La Sorcière: The Witch of the Middle Ages. Jules Michelet

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Название La Sorcière: The Witch of the Middle Ages
Автор произведения Jules Michelet
Жанр Документальная литература
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Издательство Документальная литература
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isbn 4057664652997



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be old is to be weak. When the Saracens, when the Norsemen threaten us, what will come to us if the people remain old? Charlemagne weeps, and the Church weeps too. She owns that her relics fail to guard her altars from these Barbarian devils.[13] Had she not better call upon the arm of that wayward child whom she was going to bind fast, the arm of that young giant whom she wanted to paralyse? This movement in two opposite ways fills the whole ninth century. The people are held back, anon they are hurled forward: we fear them and we call on them for aid. With them and by means of them we throw up hasty barriers, defences that may check the Barbarians, while sheltering the priests and their saints escaped thither from their churches.

      But, one day, what do I see? Can my sight be grown dim? The lord of the valley, as he rides about, sets up bounds that none may overleap; ay, and limits that you cannot see. “What is that? I don’t understand.” That means that the manor is shut in. “The lord keeps it all fast under gate and hinge, between heaven and earth.”

      Most horrible! By virtue of what law is this vassus (or valiant one) held to his power? People will thereon have it, that vassus may also mean slave. In like manner the word servus, meaning a servant, often indeed a proud one, even a Count or Prince of the Empire, comes in the case of the weak to signify a serf, a wretch whose life is hardly worth a halfpenny.

      In this damnable net are they caught. But down yonder, on his ground, is a man who avers that his land is free, a freehold, a fief of the sun. Seated on his boundary-stone, with hat pressed firmly down, he looks at Count or Emperor passing near. “Pass on, Emperor; go thy ways! If thou art firm on thy horse, yet more am I on my pillar. Thou mayest pass, but so will not I: for I am Freedom.”

      But I lack courage to say what becomes of this man. The air grows thick around him: he breathes less and less freely. He seems to be under a spell: he cannot move: he is as one paralysed. His very beasts grow thin, as if a charm had been thrown over them. His servants die of hunger. His land bears nothing now; spirits sweep it clean by night.

      Still he holds on: “The poor man is a king in his own house.” But he is not to be let alone. He gets summoned, must answer for himself in the Imperial Court. So he goes, like an old-world spectre, whom no one knows any more. “What is he?” ask the young. “Ah, he is neither a lord, nor a serf! Yet even then is he nothing?”

      “Who am I? I am he who built the first tower, he who succoured you, he who, leaving the tower, went boldly forth to meet the Norse heathens at the bridge. Yet more, I dammed the river, I tilled the meadow, creating the land itself by drawing it God-like out of the waters. From this land who shall drive me?”

      “No, my friend,” says a neighbour—“you shall not be driven away. You shall till this land, but in a way you little think for. Remember, my good fellow, how in your youth, some fifty years ago, you were rash enough to wed my father’s little serf, Jacqueline. Remember the proverb, ‘He who courts my hen is my cock.’ You belong to my fowl-yard. Ungird yourself; throw away your sword! From this day forth you are my serf.”

      There is no invention here. The dreadful tale recurs incessantly during the Middle Ages. Ah, it was a sharp sword that stabbed him. I have abridged and suppressed much, for as often as one returns to these times, the same steel, the same sharp point, pierces right through the heart.

      The doubtful state of men’s affairs, the frightfully slippery descent by which the freeman becomes a vassal, the vassal a servant, and the servant a serf—in these things lie the great terror of the Middle Ages, and the depth of their despair. There is no way of escape therefrom; for he who takes one step is lost. He is an alien, a stray, a wild beast of the chase. The ground grows slimy to catch his feet, roots him, as he passes, to the spot. The contagion in the air kills him; he becomes a thing in mortmain, a dead creature, a mere nothing, a beast, a soul worth twopence-halfpenny, whose murder can be atoned for by twopence-halfpenny.

      These are outwardly the two great leading traits in the wretchedness of the Middle Ages, through which they came to give themselves up to the Devil. Meanwhile let us look within, and sound the innermost depths of their moral life.

      FOOTNOTES:

       Table of Contents

      [8] Benedict founded a convent at Aniane in Languedoc, in the reign of Charlemagne.