The Greatest Fantasy Classics of Robert E. Howard. Robert E. Howard

angles of the walls. Three levels down they halted at last in a narrow corridor whose arched ceiling was crusted with jewels, whose floor was set with blocks of crystal, and whose walls were decorated with golden friezework. Down this shining way they stole, holding each other's hands, to a wide portal of gilt.

      Vateesa thrust open the door, revealing a shrine long forgotten except by a faithful few, and royal visitors to Khoraja's court, mainly for whose benefit the fane was maintained. Yasmela had never entered it before, though she was born in the palace. Plain and unadorned in comparison to the lavish display of Ishtar's shrines, there was about it a simplicity of dignity and beauty characteristic of the Mitran religion.

      The ceiling was lofty, but it was not domed, and was of plain white marble, as were the walls and floor, the former with a narrow gold frieze running about them. Behind an altar of clear green jade, unstained with sacrifice, stood the pedestal whereon sat the material manifestation of the deity. Yasmela looked in awe at the sweep of the magnificent shoulders, the clear-cut features—the wide straight eyes, the patriarchal beard, the thick curls of the hair, confined by a simple band about the temples. This, though she did not know it, was art in its highest form the free, uncramped artistic expression of a highly esthetic race, unhampered by conventional symbolism.

      She fell on her knees and thence prostrate, regardless of Vateesa's admonition, and Vateesa, to be on the safe side, followed her example; for after all, she was only a girl, and it was very awesome in Mitra's shrine. But even so she could not refrain from whispering in Yasmela's ear.

      "This is but the emblem of the god. None pretends to know what Mitra looks like. This but represents him in idealized human form, as near perfection as the human mind can conceive. He does not inhabit this cold stone, as your priests tell you Ishtar does. He is everywhere—above us, and about us, and he dreams betimes in the high places among the stars. But here his being focusses. Therefore call upon him."

      "What shall I say?" whispered Yasmela in stammering terror.

      "Before you can speak, Mitra knows the contents of your mind—" began Vateesa. Then both girls started violently as a voice began in the air above them. The deep, calm, bell-like tones emanated no more from the image than from anywhere else in the chamber. Again Yasmela trembled before a bodiless voice speaking to her, but this time it was not from horror or repulsion.

      "Speak not, my daughter, for I know your need," came the intonations like deep musical waves beating rhythmically along a golden beach. "In one manner may you save your kingdom, and saving it, save all the world from the fangs of the serpent which has crawled up out of the darkness of the ages. Go forth upon the streets alone, and place your kingdom in the hands of the first man you meet there."

      The unechoing tones ceased, and the girls stared at each other. Then, rising, they stole forth, nor did they speak until they stood once more in Yasmela's chamber. The princess stared out of the gold-barred windows. The moon had set. It was long past midnight. Sounds of revelry had died away in the gardens and on the roofs of the city. Khoraja slumbered beneath the stars, which seemed to be reflected in the cressets that twinkled among the gardens and along the streets and on the flat roofs of houses where folk slept.

      "What will you do?" whispered Vateesa, all a-tremble.

      "Give me my cloak," answered Yasmela, setting her teeth.

      "But alone, in the streets, at this hour!" expostulated Vateesa.

      "Mitra has spoken," replied the princess. "It might have been the voice of the god, or a trick of a priest. No matter. I will go!"

      Wrapping a voluminous silken cloak about her lithe figure and donning a velvet cap from which depended a filmy veil, she passed hurriedly through the corridors and approached a bronze door where a dozen spearmen gaped at her as she passed through. This was in a wing of the palace which let directly onto the street; on all other sides it was surrounded by broad gardens, bordered by a high wall. She emerged into the street, lighted by cressets placed at regular intervals.

      She hesitated; then, before her resolution could falter, she closed the door behind her. A slight shudder shook her as she glanced up and down the street, which lay silent and bare. This daughter of aristocrats had never before ventured unattended outside her ancestral palace. Then, steeling herself, she went swiftly up the street. Her satin-slippered feet fell lightly on the pave, but their soft sound brought her heart into her throat. She imagined their fall echoing thunderously through the cavernous city, rousing ragged rat-eyed figures in hidden lairs among the sewers. Every shadow seemed to hide a lurking assassin, every blank doorway to mask the slinking hounds of darkness.

      Then she started violently. Ahead of her a figure appeared on the eery street. She drew quickly into a clump of shadows, which now seemed like a haven of refuge, her pulse pounding. The approaching figure went not furtively, like a thief, or timidly, like a fearful traveller. He strode down the nighted street as one who has no need or desire to walk softly. An unconscious swagger was in his stride, and his footfalls resounded on the pave. As he passed near a cresset she saw him plainly—a tall man, in the chain-mail hauberk of a mercenary. She braced herself, then darted from the shadow, holding her cloak close about her.

      "Sa-ha!" his sword flashed half out of his sheath. It halted when he saw it was only a woman that stood before him, but his quick glance went over her head, seeking the shadows for possible confederates.

      He stood facing her, his hand on the long hilt that jutted forward from beneath the scarlet cloak which flowed carelessly from his mailed shoulders. The torchlight glinted dully on the polished blue steel of his greaves and basinet. A more baleful fire glittered bluely in his eyes. At first glance she saw he was no Kothian; when he spoke she knew he was no Hyborian. He was clad like a captain of the mercenaries, and in that desperate command there were men of many lands, barbarians as well as civilized foreigners. There was a wolfishness about this warrior that marked the barbarian. The eyes of no civilized man, however wild or criminal, ever blazed with such a fire. Wine scented his breath, but he neither staggered nor stammered.

      "Have they shut you into the street?" he asked in barbarous Kothic, reaching for her. His fingers closed lightly about her rounded wrist, but she felt that he could splinter its bones without effort. "I've but come from the last wine-shop open Ishtar's curse on these white-livered reformers who close the grog-houses! 'Let men sleep rather than guzzle," they say—aye, so they can work and fight better for their masters! Soft-gutted eunuchs, I call them. When I served with the mercenaries of Corinthia we swilled and wenched all night and fought all day aye, blood ran down the channels of our swords. But what of you, my girl? Take off that cursed mask—"

      She avoided his clutch with a lithe twist of her body, trying not to appear to repulse him. She realized her danger, alone with a drunken barbarian. If she revealed her identity, he might laugh at her, or take himself off. She was not sure he would not cut her throat. Barbaric men did strange inexplicable things. She fought a rising fear.

      "Not here," she laughed. "Come with me—"

      "Where?" His wild blood was up, but he was wary as a wolf. "Are you taking me to some den of robbers?"

      "No, no, I swear it!" She was hard put to avoid the hand which was again fumbling at her veil.

      "Devil bite you, hussy!" he growled disgustedly. "You're as bad as a Hyrkanian woman, with your damnable veil. Here—let me look at your figure, anyway."

      Before she could prevent it, he wrenched the cloak from her, and she heard his breath hiss between his teeth. He stood holding the cloak, eyeing her as if the sight of her rich garments had somewhat sobered him. She saw suspicion flicker sullenly in his eyes.

      "Who the devil are you?" he muttered. "You're no street-waif – unless your leman robbed the king's seraglio for your clothes."

      "Never mind." She dared to lay her white hand on his massive iron-clad arm. "Come with me off the street."

      He hesitated, then shrugged his mighty shoulders. She saw that he half believed her to be some noble lady, who, weary of polite lovers, was taking this means of amusing herself. He allowed her to don the cloak again, and followed her. From the corner of her eye she watched him as they went down the street