The Erckmann-Chatrian MEGAPACK ®. Emile Erckmann

with tails low, hair straight and smooth, heads advanced and ears erect, came into the court together.

      The heavy-headed mastiff calmly yawned as he stretched his sinewy legs and caved in his long back. But after a long and leisurely yawn he slowly turned round, and catching sight of the bear he stood immovable as if stupefied. The bear, too, fixed his vicious glowing eyes upon him with ears expanded and his huge claws indenting the ground under them.

      The wolf-hounds drew up as reserves in the rear of the mastiff.

      Then such silence fell upon all that excited multitude that a dead leaf might have been heard rustling to the ground; but there followed a deep, low, fierce growl, like a coming thunderstorm, which sent a shudder through the crowd.

      Suddenly the mastiff sprang forward, the two others followed, and then for several seconds nothing was seen but a confused mass rolling round the chain, then blood and entrails mingled flowing over the stones, then the bear rising on his haunches hugging the mastiff between his terrible claws, swaying to and fro his heavy head, for a moment and gaping wide with his crimson jaws, for the muzzle was gone; in the struggle it had fallen off!

      Then a low but rising cry of fear passed over the crowd in the galleries. No applause now, only a well-grounded alarm! The mastiff was in the agonies of death, with a rattling in his throat; the wolf-hounds lay torn and dead on the bloodstained earth; in the stables all round the court long agitated roaring and bellowing betrayed the terror of the cattle, whose kicking and plunging made the walls shake; but the bear never stirred: he seemed to be enjoying the universal alarm.

      But lo! in this predicament was heard a slight but unmistakable cracking like timber giving way, then more cracks; the old rotten galleries were beginning to yield under the heavy pressure of the crowd; and there was in this noise, just heard in the midst of the dead silence of suspense, something so dreadful that I, in my place of safety, felt a cold shiver pass over me. Taking a rapid survey of the galleries before me, I saw every face changed in colour, pale with a bluish, ashy paleness; some open-mouthed, others with bristling hair, listening intently, holding their breath. The capuchin friar Johannes seated on the banister had turned from crimson to a greenish hue, and the big red nose of Doctor Melchior had turned from red to sallow the first time for twenty years; the poor little women trembled without stirring from their places, knowing that the least agitation would bring down the whole place.

      I could have wished to fly too. I fancied I could see the thick oaken pillars of the gallery bowing to the ground. I cannot tell whether this was illusion or not, but in a moment the principal beam gave a loud crack and became depressed by three inches at the least. Then, my friends, it was horrible to behold—the deep silence of a minute before was succeeded by tumult, cries, screams, and ravings. That mass of human beings heaped up in the galleries, one above another, were some clutching the walls, the pillars, the banisters; others were fighting with fury, and even biting, to get away faster, and from the midst of this frightful confusion arose the plaintive voices of the suffering women. I shudder at the remembrance. Oh, may I never see such a sight as this again!

      But, most terrible circumstance of all, the bear was chained close by the staircase that leads up to the galleries!

      If I were to live a thousand years never should I forget the horror of Friar Johannes, who had cleared a way for himself with his long staff, and was placing his foot on the last step when he discovered, just before the bottom of the staircase, Beppo seated calmly on his tail, his chain tightened, his eye expressive of joy, ready to snap him up first!

      None can tell the muscular power which Maître Johannes was obliged to put forth to stem the force that was driving him in from behind. Convulsively grasping the banister with both hands, his broad shoulders formed a mighty buttress against the pressing flood. Like Atlas, I do believe he would have borne the earth upon his back to save his precious skin.

      In the midst of this confusion and tumult, and when there seemed no way to avert the threatening catastrophe, suddenly the door of the cattle-shed opened violently, and the redoubtable Horni, Maître Sébaldus’s magnificent bull, rushed into the arena, his massive dewlap shaking loosely like an apron, his tail extended straight, his mouth and nostrils white with fleecy foam.

      It was an inspiration of the master’s. He had resolved to risk his bull to save human life. At the same moment the fat, round, rosy face of our landlord appeared through the skylight of the stable, crying to the crowd not to be alarmed, for that he would open the inner door which abuts into the old synagogue, and let out the crowd by the Jews’ street, which was done in two or three minutes, to the immense relief and comfort of the public.

      But now listen to the end of my story.

      Scarcely had the bear caught sight of the bull when he made an ugly rush upon this new adversary with so terrible a shock that the chain burst. The bull retired, facing his foe, to a corner of the court near the pigeon-cote, and there, head well down between his short legs and horns presented, he awaited the shock of war.

      The bear made several feints, slipping along by the wall from right to left; but the bull, with his forehead almost touching the ground, followed the enemy’s movements with marvellous coolness.

      In five minutes the galleries had been cleared; the noise of the crowd taking refuge down the Jews’ street was becoming more remote, and this manoeuvring of the two huge brutes seemed as if they were meditating a drawn battle, when suddenly the bull, losing patience, threw himself upon the bear with the whole momentum of his monstrous bulk. The unhappy brute, pressed so closely, took refuge under the wood-shed, but the head and horns of his foe pursued him thither, and there no doubt he nailed his adversary to the wall, for although I could only see the bull’s hind-quarters, I could hear a dreadful shriek, followed by a crunching of bones, and presently a pool of blood was flowing over the pavement.

      I could only see the bull’s hind-quarters and his tail waving aloft like a battle-flag. You would have thought he wanted to bring the walls down by the furious and violent pounding of his hind-feet. That silent scene in shadow was fearful. I did not wait to see the end. I came carefully down my ladder, and slipped out of the court like a thief. You may imagine with what pleasure I inhaled the pure open air; and passing through the crowd collected round the door where the bear-leader was tearing his hair in his wild despair, I ran off to my aunt’s house.

      I was just going round under the arcades when I was stopped by my old drawing-master, Conrad Schmidt.

      “Caspar!” he cried, “where are you going in such a hurry?”

      “I am going to paint the great bear-fight!” I answered enthusiastically.

      “Another tavern scene, I suppose,” he remarked with a shrug.

      “Why not, Master Conrad? Is not a tavern scene as good as one in the forum?”

      I would have said a good deal, but we were standing at his door.

      “Good night, Maître Conrad,” I cried, pressing his hand. “Don’t bear a grudge against me for not going to study in Italy.”

      “Grudge! No,” replied the old master, smiling. “You know that privately I am of your opinion. If I tell you now and then to go to Italy, it is to satisfy Dame Catherine. But follow out your own idea, Caspar. Men who only follow other men’s ideas never do any good.”

      THE SCAPEGOAT

      NOTE

      This story, allowing for the exercise of fancy in its construction, is only too faithful a picture of German student life and habits, with its ignorance or disregard of the Christianity taught us in the Gospel, its only half-concealed leaning towards the ancient systems of religion properly known as heathen, and its careless indifference to human life. The translator has ventured to deviate slightly from the original in one or two places in order to avoid giving an unnecessary shock to the susceptibilities of readers trained and educated in principles widely differing from these.—Translator

      Doesn’t everybody at Tubingen know the lamentable history of the quarrel between the Seigneur Kaspar Evig and the young Jew Elias Hirsch? Kaspar Evig was courting Mademoiselle Eva Salomon, the daughter of the old picture-dealer