The Notebooks - The Original Classic Edition. Leonardo Da

manner the muscles clothe or cover their bones in old or lean persons; and besides this, observe the rule as to how these same muscles fill up the spaces of the surface that extend between them, which are the muscles which never lose their prominence

       in any amount of fatness; and which too are the muscles of which the attachments are lost to sight in the very least plumpness. And in many cases several muscles look like one single muscle in the increase of fat; and in many cases, in growing lean or old, one single muscle divides into several muscles. And in this treatise, each in its place, all their peculiarities will be explained--and particularly as to the spaces between the joints of each limb &c. Again, do not fail [to observe] the variations in the forms of the above mentioned muscles, round and about the joints of the limbs of any animal, as caused by the diversity of the motions of each limb; for on some side of those joints the prominence of these muscles is wholly lost in the increase or diminution of the flesh of which these muscles are composed, &c.

       [Footnote: DE ROSSI remarks on this chapter, in the Roman edition of the Trattato, p. 504: "Non in questo luogo solo, ma in altri ancora osservera il lettore, che Lionardo va fungendo quelli che fanno abuso della loro dottrina anatomica, e sicuramente con cio ha in mira il suo rivale Bonarroti, che di anatomia facea tanta pompa." Note, that Leonardo wrote this passage in Rome, probably under the immediate impression of MICHAELANGELO'S paintings in the Sistine Chapel and of RAPHAEL'S Isaiah in Sant' Agostino.]

       364.

       OF THE DIFFERENT MEASUREMENTS OF BOYS AND MEN.

       There is a great difference in the length between the joints in men and boys for, in man, from the top of the shoulder [by the neck] to the elbow, and from the elbow to the tip of the thumb and from one shoulder to the other, is in each instance two heads, while in a boy it is but one because Nature constructs in us the mass which is the home of the intellect, before forming that which contains the vital elements.

       365.

       OF PAINTING.

       Which are the muscles which subdivide in old age or in youth, when becoming lean? Which are the parts of the limbs of the human

       frame where no amount of fat makes the flesh thicker, nor any degree of leanness ever diminishes it?

       The thing sought for in this question will be found in all the external joints of the bones, as the shoulder, elbow, wrists, finger-joints, hips, knees, ankle-bone and toes and the like; all of which shall be told in its place. The greatest thickness acquired by any limb is at the part of the muscles which is farthest from its attachments.

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       Flesh never increases on those portions of the limb where the bones are near to the surface.

       At b r d a c e f the increase or diminution of the flesh never makes any considerable difference. Nature has placed in front of man all those parts which feel most pain under a blow; and these are the shin of the leg, the forehead, and the nose. And this was done for the preservation of man, since, if such pain were not felt in these parts, the number of blows to which they would be exposed must be the cause of their destruction.

       Describe why the bones of the arm and leg are double near the hand and foot [respectively].

       And where the flesh is thicker or thinner in the bending of the limbs.

       366.

       OF PAINTING.

       Every part of the whole must be in proportion to the whole. Thus, if a man is of a stout short figure he will be the same in all his parts: that is with short and thick arms, wide thick hands, with short fingers with their joints of the same character, and so on with

       the rest. I would have the same thing understood as applying to all animals and plants; in diminishing, [the various parts] do so in due

       proportion to the size, as also in enlarging.

       367.

       OF THE AGREEMENT OF THE PROPORTION OF THE LIMBS.

       And again, remember to be very careful in giving your figures limbs, that they must appear to agree with the size of the body and likewise to the age. Thus a youth has limbs that are not very muscular not strongly veined, and the surface is delicate and round, and tender in colour. In man the limbs are sinewy and muscular, while in old men the surface is wrinkled, rugged and knotty, and the sinews very prominent.

       HOW YOUNG BOYS HAVE THEIR JOINTS JUST THE REVERSE OF THOSE OF MEN, AS TO SIZE.

       Little children have all the joints slender and the portions between them are thick; and this happens because nothing but the skin covers the joints without any other flesh and has the character of sinew, connecting the bones like a ligature. And the fat fleshiness is laid on between one joint and the next, and between the skin and the bones. But, since the bones are thicker at the joints than

       between them, as a mass grows up the flesh ceases to have that superfluity which it had, between the skin and the bones; whence the skin clings more closely to the bone and the limbs grow more slender. But since there is nothing over the joints but the cartilaginous and sinewy skin this cannot dry up, and, not drying up, cannot shrink. Thus, and for this reason, children are slender at the joints and fat between the joints; as may be seen in the joints of the fingers, arms, and shoulders, which are slender and dimpled, while in man on the contrary all the joints of the fingers, arms, and legs are thick; and wherever children have hollows men have prominences.

       The movement of the human figure (368-375).

       368.

       Of the manner of representing the 18 actions of man. Repose, movement, running, standing, supported, sitting, leaning, kneeling, lying down, suspended. Carrying or being carried, thrusting, pulling, striking, being struck, pressing down and lifting up.

       [As to how a figure should stand with a weight in its hand [Footnote 8: The original text ends here.] Remember].

       369.

       A sitting man cannot raise himself if that part of his body which is front of his axis [centre of gravity] does not weigh more than that which is behind that axis [or centre] without using his arms.

       A man who is mounting any slope finds that he must involuntarily throw the most weight forward, on the higher foot, rather than behind--that is in front of the axis and not behind it. Hence a man will always, involuntarily, throw the greater weight towards the point whither he desires to move than in any other direction.

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       The faster a man runs, the more he leans forward towards the point he runs to and throws more weight in front of his axis than behind. A man who runs down hill throws the axis onto his heels, and one who runs up hill throws it into the points of his feet; and a man running on level ground throws it first on his heels and then on the points of his feet.

       This man cannot carry his own weight unless, by drawing his body back he balances the weight in front, in such a way as that the foot on which he stands is the centre of gravity.

       [Footnote: See Pl. XXII, No. 4.]

       370.

       How a man proceeds to raise himself to his feet, when he is sitting on level ground.

       371.

       A man when walking has his head in advance of his feet.

       A man when walking across a long level plain first leans [rather] backwards and then as much forwards.

       [Footnote 3-6: He strides forward with the air of a man going down hill; when weary, on the contrary he walks like a man going up

       hill.]

       372.

       A man when running throws less weight on his legs than when standing still. And in the same way a horse which is running feels less the weight of the man he carries. Hence many persons think it wonderful that, in running, the horse can rest on one single foot. From this it may be stated that when a weight is in progressive motion the more rapid it is the less is the perpendicular weight towards the centre.

       373.

       If a man, in taking a jump from firm ground, can leap 3 braccia, and when he was taking his leap it were to recede 1/3 of a braccio, that would be taken off his former leap;