20 лучших повестей на английском / 20 Best Short Novels. Коллектив авторов

his own house, – that of his mistress and his rival. I said nothing of this to Mr. J—, to whom reluctantly I resigned the miniature.

      We had found no difficulty in opening the first drawer within the iron safe; we found great difficulty in opening the second: it was not locked, but it resisted all efforts, till we inserted in the chinks the edge of a chisel. When we had thus drawn it forth, we found a very singular apparatus in the nicest order. Upon a small, thin book, or rather tablet, was placed a saucer of crystal; this saucer was filled with a clear liquid, – on that liquid floated a kind of compass, with a needle shifting rapidly round; but instead of the usual points of a compass were seven strange characters, not very unlike those used by astrologers to denote the planets. A peculiar but not strong nor displeasing odor came from this drawer, which was lined with a wood that we afterwards discovered to be hazel. Whatever the cause of this odor, it produced a material effect on the nerves. We all felt it, even the two workmen who were in the room, – a creeping, tingling sensation from the tips of the fingers to the roots of the hair. Impatient to examine the tablet, I removed the saucer. As I did so the needle of the compass went round and round with exceeding swiftness, and I felt a shock that ran through my whole frame, so that I dropped the saucer on the floor. The liquid was spilled; the saucer was broken; the compass rolled to the end of the room, and at that instant the walls shook to and fro, as if a giant had swayed and rocked them.

      The two workmen were so frightened that they ran up the ladder by which we had descended from the trapdoor; but seeing that nothing more happened, they were easily induced to return.

      Meanwhile I had opened the tablet: it was bound in plain red leather, with a silver clasp; it contained but one sheet of thick vellum[35], and on that sheet were inscribed, within a double pentacle, words in old monkish Latin, which are literally to be translated thus: ‘On all that it can reach within these walls, sentient or inanimate, living or dead, as moves the needle, so work my will! Accursed be the house, and restless be the dwellers therein.’

      We found no more. Mr. J– burned the tablet and its anathema[36]. He razed to the foundations the part of the building containing the secret room with the chamber over it. He had then the courage to inhabit the house himself for a month, and a quieter, better-conditioned house could not be found in all London. Subsequently he let it to advantage, and his tenant has made no complaints.

      Wilkie Collins

      Dream Woman

      The First Narrative

      Introductory statement of the facts by Percy Fairbank

      I

      ‘Hullo, there! Hostler! Hullo-o-o!’

      ‘My dear! why don’t you look for the bell?’

      ‘I have looked – there is no bell.’

      ‘And nobody in the yard. How very extraordinary! Call again, dear.’

      ‘Hostler! Hullo, there! Hostler-r-r!’

      My second call echoes through empty space, and rouses nobody – produces, in short, no visible result. I am at the end of my resources – I don’t know what to say or what to do next. Here I stand in the solitary inn yard of a strange town, with two horses to hold, and a lady to take care of. By way of adding to my responsibilities, it so happens that one of the horses is dead lame, and that the lady is my wife.

      Who am I? – you will ask.

      There is plenty of time to answer the question. Nothing happens; and nobody appears to receive us. Let me introduce myself and my wife.

      I am Percy Fairbank – English gentleman – age (let us say) forty – no profession – moderate politics – middle height – fair complexion – easy character – plenty of money.

      My wife is a French lady. She was Mademoiselle Clotilde Delorge – when I was first presented to her at her father’s house in France. I fell in love with her – I really don’t know why. It might have been because I was perfectly idle, and had nothing else to do at the time. Or it might have been because all my friends said she was the very last woman whom I ought to think of marrying. On the surface, I must own, there is nothing in common between Mrs. Fairbank and me. She is tall; she is dark; she is nervous, excitable, romantic; in all her opinions she proceeds to extremes. What could such a woman see in me? what could I see in her? I know no more than you do. In some mysterious manner we exactly suit each other. We have been man and wife for ten years, and our only regret is, that we have no children. I don’t know what you may think; I call that – upon the whole – a happy marriage.

      So much for ourselves. The next question is – what has brought us into the inn yard? and why am I obliged to turn groom, and hold the horses?

      We live for the most part in France – at the country house in which my wife and I first met. Occasionally, by way of variety, we pay visits to my friends in England. We are paying one of those visits now. Our host is an old college friend of mine, possessed of a fine estate in Somersetshire[37]; and we have arrived at his house – called Farleigh Hall – toward the close of the hunting season.

      On the day of which I am now writing – destined to be a memorable day in our calendar – the hounds meet at Farleigh Hall. Mrs. Fairbank and I are mounted on two of the best horses in my friend’s stables. We are quite unworthy of that distinction; for we know nothing and care nothing about hunting. On the other hand, we delight in riding, and we enjoy the breezy spring morning and the fair and fertile English landscape surrounding us on every side. While the hunt prospers, we follow the hunt. But when a check occurs – when time passes and patience is sorely tried; when the bewildered dogs run hither and thither, and strong language falls from the lips of exasperated sportsmen – we fail to take any further interest in the proceedings. We turn our horses’ heads in the direction of a grassy lane, delightfully shaded by trees. We trot merrily along the lane, and find ourselves on an open common. We gallop across the common, and follow the windings of a second lane. We cross a brook, we pass through a village, we emerge into pastoral solitude among the hills. The horses toss their heads, and neigh to each other, and enjoy it as much as we do. The hunt is forgotten. We are as happy as a couple of children; we are actually singing a French song – when in one moment our merriment comes to an end. My wife’s horse sets one of his forefeet on a loose stone, and stumbles. His rider’s ready hand saves him from falling. But, at the first attempt he makes to go on, the sad truth shows itself – a tendon is strained; the horse is lame.

      What is to be done? We are strangers in a lonely part of the country. Look where we may, we see no signs of a human habitation. There is nothing for it but to take the bridle road up the hill, and try what we can discover on the other side. I transfer the saddles, and mount my wife on my own horse. He is not used to carry a lady; he misses the familiar pressure of a man’s legs on either side of him; he fidgets, and starts, and kicks up the dust. I follow on foot, at a respectful distance from his heels, leading the lame horse. Is there a more miserable object on the face of creation than a lame horse? I have seen lame men and lame dogs who were cheerful creatures; but I never yet saw a lame horse who didn’t look heartbroken over his own misfortune.

      For half an hour my wife capers and curvets sideways along the bridle road. I trudge on behind her; and the heartbroken horse halts behind me. Hard by the top of the hill, our melancholy procession passes a Somersetshire peasant at work in a field. I summon the man to approach us; and the man looks at me stolidly, from the middle of the field, without stirring a step. I ask at the top of my voice how far it is to Farleigh Hall. The Somersetshire peasant answers at the top of his voice:

      ‘Vourteen mile. Gi’ oi a drap o’ zyder.’

      I translate (for my wife’s benefit) from

35

vellum – parchment

36

anathema – a formal declaration of the Church condemning smb. or smth.; a curse

37

Somersetshire – a historic county in the southwest of England