Naples, Past and Present. Arthur H. Norway

imitate. There lies the Gate of Hell down which Æneas plunged in company with the Sibyl; and round it all the land of the Phlegræan fields, heaving and steaming with volcanic fires. There too is the headland of Posilipo, where Virgil dwelt and where he wrought those enchantments concerning which I shall have much to say hereafter; for though Virgil is a poet to the world at large, he is a magician in the memory of the Neapolitans. And who shall say their tradition is not true?

      Next, sweeping round towards my right hand in a perfect curve, comes the shore of the Riviera di Chiaia, once a pleasant sandy beach, broken midway by the jutting rock and island on which stood the church and monastery of San Lionardo. It is long since church and island disappeared, and few of those gay Neapolitans who throng the Via Caracciolo, that fine parade which now usurps the whole seafront from horn to horn of the bay, could even point out where it stood. In these days the whole shore is embowered in trees and gardens skirting the fine roadway; and there stands the wonderful aquarium, which has no equal in the world, and where the wise will spend many afternoons and yet leave its marvels unexhausted.

      My eyes have travelled on to the other horn of this fine bay, and are arrested by what is surely the most picturesque object in all Naples. For at this point the spine or backbone of land which breaks the present city into two, leaving on the right the ancient town and on the left the modern, built along the pretty shore of which I have just spoken—at this point the ridge sweeps down precipitously from the Castle of St. Elmo on the height, breaks off abruptly in the sheer cliff of the Pizzo-Falcone, "The Falcon's Beak," and then sends jutting out into the sea a small craggy island which bears an old hoary castle low down by the water's edge. On this grey morning the sea breaks heavily about the black reef on which the castle stands, and the walls, darkened almost to the colour of the rock itself, assume a curious aspect of vast age, such as disposes one to seek within their girth for some at least among the secrets of old Naples. Nor will the search be vain; for this hoary fortress is Castel dell'Uovo, "The Castle of the Egg," so called, if we may lend an ear to Neapolitan tradition, because Virgil the Enchanter built it on an egg, on which it stands unto this hour, and shall stand until the egg is broken. Others again say that the islet is egg-shaped, which it is not, unless my eyes deceive me; and of other explanations I know none at all, so that any man who can content himself with neither of these may resign himself to contemplate an unsolved puzzle for as long as he may stay in Naples.

      Apart, however, from the wizard Virgil and the idle tale of the enchanted egg, there is something so arresting in the sight of this ancient castle thrust out into the sea that I cannot choose but see in it the heart of the interest of Naples. It is by far the oldest castle which Naples owns, and as its day came earliest so it passed the first. Castel Nuovo robbed it of its consequence, both as a royal dwelling and a place of arms; and now the noisy, feverish tide of life that beats so restlessly from east to west through the great city finds scarce an echo on the silent battlements of the Egg Castle, where Norman monarchs met their barons and royal prisoners languished in the dungeons. Inside the walls there is nothing to attract a visitor but memories. Yet those gather thick and fast as soon as one has crossed the drawbridge, and there is scarce one other spot in Naples where a man who cares for the past of the old tragic city can lose himself more easily in dreams.

      But again the steamer turns her course a little, and suddenly the Castel dell'Uovo slips out of sight, the old brown city passes across my line of vision like a picture on the screen of a camera oscura when the lens is moved, and I am gazing out beyond the houses across the wide rich plain out of which the vast bulk of Vesuvius rears itself dark and tremendous, towering near the sea. There are other mountains far away, encircling the plain like the walls of some great amphitheatre, but they are beyond the range of volcanic catastrophe, and stood unmoved while the peaks of Vesuvius were piled up and blown away into a thousand shapes, sometimes green and fertile, the haunt of wild boars and grazing cattle, at others rent by fire and subterranean convulsion so as to give reality to the most awful visions which the imagination of mankind has conceived concerning the destruction which befell the sinful cities of the plain.

