A Year in the Fields. John Burroughs

they increase in numbers and in size, and before one o'clock it is snowing steadily. The flakes come straight down, but in a half hour they have a marked slant toward the north; the wind is taking a hand in the game. By mid-afternoon the storm is coming in regular pulse-beats or in vertical waves. The wind is not strong, but seems steady; the pines hum, yet there is a sort of rhythmic throb in the meteor; the air toward the wind looks ribbed with steady-moving vertical waves of snow. The impulses travel along like undulations in a vast suspended white curtain, imparted by some invisible hand there in the northeast. As the day declines the storm waxes, the wind increases, the snow-fall thickens, and

      "the housemates sit

       Around the radiant fireplace, inclosed

       In a tumultuous privacy of storm,"

      a privacy which you feel outside as well as in. Out-of-doors you seem in a vast tent of snow; the distance is shut out, near-by objects are hidden; there are white curtains above you and white screens about you, and you feel housed and secluded in storm. Your friend leaves your door, and he is wrapped away in white obscurity, caught up in a cloud, and his footsteps are obliterated. Travelers meet on the road, and do not see or hear each other till they are face to face. The passing train, half a mile away, gives forth a mere wraith of sound. Its whistle is deadened as in a dense wood.

      Still the storm rose. At five o'clock I went forth to face it in a two-mile walk. It was exhilarating in the extreme. The snow was lighter than chaff. It had been dried in the Arctic ovens to the last degree. The foot sped through it without hindrance. I fancied the grouse and the quail quietly sitting down in the open places, and letting it drift over them. With head under wing, and wing snugly folded, they would be softly and tenderly buried in a few moments. The mice and the squirrels were in their dens, but I fancied the fox asleep upon some rock or log, and allowing the flakes to cover him. The hare in her form, too, was being warmly sepulchred with the rest. I thought of the young cattle and the sheep huddled together on the lee side of a haystack in some remote field, all enveloped in mantles of white.

      "I thought me on the ourie cattle,

       Or silly sheep, wha bide this brattle

       O' wintry war,

       Or thro' the drift, deep-lairing sprattle,

       Beneath a scaur.

      "Ilk happing bird, wee helpless thing,

       That in the merry months o' spring

       Delighted me to hear thee sing,

       What comes o' thee?

       Where wilt thou cow'r thy chittering wing,

       And close thy ee?"

       As I passed the creek, I noticed the white woolly masses that filled the water. It was as if somebody upstream had been washing his sheep and the water had carried away all the wool, and I thought of the Psalmist's phrase, "He giveth snow like wool." On the river a heavy fall of snow simulates a thin layer of cotton batting. The tide drifts it along, and, where it meets with an obstruction alongshore, it folds up and becomes wrinkled or convoluted like a fabric, or like cotton sheeting. Attempt to row a boat through it, and it seems indeed like cotton or wool, every fibre of which resists your progress.

      As the sun went down and darkness fell, the storm impulse reached its full. It became a wild conflagration of wind and snow; the world was wrapt in frost flame; it enveloped one, and penetrated his lungs and caught away his breath like a blast from a burning city. How it whipped around and under every cover and searched out every crack and crevice, sifting under the shingles in the attic, darting its white tongue under the kitchen door, puffing its breath down the chimney, roaring through the woods, stalking like a sheeted ghost across the hills, bending in white and ever-changing forms above the fences, sweeping across the plains, whirling in eddies behind the buildings, or leaping spitefully up their walls—in short, taking the world entirely to itself, and giving a loose rein to its desire.

       THE STUDY

      But in the morning, behold! the world was not consumed; it was not the besom of destruction, after all, but the gentle hand of mercy. How deeply and warmly and spotlessly Earth's nakedness is clothed!—the "wool" of the Psalmist nearly two feet deep. And as far as warmth and protection are concerned, there is a good deal of the virtue of wool in such a snow-fall. How it protects the grass, the plants, the roots of the trees, and the worms, insects, and smaller animals in the ground! It is a veritable fleece, beneath which the shivering earth ("the frozen hills ached with pain," says one of our young poets) is restored to warmth. When the temperature of the air is at zero, the thermometer, placed at the surface of the ground beneath a foot and a half of snow, would probably indicate but a few degrees below freezing; the snow is rendered such a perfect non-conductor of heat mainly by reason of the quantity of air that is caught and retained between the crystals. Then how, like a fleece of wool, it rounds and fills out the landscape, and makes the leanest and most angular field look smooth!

      The day dawned, and continued as innocent and fair as the day which had preceded—two mountain peaks of sky and sun, with their valley of cloud and snow between. Walk to the nearest spring run on such a morning, and you can see the Colorado valley and the great cañons of the West in miniature, carved in alabaster. In the midst of the plain of snow lie these chasms; the vertical walls, the bold headlands, the turrets and spires and obelisks, the rounded and towering capes, the carved and buttressed precipices, the branch valleys and cañons, and the winding and tortuous course of the main channel are all here—all that the Yosemite or Yellowstone have to show, except the terraces and the cascades. Sometimes my cañon is bridged, and one's fancy runs nimbly across a vast arch of Parian marble, and that makes up for the falls and the terraces. Where the ground is marshy, I come upon a pretty and vivid illustration of what I have read and been told of the Florida formation. This white and brittle limestone is undermined by water. Here are the dimples and depressions, the sinks and the wells, the springs and the lakes. Some places a mouse might break through the surface and reveal the water far beneath, or the snow gives way of its own weight, and you have a minute Florida well, with the truncated cone-shape and all. The arched and subterranean pools and passages are there likewise.

      But there is a more beautiful and fundamental geology than this in the snow-storm: we are admitted into Nature's oldest laboratory, and see the working of the law by which the foundations of the material universe were laid—the law or mystery of crystallization. The earth is built upon crystals; the granite rock is only a denser and more compact snow, or a kind of ice that was vapor once and may be vapor again. "Every stone is nothing else but a congealed lump of frozen earth," says Plutarch. By cold and pressure air can be liquefied, perhaps solidified. A little more time, a little more heat, and the hills are but April snow-banks. Nature has but two forms, the cell and the crystal—the crystal first, the cell last. All organic nature is built up of the cell; all inorganic, of the crystal. Cell upon cell rises the vegetable, rises the animal; crystal wedded to and compacted with crystal stretches the earth beneath them. See in the falling snow the old cooling and precipitation, and the shooting, radiating forms that are the architects of planet and globe.

      We love the sight of the brown and ruddy earth; it is the color of life, while a snow-covered plain is the face of death; yet snow is but the mask of the life-giving rain; it, too, is the friend of man—the tender, sculpturesque, immaculate, warming, fertilizing snow.

II

       Table of Contents

WINTER NEIGHBORS

       Table of Contents

      The country is more of a wilderness, more of a wild solitude, in the winter than in the summer. The wild comes out. The urban, the cultivated, is hidden or negatived. You shall hardly know a good field from a poor, a meadow from a pasture, a park from a forest. Lines and boundaries are disregarded; gates