A Year in the Fields. John Burroughs

far afield. It dwelt on the charm of flitting wings and bird melodies, on the pleasures of rambling along country roads and into the woodlands; and, sitting before the Treasury vault, at a high desk and facing an iron wall he began to write. There was no need for notes. His memory was all-sufficient, and the result was the essays which make "Wake-Robin,"—his first book.

      By 1873 Burroughs had had enough of the routine of a Government clerkship, and he resigned to become the receiver of a bank in Middletown, New York. Later he accepted a position as bank examiner in the eastern part of the State. But his longing to return to the soil was growing apace, and presently he bought a little farm on the west shore of the Hudson. He at once erected a substantial stone house and started orchards and vineyards, yet it was not until 1885 that he felt he could relinquish his Government position and dwell on his own land with the assurance of a safe support.

      He has never been a great traveler. Still, he has been abroad twice and has recently made a trip to Alaska. Lesser excursions have taken him to Virginia and Kentucky, and to Canada, and he has camped in Maine and the Adirondacks. But the district that he knows best and that he puts oftenest into his nature studies is his home country in the Catskills and the region about his "Riverby" farm. Very little of his writing, however, has been done in the house in which he lives. This was never a wholly satisfactory working-place. He felt he must get away from all conventionalities, and he early put up on the outskirts of his vineyards a little bark-covered study, to which it has been his habit to retire for his indoor thinking and writing. He still uses this study more or less, and often in the summer evenings sits in an easy-chair, under an apple-tree just outside the door, and listens to the voices of Nature while he looks off across the Hudson.

      But the spot that at present most engages his affection is a reclaimed woodland swamp, back among some rocky hills, a mile or two from the river. A few years ago the swamp was a wild tangle of brush and stumps, fallen trees and murky pools. Now it has been cleared and drained, and the dark forest mould produces wonderful crops of celery, sweet corn, potatoes, and other vegetables. On a shoulder of rock near the swamp borders Burroughs has built a rustic house, sheathed outside with slabs, and smacking in all its arrangements of the woodlands and of the days of pioneering. It has an open fireplace, where the flames crackle cheerfully on chilly evenings, and over the fireplace coals most of the cooking is done; but in really hot weather an oil stove serves instead.

      On the other side of the hollow a delightfully cold spring bubbles forth, and immediately back of the house is a natural cavern which makes an ideal storage place for perishable foods. The descent to the cavern is made by a rude ladder, and the sight of Burroughs coming and going between it and the house has a most suggestive touch of the wild and romantic.

      He is often at "Slabsides"—sometimes for weeks or months at a time, though he always makes daily visits to the valley to look after the work in his vineyards and to visit the post-office at the railway station. He is a leisurely man, to whom haste and the nervous pursuit of wealth or fame are totally foreign. He thoroughly enjoys country loitering, and when he gets a hint of anything interesting or new going on among the birds and little creatures of the fields, he likes to stop and investigate. His ears are remarkably quick and his eyes and sense of smell phenomenally acute, and much which to most of us would be unperceived or meaningless he reads as if it were an open book. Best of all, he has the power of imparting his enjoyment, and what he writes is full of outdoor fragrance, racy, piquant, and individual. His snap and vivacity are wholly unartificial. They are a part of the man—a man full of imagination and sensitiveness, a philosopher, a humorist, a hater of shams and pretension. The tenor of his life changes little from year to year, his affections remain steadfast, and this hardy, gray poet of things rural will continue, as ever, the warm-hearted nature enthusiast, and inspirer of the love of nature in others.

A YEAR IN THE FIELDS

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I

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A SNOW-STORM

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      That is a striking line with which Emerson opens his beautiful poem of the Snow-Storm:—

      "Announced by all the trumpets of the sky,

       Arrives the snow, and, driving o'er the fields,

       Seems nowhere to alight."

      One seems to see the clouds puffing their cheeks as they sound the charge of their white legions. But the line is more accurately descriptive of a rain-storm, as, in both summer and winter, rain is usually preceded by wind. Homer, describing a snow-storm in his time, says:—

      "The winds are lulled."

       TRACKS IN THE SNOW

      The preparations of a snow-storm are, as a rule, gentle and quiet; a marked hush pervades both the earth and the sky. The movements of the celestial forces are muffled, as if the snow already paved the way of their coming. There is no uproar, no clashing of arms, no blowing of wind trumpets. These soft, feathery, exquisite crystals are formed as if in the silence and privacy of the inner cloud-chambers. Rude winds would break the spell and mar the process. The clouds are smoother, and slower in their movements, with less definite outlines than those which bring rain. In fact, everything is prophetic of the gentle and noiseless meteor that is approaching, and of the stillness that is to succeed it, when "all the batteries of sound are spiked," as Lowell says, and "we see the movements of life as a deaf man sees it—a mere wraith of the clamorous existence that inflicts itself on our ears when the ground is bare." After the storm is fairly launched the winds not infrequently awake, and, seeing their opportunity, pipe the flakes a lively dance. I am speaking now of the typical, full-born midwinter storm that comes to us from the North or N. N. E., and that piles the landscape knee-deep with snow. Such a storm once came to us the last day of January—the master-storm of the winter. Previous to that date, we had had but light snow. The spruces had been able to catch it all upon their arms, and keep a circle of bare ground beneath them where the birds scratched. But the day following this fall, they stood with their lower branches completely buried. If the Old Man of the North had but sent us his couriers and errand-boys before, the old graybeard appeared himself at our doors on this occasion, and we were all his subjects. His flag was upon every tree and roof, his seal upon every door and window, and his embargo upon every path and highway. He slipped down upon us, too, under the cover of such a bright, seraphic day—a day that disarmed suspicion with all but the wise ones, a day without a cloud or a film, a gentle breeze from the west, a dry, bracing air, a blazing sun that brought out the bare ground under the lee of the fences and farm-buildings, and at night a spotless moon near her full. The next morning the sky reddened in the east, then became gray, heavy, and silent. A seamless cloud covered it. The smoke from the chimneys went up with a barely perceptible slant toward the north. In the forenoon the cedar-birds, purple finches, yellowbirds, nuthatches, bluebirds, were in flocks or in couples and trios about the trees, more or less noisy and loquacious. About noon a thin white veil began to blur the distant southern mountains. It was like a white dream slowly descending upon them. The first flake or flakelet that reached me was a mere white speck that came idly circling and eddying to the ground. I could not see it after it alighted. It might have been a scale from the feather of some passing bird, or a larger mote in the air that the stillness was allowing to settle. Yet it was the altogether inaudible and infinitesimal trumpeter that announced the coming storm, the grain of sand that heralded the desert. Presently another fell, then another; the white mist was creeping up the river valley. How slowly and loiteringly it came, and how microscopic its first siftings!

      This mill is bolting its flour very fine, you think. But wait a little; it gets coarser by and by; you begin