      The plain is the Campagna Felice, a happy country, notwithstanding the perpetual menace of the smoking mountain, which time after time has convulsed the fields, altered the outline of the coast, and overwhelmed cities, villages, and churches. Throughout the last eighteen hundred years a destruction like to that which befell the cities of Herculaneum and Pompeii has been overtaking hamlets and buildings of less note. The country is a palimpsest. What is now written on its surface is not a tithe of what was once inscribed there. In 1861 an earthquake at Torre del Greco made a fissure in the main street. Those who dared descend it found themselves in a church, long since buried and forgotten. So it is in every direction throughout the Campagna Felice. The works of man are overwhelmed in countless numbers by the ejections from Vesuvius, and the green fields of beans and lupins which stretch so pleasantly across the wide spaces between the Sarno and the Sebeto cover the ruins of innumerable homes.

      It seems strange that a land exposed to such great and constant perils should be densely populated. The coast is lined with towns, all shining in the sun, and the first graceful slopes of Vesuvius itself are studded with white buildings, planted here and there in apparent oblivion of the floods of red-hot lava which have so often forced their way down the inclines towards the sea. There must be many dwellers in those towns who saw the lava break out from new vents in 1861 among the cultivated fields. Yet the fields are cultivated still, and in time of eruption the peasants will continue working in the vineyards within a few hundred yards of the crawling stream, knowing well how often its progress is arrested by the cooling of the fiery mass. There is, moreover, the power of the saints to be considered. How often has not San Gennaro arrested the outbreaks, and brought peace to the frightened city! On the Ponte della Maddalena he stands unto this day, his outstretched arm, pointing to the mountain with a gesture drawn from the mimic language of the people, bids it "Halt!" And then the fertility of the volcanic soil! Vesuvius, if a rough friend, is a kindly one. He may drive the people to their prayers from time to time, which is no great harm! but, if a balance be struck, his benefits are as many as his injuries, and the peasants, looking up, as they hoe their fields, at the coiling wreaths of copper-coloured smoke which issue from the cone, are content to take their chance that death may some day meet them too in a cloud of scorching ashes as it did those who dwelt in Pompeii so very long ago.

      The great steamer is already near her moorings. The western or newer half of Naples is hidden by the hill, and I have before my eyes only the densely peopled ancient city, a rabbit warren of tortuous and narrow streets, unsavoury and not too safe, yet full of interest if not of beauty, and possessing a picturesqueness which is all their own. One salient feature only arrests the eye wandering over this intricate mass of balconies and house-fronts—the handsome steeple of the Carmine, a church sorely injured and defaced, but still abounding in romance. For there lies the boy-king Conradin, slaughtered by Charles of Anjou in the market-place just outside; and there, too, the fisherman Masaniello met his end, after a trick of fortune had made him ruler of Naples for eight days. There is no church in all the city so full of tragedies as this, which was founded by hermits fleeing from Mount Carmel twelve hundred years ago, and which ever since has been close to the heart of the passionate and fierce-tempered people dwelling round its walls.

      I do not doubt there was a time when travellers, arriving at Naples by sea, found themselves greeted by persons of aspect more pleasing than those who accost the astonished pilgrim of to-day. There was surely an age when the lazzaroni were really picturesque, when they lay on the warm sand in the sunshine, while the bay resounded with the chant of fishermen, the light-hearted people beguiling their unbounded leisure with the tuneful strains of "Drunghe, drunghete," of "Tiritomba," or even the too familiar "Santa Lucia." It cannot be that travellers lied when they wrote of the amazing picturesqueness of the Neapolitans, that they painted brown purple, and put on their spectacles of rose as they approached the land! I wish I had those spectacles; for indeed the aspect of the quays and wharves of Naples is not attractive, while the people who throng the boats now pushing off towards the steamer are just such a crowd of expectant barterers as one may see wherever a great steamer touches. In the stern of the first stands a naked boy, brown and lithe. His accomplishment is to dive for pence, which he does with singular dexterity, cramming all the coins as he catches them into his mouth, which yet is not so full as to impede his bellowing like a bull in the effort to