The Greatest Fantasy Classics of Robert E. Howard. Robert E. Howard

of all sanity and stability crumbling and vanishing. She was a quivering atom of sentiency driven through a black, roaring, icy void by a thundering wind that threatened to extinguish her feeble flicker of animate life like a candle blown out in a storm.

      Then there came a period of blind impulse and movement, when the atom that was she mingled and merged with myriad other atoms of spawning life in the yeasty morass of existence, molded by formative forces until she emerged again a conscious individual, whirling down an endless spiral of lives.

      In a mist of terror she relived all her former existences, recognized and was again all the bodies that had carried her ego throughout the changing ages. She bruised her feet again over the long, weary road of life that stretched out behind her into the immemorial past. Back beyond the dimmest dawns of Time she crouched shuddering in primordial jungles, hunted by slavering beasts of prey. Skin-clad, she waded thigh-deep in rice swamps, battling with squawking water- fowl for the precious grains. She labored with the oxen to drag the pointed stick through the stubborn soil, and she crouched endlessly over looms in peasant huts.

      She saw walled cities burst into flame, and fled screaming before the slayers. She reeled naked and bleeding over burning sands, dragged at the slaver's stirrup, and she knew the grip of hot, fierce hands on her writhing flesh, the shame and agony of brutal lust. She screamed under the bite of the lash, and moaned on the rack; mad with terror she fought against the hands that forced her head inexorably down on the bloody block.

      She knew the agonies of childbirth, and the bitterness of love betrayed. She suffered all the woes and wrongs and brutalities that man has inflicted on woman throughout the eons; and she endured all the spite and malice of women for woman. And like the flick of a fiery whip throughout was the consciousness she retained of her Devi-ship. She was all the women she had ever been, yet in her knowing she was Yasmina. This consciousness was not lost in the throes of reincarnation. At one and the same time she was a naked slave-wench groveling under the whip, and the proud Devi of Vendhya. And she suffered not only as the slave-girl suffered, but as Yasmina, to whose pride the whip was like a white- hot brand.

      Life merged into life in flying chaos, each with its burden of woe and shame and agony, until she dimly heard her own voice screaming unbearably, like one long-drawn cry of suffering echoing down the ages.

      Then she awakened on the velvet-covered dais in the mystic room.

      In a ghostly gray light she saw again the dais and the cryptic robed figure seated upon it. The hooded head was bent, the high shoulders faintly etched against the uncertain dimness. She could make out no details clearly, but the hood, where the velvet cap had been, stirred a formless uneasiness in her. As she stared, there stole over her a nameless fear that froze her tongue to her palate—a feeling that it was not the Master who sat so silently on that black dais.

      Then the figure moved and rose upright, towering above her. It stooped over her and the long arms in their wide black sleeves bent about her. She fought against them in speechless fright, surprized by their lean hardness. The hooded head bent down toward her averted face. And she screamed, and screamed again in poignant fear and loathing. Bony arms gripped her lithe body, and from that hood looked forth a countenance of death and decay—features like rotting parchment on a moldering skull.

      She screamed again, and then, as those champing, grinning jaws bent toward her lips, she lost consciousness...