La Sorcière: The Witch of the Middle Ages. Jules Michelet

“On account of one man all are lost; are not only punished but worthy of punishment; depraved and perverted beforehand, dead to God even before their birth. The very babe at the breast is damned.”

      Who says so? Everyone, even Bossuet himself. A leading doctor in Rome, Spina, a Master of the Holy Palace, formulates the question neatly: “Why does God suffer the innocent to die?—For very good reasons: even if they do not die on account of their own sins, they are always liable to death as guilty of the original sin.” (De Strigibus, ch. 9.)

      From this atrocity spring two results, the one pertaining to justice, the other to logic. The judge is never at fault in his work: the person brought before him is certainly guilty, the more so if he makes a defence. Justice need never beat her head, or work herself into a heat, in order to distinguish the truth from the falsehood. Everyhow she starts from a foregone conclusion. Again, the logician, the schoolman, has only to analyse the soul, to take count of the shades it passes through, of its manifold nature, its inward strifes and battles. He had no need, as we have, to explain how that soul may grow wicked step by step. At all such niceties and groping efforts, how, if even he could understand them, would he laugh and wag his head! And, oh! how gracefully then would quiver those splendid ears which deck his empty skull!

      Especially in treating of the compact with the Devil, that awful covenant whereby, for the poor profit of one day, the spirit sells itself to everlasting torture, we of another school would seek to trace anew that road accursed, that frightful staircase of mishaps and crimes, which had brought it to a depth so low. Much, however, cares our fine fellow for all that! To him soul and Devil seem born for each other, insomuch that on the first temptation, for a whim, a desire, a passing fancy, the soul will throw itself at one stroke into so horrible an extremity.

      Neither do I find that the moderns have made much inquiry into the moral chronology of witchcraft. They cling too much to the connection between antiquity and the Middle Ages; connection real indeed, but slight, of small importance. Neither from the magician of old, nor the seeress of Celts and Germans, comes forth the true Witch. The harmless “Sabasies” (from Bacchus Sabasius), and the petty rural “Sabbath” of the Middle Ages, have nothing to do with the Black Mass of the fourteenth century, with the grand defiance then solemnly given to Jesus. This fearful conception never grew out of a long chain of tradition. It leapt forth from the horrors of the day.

      At what date, then, did the Witch first appear? I say unfalteringly, “In the age of despair:” of that deep despair which the gentry of the Church engendered. Unfalteringly do I say, “The Witch is a crime of their own achieving.”

      I am not to be taken up short by the excuses which their sugary explanations seem to furnish. “Weak was that creature, and giddy, and pliable under temptation. She was drawn towards evil by her lust.” Alas! in the wretchedness, the hunger of those days, nothing of that kind could have ruffled her even into a hellish rage. An amorous woman, jealous and forsaken, a child hunted out by her step-mother, a mother beaten by her son (old subjects these of story), if such as they were ever tempted to call upon the Evil Spirit, yet all this would make no Witch. These poor creatures may have called on Satan, but it does not follow that he accepted them. They are still far, ay, very far from being ripe for him. They have not yet learned to hate God.

      For the better understanding of this point, you should read those hateful registers which remain to us of the Inquisition, not only in the extracts given by Llorente, by Lamothe-Langon, &c., but in what remains of the original registers of Toulouse. Read them in all their flatness, in all their dryness, so dismal, so terribly savage. At the end of a few pages you feel yourself stricken with a chill; a cruel shiver fastens upon you; death, death, death, is traceable in every line. Already you are in a bier, or else in a stone cell with mouldy walls. Happiest of all are the killed. The horror of horrors is the In pace. This phrase it is which comes back unceasingly, like an ill-omened bell sounding again and again the heart’s ruin of the living dead: always we have the same word, “Immured.”

      Frightful machinery for crushing and flattening; most cruel press for shattering the soul! One turn of the screw follows another, until, all breathless, and with a loud crack, it has burst forth from the machine and fallen into the unknown world.

      On her first appearance the Witch has neither father nor mother, nor son, nor husband, nor family. She is a marvel, an aerolith, alighted no one knows whence. Who, in Heaven’s name, would dare to draw near her?

      Her place of abode? It is in spots impracticable, in a forest of brambles, on a wild moor where thorn and thistle intertwining forbid approach. The night she passes under an old cromlech. If anyone finds her there, she is isolated by the common dread; she is surrounded, as it were, by a ring of fire.

      And yet—would you believe it?—she is a woman still. This very life of hers, dreadful though it be, tightens and braces her woman’s energy, her womanly electricity. Hence, you may see her endowed with two gifts. One is the inspiration of lucid frenzy, which in its several degrees, becomes poesy, second-sight, depth of insight, cunning simplicity of speech, the power especially of believing in yourself through all your delusions. Of such a gift the man, the wizard, knows nothing. On his side no beginning would have been made.

      From this gift flows that other, the sublime power of unaided conception, that parthenogenesis which our physiologists have come to recognise, as touching fruitfulness of the body in the females of several species; and which is not less a truth with regard to the conceptions of the spirit.

      By herself did she conceive and bring forth—what? A second self, who resembles her in his self-delusions. The son of her hatred, conceived upon her love; for without love can nothing be created. For all the alarm this child gave her, she has become so well again, is so happily engrossed with this new idol, that she places it straightway upon her altar, to worship it, yield her life up to it, and offer herself up as a living and perfect sacrifice. Very often she will even say to her judge, “There is but one thing I fear; that I shall not suffer enough for him.”—(Lancre.)

Shall I tell you what the child’s first effort was? It was a fearful burst of laughter. Has he not cause for mirth on his broad prairie, far away from the Spanish dungeons and the “immured” of Toulouse? The whole world is his In pace. He comes, and goes, and walks to and fro. His is the boundless forest, his the desert with its far horizons, his the whole earth, in the fulness of its teeming girdle. The Witch in her tenderness calls him “Robin mine,” the name of that bold outlaw, the joyous Robin Hood, who lived under the green bowers. She delights too in calling him fondly by such names as Little Green, Pretty-Wood, Greenwood; after the little madcap’s favourite haunts. He had hardly seen a thicket when he took to playing the truant.[3]

      What astounds one most is, that at one stroke the Witch should have achieved an actual Being. He bears about him every token of reality. We have heard and seen him; anyone could draw his likeness.

      The Saints, those darling sons of the house, with their dreams and meditations make but little stir; they look forward waitingly, as men assured of their part in Elysium. What little energy they have is all centred in the narrow round of Imitation; a word which condenses the whole of the Middle Ages. He on the other hand—this accursed bastard whose only lot is the scourge—has no idea of waiting. He is always seeking and will never rest. He busies himself with all things between earth and heaven. He is exceedingly curious; will dig, dive, ferret, and poke his nose everywhere. At the consummatum est he only laughs, the little scoffer! He is always saying “Further,” or “Forward.” Moreover, he is not hard to please. He takes every rebuff; picks up every windfall. For instance, when the Church throws out nature as impure and doubtworthy, Satan fastens on her for his own adornment. Nay, more; he employs her, and makes her useful to him as the fountain-head of the arts; thus accepting the awful name with which others would brand him; to wit, the Prince of the World.

      Some one rashly said, “Woe to those who laugh.” Thus from the first was Satan intrusted with too pretty a part; he had the sole right of laughing, and of declaring it an amusement—rather let us say a necessity; for laughing is essentially