The Erckmann-Chatrian MEGAPACK ®. Emile Erckmann

for anything that fashion can alter. I am a great man because I hold really and effectually that which the world covets.

      “Ye poets and artists! what are you in comparison with the rich proprietor who has everything he wants, and who feeds your inspiration with the crumbs that fall from his table? What are you but ornamental portions of his feasts and banquets, just to fill up a weary interval? You are no more than the sparrow that warbles in his hedges, or the statue that figures in his garden-walk. It is by him and for him that you exist. What need has he to envy you the incense of pride and vanity—he who possesses the only solid good this world has to offer?”

      At that moment of inflated conceit if the poor Kapellmeister Hâas had appeared before me I might very likely have turned and looked at him over my shoulder and asked, “What fool is that? What business has he with me?”

      I threw a window open; evening was closing in. The setting sun gilded my orchards and my vines as far as I could see. On the declivity of the hill a few white patches indicated the cemetery.

      I turned round. A great Gothic hall, with rich mouldings decorating the ceiling, pleased my taste exceedingly. This was the Seigneur Burckhardt’s hunting-saloon.

      An old spinet stood between two windows; I ran my fingers absently over the keys, and the loose strings jingled with the disagreeable squeaking of a toothless old woman trying to sing like a young damsel.

      At the end of this long apartment was an arched alcove closed in by deep red curtains, and containing a lofty four-post bedstead with a kind of grand baldacchino covering it in. The sight of this reminded me that I had been six hours on horseback, and undressing with a self-satisfied smirk on my face all the time—

      “It is the first time,” I said, “that I shall sleep in a bed of my own.”

      And laying myself comfortably down, with my eyes dreamily wandering over the distant plains on which the shadows of evening were settling down, I felt my eyelids gently yielding to the sweet influence of sleep. Not a leaf was stirring; the village noises ceased one by one, the last golden rays of the sun had disappeared, and I dropped into the unconsciousness of welcome sleep.

      Dark night fell on the face of the earth, and then the moon was rising in all her splendour, when I awoke, I cannot tell why. The wandering scents of summer air reached me through the open window, fragrant with the sweet perfume of the new-mown hay. I gazed with surprise, then I made an effort to rise and open the window, but some obstacle prevented me. To my astonishment, though my head was perfectly free to move in any direction, my body was buried in a deep sleep like a lump of lead. Not a single muscle obeyed my repeated efforts to raise my body; I was conscious of my arms lying extended near me, and my legs being stretched out straight and immovable; but my head was swaying helplessly to and fro. My breathing, deep and regular—the breathing of my body went on all the same, and frightened me dreadfully. My head, exhausted with its vain efforts to obtain obedience from the limbs, fell back in despair, and I said, “What! Is it paralysis?”

      My eyes closed. I was reflecting with a feeling of horror upon this strange phenomenon, and my ears were listening intently to the agitated beating of my heart, over whose hurried flow of blood the mind had no power.

      “What, what is this?” I thought presently. “Do my own body and limbs refuse to obey my will? Cannot Caspar Hâas, the undisputed lord of so many rich vineyards and fat pastures, move this wretched clod of earth which most certainly belongs to him? Oh, what does it all mean?”

      As I was thus wondering and meditating I heard a slight noise. The door of my alcove opened, and a man clothed in some stiff material resembling felt, such as is worn by the monks in the chapel of St. Werburgh at Mayence, with a broad-brimmed hat and feather pushed off from the left ear, his hands buried up to the elbows in gauntlets of strong untanned leather, entered the room. This gentleman’s huge jack-boots came over the knees, and were folded down again. A heavy chain of gold, with decorations suspended to it, hung from his shoulders. His tanned and angular countenance, his sallow complexion, his hollow eyes, bore an expression of bitterness and melancholy.

      This dismal personage traversed the hall with a hard and sounding step as measured as the ticking of a clock, and placing his skinny hand upon the hilt of an immense long rapier, and stamping with his heel on the floor, he uttered in a horribly disagreeable creaking voice resembling the grating of an engine these words, which dropped in a dry mechanical fashion from his ashy lips:—

      “This is mine—mine—Hans Burckhardt, Count of Barth!”

      I felt a creeping sensation coming all over me.

      At the same instant the door opposite flew open wide, and the Count of Barth disappeared in the next apartment; and I could hear his hard, dry automatic tread upon the stairs descending the steps, one by one, for a long time; there seemed no end to it, until at last the awful sounds died in the remote distance as if they had descended into the bowels of the earth.

      But as I was still listening, and hearing nothing further, all in a moment the vast hall filled as if by magic with a numerous company; the spinet began to jingle; there was music and singing of love, and pleasure, and wine.

      I gazed and saw by the bluish-grey moonlight ladies in the bloom of youth negligently floating over the floor, and chiefly about the old spinet; elegant cavaliers attired, as in the olden time, in innumerable dangling ribbons, and the very perfection of lace collars and ruffles, seated cross-legged upon gold-fringed stools, affectedly inclining sidelong, shaking their perfumed locks, making little bows, studying all kinds of graceful attitudes, and paying their court to the ladies, all so elegantly, and with such an air of gallantry, that it reminded me of the old mezzotint engravings of the graceful school of Lorraine in the sixteenth century.

      And the stiff little fingers of an ancient dowager, with a parrot bill, were rattling the keys of the old spinet; bursts of thin laughter set discordant echoes flying, and ended in little squeaks with such a sharp discordant rattle of constrained laughter as made my hair stand on end.

      All this silly little world—all this quintessence of fashion and elegance, long out of date, all exhaled the acrid odour of rose-water and essence of mignonette turned into vinegar.

      I made new and superhuman exertions to get rid of this disagreeable nightmare, but it was all in vain. But at that instant a lady of the highest fashion cried aloud—

      “Lords, you are at home here in all this domain—”

      But she was cut short in her compliments; a silence like death fell on the whole assembly. They faded away. I looked, and the whole picture had vanished from my sight.

      Then the sound of a trumpet fell on my listening ears. Horses were pawing the ground outside, dogs were barking, while the moon, calm, clear, inviting to meditation, still poured her soft light into my alcove.

      The door opened as if by a blast of wind, and fifty huntsmen, followed by a company of young ladies attired as they were two centuries ago, in long trains, defiled with majestic pace out of one chamber into the other. Four serving-men passed amongst them, bearing on their brawny shoulders on a stout litter of oak boughs the bloody carcass of a monstrous wild boar, with dim and faded eye, and with the foam yet lying white on his formidable tusks and grisly jaws.

      Then I heard the flourishes of the brazen trumpets redoubled in loudness and energy; but silence fell, and the pomp and dignity, passed away with a sigh like the last moans of a storm in the woods; then—nothing at all—nothing to hear—nothing to see!

      As I lay dreaming over this strange vision, and my eyes wandering vaguely over the empty space in the silent darkness, I observed with astonishment the blank space becoming silently occupied by one of the old Protestant families of former days, calm, solemn, and dignified in their bearing and conversation.

      There sat the white-haired patriarch with the big Bible upon his knees; the aged mother, tall and pale, spinning the flax grown by themselves, sitting as straight and immovable as her own distaff, her ruff up to her ears, her long waist compressed in a stiff black bodice; then there sat the fat and rosy children, with serious countenances and thoughtful blue eyes, leaning in silence with their