a knack for the popular style. He must have an iron constitution and untiring nerves. He must be able to sit in a crowded room under the glaring gaslight and write out his impressions at an hour when ordinary people are in bed and asleep. He must possess that brazen assurance which sensitive men of taste rarely have, for he will be called upon to interview all sorts and conditions of men when they least expect it and generally when they least like it. He must have a keen instinct for business in order to outwit and outrun his competitors in the pursuit of news. Ever on the alert, he must not dwell upon the recollections of yesterday lest they twine themselves into the reports of to-day. Altogether, the commencing journalist must be a remarkable being, and most remarkable for a set of qualities which are not only useless to the writer of books, but which, if the latter possessed them, would notably hinder his success. There is no such thing as amateur journalism possible within the precincts of a great newspaper’s offices, whereas the outer doors are besieged by amateurs of every known and unknown description.

      In the critical and literary departments, the dilettante is the cruel enemy of those who are driven to write for bread, but who lack either the taste, the qualifications, or the opportunities which might give them a seat within, among the reporters’ desks! Cruellest of all in the eyes of the poor scribbler is the well-to-do man of leisure and culture who is personally acquainted with the chief editor, and writes occasional criticisms, often the most important, for nothing. Then there is the young woman who has been to college, who lacks nothing, but is ever ready to write for money, which she devotes to charitable purposes, thereby depriving some unfortunate youth of the dollar a day which means food to him, for whose support the public is not already taxed. But she knows nothing about him, and it amuses her to be connected with the press, and to have the importance of exchanging a word with the editor if she meets him in the society she frequents. The young man goes on the accustomed day for the new books. “I have nothing for you this week, Mr. Tompkins,” says the manager of the literary department as politely as possible. The books are gone to the Vassar girl or to the rich idler, and poor Tompkins must not hope to earn his daily dollar again till seven or eight days have passed. His only consolation is that the dawdling dilettante can never get all the work, because he or she cannot write fast enough to supply the demand. Without the spur of necessity it is impossible to read and review two volumes a day for any length of time. It is hard to combine justice to an author with the necessity for rushing through his book at a hundred pages an hour. It is indeed important to cut every leaf, lest the aforesaid literary manager should accuse poor little Mr. Tompkins of carelessness and superficiality in his judgment; but it is quite impossible that Tompkins should read every word of the children’s story-book, of the volume of second class sermons, of the collection of fifth rate poetry, and of the harrowing tale of city life, entitled The Bucket of Blood, or The Washerwoman’s Revenge, all of which have come at once and are simultaneously submitted to his authoritative criticism.