A Girl of the Commune. G. A. Henty

appeals to me, infinitely. These poor fellows are suffering too, you will say. Yes, but they have their consolation. They promise themselves that as soon as they get into Paris they will join a corps and take vengeance on those who have hurt them. They may think, and perhaps with reason, that when the trouble is over, they will find their cottages still standing, and will take up life again as they left it. They have at least the consolation of swearing, a consolation which, as far as I know, is denied to animals and birds."

      "You are a rum fellow, Hartington, and I never know when you are in earnest and when you are not."

      "Let us go back," René Caillard, who, with the others, had been standing silently, said abruptly. "This is too painful; I feel suffocated to think that such a humiliation should fall on Paris. Surely all civilized Europe will rise and cry out against this desecration." He turned and with his comrades walked back towards the gate. Cuthbert followed with Arnold Dampierre.

      "That is just the way with them," the former said, "it would have been no desecration had they encamped before Berlin, but now, because it is the other way, they almost expect a miracle from Heaven to interpose in their favor. Curious people the French. Their belief in themselves is firm and unshakable, and whatever happens it is the fault of others, and not of themselves. Now, in point of fact, from all we hear, the Germans are conducting the war in a very much more humane and civilized way than the French would have done if they had been the invaders, and yet they treat their misfortunes as if high Heaven had never witnessed such calamities. Why, the march of the Germans has been a peaceful procession in comparison with Sherman's march or Sheridan's forays. They have sacked no city, their path is not marked by havoc and conflagration; they fight our men, and maybe loot deserted houses, but as a rule unarmed citizens and peasants have little to complain of."

      "That is true enough," the other agreed reluctantly.

      "My opinion is," Cuthbert went on, "that all these poor people who are flocking into Paris are making a hideous mistake. If they stopped in their villages the betting is that no harm would have come to them; whereas now they have left their homes unguarded and untenanted—and it would not be human nature if the Germans did not occupy them—while in Paris they will have to go through all the privations and hardships of a siege and perhaps of a bombardment; besides there are so many more hungry mouths to feed. In my opinion Trochu and the Provisional Government would have acted very much more wisely had they issued an order that no strangers, save those whose houses have been destroyed, should be allowed to enter the city, and advising the inhabitants of all the villages round either to remain quietly in their homes, or to retire to places at a distance. Fighting men might, of course, come in, but all useless mouths will only hasten the date when famine will force the city to surrender."

      "You seem very sure that it will surrender sooner or later, Hartington," Dampierre said, irritably. "My opinion is that all France will rise and come to her rescue."

      "If Bazaine cuts his way out of Metz they may do it, but we have heard nothing of his moving, and the longer he stays the more difficulty he will have of getting out. He has a fine army with him, but if he once gives time to the Germans to erect batteries commanding every road out of the place, he will soon find it well-nigh impossible to make a sortie. Except that army France has nothing she can really rely upon. It is all very well to talk of a general rising, but you can't create an army in the twinkling of an eye; and a host of half-disciplined peasants, however numerous, would have no chance against an enemy who have shown themselves capable of defeating the whole of the trained armies of France. No, no, Dampierre, you must make up your mind beforehand that you are going in on the losing side. Paris may hold out long enough to secure reasonable terms, but I fancy that is about all that will come of it."

      The other did not reply. He had something of the unreasoning faith that pervaded France, that a Republic was invincible, and that France would finally emerge from the struggle victorious.

      "We shall try and find out to-night about the corps," René Caillard said, as the others overtook them some distance inside the gates. "After what we have seen to-day we are all determined to join without delay. I heard last night from some men at Veillant's that they and a good many others have put their names down for a corps that is to be called the Chasseurs des Écoles. They said they understood that it was to be composed entirely of students. Not all art, of course, but law and other schools."

      "That would be just the thing," Cuthbert said, "if they can only get some good officers. One likes the men one has to work with to be a little of one's own class. Well, if the officers are all right you can put my name down. I suppose there is no occasion for me to go myself."

      "Of course there is occasion, lazy one. You have to be sworn in."

      Cuthbert nodded. "I suppose we shan't have to give up work altogether?"

      "I should think not," René said. "I suppose we shall have two or three hours' drill in the morning and nothing more till the time for action comes. Of course the troops and the mobiles will do the work at the forts and walls, and we shall be only called out if the Prussians venture to attack us, or if we march out to attack them."

      "So much the better. I came here to work, and I want to stick to it and not waste my time in parades and sentry duty. Well, we shall meet at the studio in the morning and you can give us your news then."

      Some fifteen young men met on the following morning at Goudé's studio.

      "Now, gentlemen," said the artist, a short man, with a large head, and an abundant crop of yellow hair falling on to his shoulders, "please to attend to business while you are here. Paint—you have plenty of time outside to discuss affairs."

      M. Goudé was an artist of considerable talent, but of peppery temper. He had at one time gone to war with the Hanging Committee of the Salon because one of his paintings had been so badly hung that he declared it to be nothing short of an insult, and had forthwith proceeded to publish the most violent strictures upon them. The result was that on the following year his pictures were not hung at all, whereupon, after another onslaught upon them, he had declared his determination never again to submit a picture to the judgment of men whose natural stupidity was only equalled by their ignorance of art.

      This vow he had for eight years adhered to, only occasionally painting a picture and selling it privately, but devoting himself almost entirely to the studio he had opened, when he ceased exhibiting. He was an admirable teacher and his list of pupils was always full. He was an exacting master and would take none but students who showed marked ability. As a preliminary picture had to be presented to him for examination, and at least three out of four of the canvases sufficed to ensure their authors' prompt rejection.

      It was, therefore, considered an honor to be one of Goudé's pupils, but it had its drawbacks. His criticisms were severe and bitter; and he fell into violent passions when, as Leroux once observed, he looked like the yellow dwarf in a rage. Cuthbert had heard of him from Terrier, who said that Goudé had the reputation of being by far the best master in Paris. He had presented himself to him as soon as he arrived there; his reception had not been favorable.

      "It is useless, Monsieur," the master had said, abruptly, "there are two objections. In the first place you are too old, in the second place you are a foreigner, and I do not care to teach foreigners. I never had but one here, and I do not want another. He was a Scotchman, and because I told him one day when he had produced an atrocious daub, that he was an imbecile pig, he seized me and shook me till my teeth chattered in my head, and then kicked over the easel and went out."

      "You may call me an imbecile pig if you like," Cuthbert said with his quiet smile, "it would hurt me in no way. I have come over to learn, and I am told you are the best master in Paris. When a man is a great master he must be permitted to have his peculiarities, and if he likes to treat grown-up men as children, of course he can do so, for are we not children in art by his side."

      Monsieur Goudé was mollified, but he did not show it.

      "Have you brought any canvases with you?"

      "I have brought the last two things I did before leaving London."

      "Well, you can bring them if you like," the master said,