Barkskins. Annie Proulx

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Название Barkskins
Автор произведения Annie Proulx
Жанр Контркультура
Серия
Издательство Контркультура
Год выпуска 0
isbn 9780007290147



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       Copyright

      4th Estate

      An imprint of HarperCollinsPublishers

      1 London Bridge Street

      London SE1 9GF

       www.4thEstate.co.uk

      First published in Great Britain by 4th Estate in 2016

      Copyright © 2016 by Dead Line, Ltd

      Annie Proulx asserts the moral right to be identified as the author of this work

      Cover design by Jaya Miceli

      Photograph © Anderson & Middleton Company

      A catalogue record for this book is available from the British Library.

      These stories are works of fiction. Names, characters, places and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events or locales is entirely coincidental.

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

      Source ISBN: 9780007232000

      Ebook Edition © June 2016 ISBN: 9780007290147

      Version: 2017-03-17

       Dedication

      To the memory of my high school teacher

      Elizabeth Ring,

      Maine historian, scholar and educator,

      who excited in me a lifelong interest in historical change

      and shifting disparate views of past and present.

      To the memories of my sister Joyce Proulx Kostyn,

      brother-in-law John Roberts,

      writers Ivan Doig, Dermot Healy, Aidan Higgins

      and wildlife biologist Ronald Lockwood.

      And for barkskins of all kinds—

      loggers, ecologists, sawyers, sculptors, hotshots,

      planters, students, scientists, leaf eaters, photographers,

      practitioners of shinrin-yoku, land-sat interpreters,

      climatologists, wood butchers, picnickers, foresters,

      ring counters and the rest of us.

       Epigraph

      Why shouldn’t things be largely absurd, futile, and transitory? They are so, and we are so, and they and we go very well together.

      George Santayana

      In Antiquity every tree, every spring, every stream, every hill had its own genius loci, its guardian spirit. These spirits were accessible to men, but were very unlike men; centaurs, fauns, and mermaids show their ambivalence. Before one cut a tree, mined a mountain, or dammed a brook, it was important to placate the spirit in charge of that particular situation, and to keep it placated. By destroying pagan animism, Christianity made it possible to exploit nature in a mood of indifference to the feelings of natural objects.

      Lynn White, Jr.

      Contents

       Cover

       Title Page