A Girl of the Commune. G. A. Henty

and somewhat arrogant.

      "Not that there is any arrogance about Dampierre—he is unaffected and simple in his tastes, except in the matter of his lodgings. I question if there is one of us who spends less than he does, but he no more understands you than you understand him; he takes your badinage seriously, and cannot understand that it is harmless fun. However, he is better in that respect than when he first came over, and in time, no doubt, his touchiness will die out. God forbid that he should ever spoil his life by such a hideous mistake as marrying Minette. Except on the principle that people are always attracted by their opposites, I can't account for his infatuation for this girl, or for her taking up with him. He has never alluded to the subject to me. I don't know that her name has ever been mentioned between us. I agree with you that I think he is in earnest about her, but my conclusion is certainly not formed on anything he has ever said himself. I have often thought that a good deal of his irritability arises from his annoyance at her fun and easy way with us all. He never comes to any of our little meetings. If he is really in earnest about her, I can understand that it would be a terrible annoyance to him to see her taking a lead in such meetings and associating so freely with your, let us say, temporary wives. I have seen him on some of our sketching excursions walk away, unable to contain his anger when you have all been laughing and joking with her."

      "I consider that to be an insolence," René said hotly.

      "No, no, René, imagine yourself five years older, and making a fortune rapidly by your art, in love with some girl whom you hope to make your wife. I ask you whether you would like to see her laughing and chatting en bonne camarade with a lot of wild young students. Still less, if you can imagine such a thing, joining heart and soul in the fun of one of their supper parties. You would not like it, would you?"

      "No," René admitted frankly. "I own I shouldn't. Of course, I cannot even fancy such a thing occurring, but if it did I can answer for it that I should not be able to keep my temper. I think now that you put it so, we shall be able to make more allowances for the American in future."

      To this the others all agreed, and henceforth the tension that had not unfrequently existed between Dampierre and his fellow-students was sensibly relaxed.

      "You were not here last week, Minette," M. Goudé said, as he went up on to the platform at the end of the room to arrange her pose.

      "I did not think that you would expect me, master," she said, "but even if you had I could not have come. Do you think that one could stand still like a statue for hours when great things were being done, when the people were getting their liberty again, and the flag of the despot was being pulled down from the Tuileries. I have blood in my veins, master, not ice."

      "Bah!" M. Goudé exclaimed. "What difference does it make to you, or to anyone as far as I see, whether the taxes are levied in the name of an Emperor or of a Republic? Do you think a Republic is going to feed you any better and reduce your rents, or to permit Belleville and Montmartre to become masters of Paris? In a short time they will grumble at the Republic just as they grumble at the Emperor. It is folly and madness. The Emperor is nothing to me, the Government is nothing to me. I have to pay my taxes—they are necessary—for the army has to be kept up and the Government paid; beyond that I do not care a puff of my pipe what Government may call itself."

      "You will see what you will see," said the girl, sententiously.

      "I dare say, Minette, as long as I have eyes I shall do that. Now don't waste any more time."

      "What am I to be, master?"

      "A Spanish peasant girl dancing; hold these slips of wood in your hand, they are supposed to be castanets; now just imagine that music is playing and that you are keeping time to it with them, and swaying your body, rather than moving your feet to the music."

      After two or three changes she struck an attitude that satisfied the master.

      "That will do, Minette, stand as you are; you cannot improve that. Now, gentlemen, to work."

      She was standing with one foot advanced, as if in the act of springing on to it; one of her arms was held above her head, the other advanced across her body; her head was thrown back, and her balance perfect.

      Cuthbert looked up from his work, took out a note-book, and rapidly sketched the figure; and then, putting his book into his pocket again, returned to his work, the subject of which was a party of Breton mobiles, with stacked arms under some trees in the Champs Elysée. He had taken the sketch two days before and was now transferring it on to canvas.

      "I should not be surprised," he thought to himself, "if the girl is right, and if there is not serious trouble brewing in the slums of Paris.

      "As soon as these fellows find out that they are no better off for the change, and that a Republic does not mean beer and skittles, or, as they would like, unlimited absinthe and public workshops, with short hours and high pay, they will begin to get savage, and then there will be trouble. The worst of it is one can never rely upon the troops, and discipline is certainly more relaxed than usual now that the Emperor has been upset, and every Jack thinks himself as good as his master. Altogether I think we are likely to have lively times here before long. I am not sure that the enemies within are not likely to prove as great a danger to Paris as the foe without. It was a happy idea of mine to come to Paris, and I am likely to get subjects enough to last for a life-time, though I don't know that battle scenes are altogether in my line. It does not seem to me that I have any line in particular yet. It is a nuisance having to decide on that, because I have heard Wilson say an artist, like a writer, must have a line, and when he has once taken it up he must stick to it. If a man once paints sea pieces the public look to get sea pieces from him, and won't take anything else. It is the same thing if he accustoms them to Eastern, or Spanish, or any other line.

      "It maybe that this war will decide the matter for me, which will be a comfort and relief, though I doubt if I shall ever be able to stick in one groove. Goudé said only yesterday that I had better go on working at both figure and landscape. At present he could not give an opinion as to which I was likely to succeed in best, but that he rather fancied that scenes of life and action, combined with good backgrounds, were my forte, and battle scenes would certainly seem to come under that category."

      After work was over Cuthbert went out by himself and spent the afternoon in sketching. He was engaged on a group of soldiers listening to one of their number reading a bulletin of the latest news, when his eye fell on a young lady walking with a brisk step towards him. He started, then closed his note-book suddenly, and as she was on the point of passing, turned to her and held out his hand.

      "Have you dropped from the skies, Miss Brander?"

      There was surprise, but neither embarrassment nor emotion on her face as she said, frankly—

      "Why, Cuthbert Hartington, this is a curious meeting. I did know you were in Paris, for I had heard as much from my father, but I had no idea of your address and I have wondered many times since I came here, five weeks ago, whether we should run against each other. No, I have not dropped from the clouds, and you ought to have known I should be here; I told you that I was going to have a year in Germany and then a year in France. My year in Germany was up two months ago. I went home for a fortnight, and here I am as a matter of course."

      "I might have known you would carry out your programme exactly as you had sketched it, but I thought that the disturbed state of things over here might have induced you to defer that part of the plan until a more appropriate season. Surely Paris is not just at present a pleasant abode for a young lady, and is likely to be a much more unpleasant one later on."

      "I think there could hardly be a more appropriate time for being here, Mr. Hartington; one could have no better time for studying social problems than the present when conventionalities have gone to the winds and one sees people as they are; but this is hardly the place to talk. I am boarding with a family at No. 15 Avenue de Passy. Will you come and see me there?"

      "Certainly I will, if you will allow me. What will be a convenient time?"

      "I should say three o'clock in the afternoon. They are all out then, except Madame Michaud and her